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Unusual military tactics
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The powerful Irkalla class warship cruised easily through the vacuum of space, passing by a nearby White dwarf, the glaring white paint upon its blackened hull bearing the words ‘The Sutherland’ came into view as the weaponry along the beaten and bruised craft bristled menacingly yet at the same time with a deadly beauty. As it passed the star, light began to shine through the darkened, grimy windows into large empty halls. Inside, Argyll stirred uneasily in his bed, knocking the sheets off and jolting upright while panting heavily as a cold sweat ran across his body. Argyll was a tall and well-structured male, who looked around uneasily as he slowly let out a sigh before closing his eyes as he slowly rested his head on his hands, shaking violently. He began to run his hands through his long, unkempt hair breathing in the, metallic air as he kept his eyes shut tight. Hell. This is the one word the marine …show more content…
Certainly, it seemed, someone wanted them dead. As the leader of the team managed to get them into relative safety, they felt the ground below them shudder as the enemy cannons let out a volley of energy rounds on their position, creating a familiar whooshing noise as they soared through the air to punish the trench they had just vacated. They kept sprinting as they finally made it back to the safety of their camp, shrouded beneath a stealth generator which rendered them invisible against the backdrop of the ruined land. As they sat down, they all began to laugh with nerves, sighing with relief. The leader sat down, taking off his helmet as he shook his head to get the dirt out of his hair before sighing
In “The Boat” by Alistair MacLeod, the mother shows the importance of tradition to her, which has been cemented in her since youth. Throughout the piece, the reader realizes that the mother comes from a large traditional family of fisherman, which in effect the mother’s most defining characteristic was that she “was of the sea, as were all her people, and her horizons were the very literal ones she scanned with her dark and fearless eyes”. Tradition and her inherited family values shaped her personality that was shown throughout the piece, such as her diligence during her husband’s fishing excursions to her stubbornness throughout the family’s hardships. In a sense, a large part of her identity came directly from her traditions, which she felt
Jarrell concludes his poem and his metaphor with an impactful line five and six. “I woke to black flak and the nightmare of fighters When I died they washed me out of the turret with a hose.” The literal imagery in line five depicts the final moments of the gunners life. In describing them as “black” and “nightmare” he conveys the horror of this particular end. Jarrell concludes his poem and his metaphor with an impactful line five and six. “I woke to black flak and the nightmare of fighters When I died they washed me out of the turret with a hose.” The literal imagery in line five depicts the final moments of the gunners life. In describing them as “black” and “nightmare” he conveys the horror of this particular end. This sense of horror extends into his impactful final line describing being washed out of the turret with a
Incidentally, as I write this paper I gaze upon a framed picture of a man. Over the right shoulder in the background is a blue field with silver stars behind his right shoulder. In juxtaposition behind his left shoulder is a field of red containing a pattern of gold and silver. His cover is stark white, precisely in the middle a gold eagle globe and anchor symbol. Determined blue eyes gaze back at me. His mouth set with resolve. His uniform, deep blue trimmed in red. Gold buttons run down the center. The leather neck fastened tight with two gold eagle globe and anchors on either side of the closure. A United States Marine stares back at me and I weep because some general, some officer one day may consider my son to be an acceptable loss.
After an event of large magnitude, it still began to take its toll on the protagonist as they often “carried all the emotional baggage of men who might die” during the war (O’Brien 1187). The travesties that occurred with the brutality of war did not subside and began to affect those involved in a deeply emotional way. The multitude of disastrous happenings influenced the narrator to develop a psychological handicap to death by being “afraid of dying” although being “even more afraid to show it” (O’Brien 1187). The burden caused by the war creates fear inside the protagonist’s mind, yet if he were to display his sense of distress it would cause a deeper fear for those around him, thus making the thought of exposing the fear even more frightening. The emotional battle taking place in the psyche of the narrator is directly repressed by the war.
The pattern of the Marines allows Krebs to conform to the life of a soldier. However, the pattern of a soldier is not like that of his fraternity brothers. Even though both Krebs and the corporal “look too big in their uniforms”, they are strangely out of place. There is nothing beautiful about their sameness. For Krebs, the war is not beautiful because it is filled with death; yet, there is a sense of regularity in the role of a soldier. During...
It is apparent that the topic of war is difficult to discuss among active duty soldiers and civilians. Often times, citizens are unable to understand the mental, physical, and physiological burden service members experience. In Phil Klay’s Ten Kliks South, the narrator struggles to cope with the idea that his artillery team has killed enemy forces. In the early stages of the story, the narrator is clearly confused. He understands that he did his part in firing off the artillery rounds, yet he cannot admit to killing the opposition. In order to suppress his guilt and uncertainty, our narrator searches for guidance and reassurance of his actions. He meets with an old gunnery sergeant and during their conversation, our narrator’s innocence
The navigator sighed one last time as Heller gazed deep into his eyes, shaking him increasingly vigorous until his eyes shut for the last time. The navigator who had everything to live for was dead. Heller again froze with fear, sitting there staring at the lifeless navigator, unable to utter a word, unable to move, unable comprehend the events that had transpired before his eyes.5 The navigator’s death consumed him; it ate him from the inside and convinced him that it could have easily been himself lying there motionless. Heller no longer was the craziest in the squadron; he still had no serious complaints about his life in the army and flew a total of sixty missions, but went about the rest of his time in the Mediterranean knowing that death lurked around every corner.6 Mostly, he wished that he could have gotten to know the young
“The Boat”, narrated by a Mid-western university professor, Alistar MacLeod, is a short story concerning a family and their different perspectives on freedom vs. tradition. The mother pushes the son to embrace more of a traditional lifestyle by taking over the fathers fishing business, while on the other hand the father pushes the son to live more autonomously in an unconstrained manner. “The Boat” focuses on the father and how his personality influences the son’s choice on how to live and how to make decisions that will ultimately affect his life. In Alistair MacLeod’s, “The Boat”, MacLeod suggest that although dreams and desires give people purpose, the nobility of accepting a life of discontentment out weighs the selfishness of following ones own true desires. In the story, the father is obligated to provide for his family as well as to continue the fishing tradition that was inherited from his own father. The mother emphasizes the boat and it’s significance when she consistently asked the father “ How did things go in the boat today” since tradition was paramount to the mother. H...
This passage defines the character of the narrators’ father as an intelligent man who wants a better life for his children, as well as establishes the narrators’ mothers’ stubbornness and strong opposition to change as key elements of the plot.
...ure itself. Things began to turned back to as they were and the mariner was rescued, “But soon I heard the dash of oars, I heard the Pilot's cheer; my head was turned perforce away and I saw a boat appear” (135-137). He was very happy and fearful at the same time when they appeared, as he feared it may have been another sin coming upon him.
"The monstropolous beast had left his bed. The two hundred miles an hour wind had loosed his chains. He seized hold of his dikes and ran forward until he met the quarters; uprooted them like grass and rushed on after his supposed-to-be conquerors, rolling the dikes, rolling the houses, rolling the people in the houses along with other timbers. The sea was walking the earth with a heavy heel.
Now her father and the people were calling out for the usual foot-race, when Hippomenes, a descendant of Neptune, asked for my aid, as a helper: ‘Cytherea, I beg you to assist my daring, and encourage the fire of love you lit.’ A kindly breeze brought me the flattering prayer, and I confess it stirred me, though there was scant time to give him my help. There is a field, the people there call it the field of Tamasus, the richest earth in the island of Cyprus, which the men of old made sacred to me, and ordered it to be added to my temples, as a gift. A tree gleams in the middle of the field, with rustling golden leaves, and golden branches. I came from there, by chance, I was carrying three golden apples I had picked in my hands, and I approached
The story’s theme is related to the reader by the use of color imagery, cynicism, human brotherhood, and the terrible beauty and savagery of nature. The symbols used to impart this theme to the reader and range from the obvious to the subtle. The obvious symbols include the time from the sinking to arrival on shore as a voyage of self-discovery, the four survivors in the dinghy as a microcosm of society, the shark as nature’s random destroyer of life, the sky personified as mysterious and unfathomable and the sea as mundane and easily comprehended by humans. The more subtle symbols include the cigars as representative of the crew and survivors, the oiler as the required sacrifice to nature’s indifference, and the dying legionnaire as an example of how to face death for the correspondent.
Through metaphors, the speaker proclaims of her longing to be one with the sea. As she notices The mermaids in the basement,(3) and frigates- in the upper floor,(5) it seems as though she is associating these particular daydreams with her house. She becomes entranced with these spectacles and starts to contemplate suicide.
Once upon a time, I saw the world like I thought everyone should see it, the way I thought the world should be. I saw a place where there were endless trials, where you could try again and again, to do the things that you really meant to do. But it was Jeffy that changed all of that for me. If you break a pencil in half, no matter how much tape you try to put on it, it'll never be the same pencil again. Second chances were always second chances. No matter what you did the next time, the first time would always be there, and you could never erase that. There were so many pencils that I never meant to break, so many things I wish I had never said, wish I had never done. Most of them were small, little things, things that you could try to glue back together, and that would be good enough. Some of them were different though, when you broke the pencil, the lead inside it fell out, and broke too, so that no matter which way you tried to arrange it, they would never fit together and become whole again. Jeff would have thought so too. For he was the one that made me see what the world really was. He made the world into a fairy tale, but only where your happy endings were what you had to make, what you had to become to write the words, happily ever after. But ever since I was three, I remember wishing I knew what the real story was.