Meaning v. Experience is the concept that a person uses his or her past and present experiences, to interpret the main argument or meaning of the text. Yet, using experience, does not always mean that his or her assumptions for a literary text are correct. Conversely, the meaning is not generated on forming collective experience brought to text. Rather, it is the dialogue that expresses questioning of knowledge forms. For example, in fiction it asks us to imagine, further stating that the reader’s response is vial in interpreting the characters, dialogue, and scenes.
Discursive commentary is a style of writing that is expansive and fluent. Discursive commentary accompanies narrative action in order to make sense of the text and identify
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For example, the first setting is described using terms of figurative paralysis and blindness (the quiet and blinding dead end of North Richmond street). This brings the understanding of the narrator’s mental and spiritual thinking. As a result, he is blinded by the illusion of his ‘holy’ relationship with Mangan’s sister and the connection between the secular and religious. He thinks of himself, as a religious hero and Mangan’s sister as the Virgin Mary. In addition to this, the setting of the Araby bazaar fails to fulfill his expectations. The Araby bazaar is neither exotic nor unique, instead it is an average traveling exhibition selling trinkets sponsored by the church to make money. Therefore, the narrator’s epiphany is awakened due to the setting, since he realizes that everything is an illusion; the bazaar, him being a religious hero, Mangan’s sister as the virgin Mary, and the ‘holy’ relationship. Significant factors, including the dark, enclosed bazaar, the rude worker, the items for sale, and the senseless flirting conversation he overhears, all lead to his epiphany. In the end, the setting of the closing bazaar enables him to see himself, physically and metaphorically, in a new way. Further emphasizing that his blindness is removed through the symbolism of his eyes
Their confusion of the world is shown in the descriptions both boys use when describing the town in “A & P” and the bazaar of “Araby”. Sammy speaks of the people of his town saying, the customers had been showing up with their carts but, you know, sheep, seeing a scene, they had all bunched up on Stoksie”. In his mind the town has become so boring that the citizens have been brain washed into mindless sheep. In “Araby” the bazaar is exaggerated in the way its building is described by the boy as, “a large building which displayed the magical name”. The boy is seeing the bazaar as the only place that will have just the right gift to win the girls affection and not the flea market it actually is.
In our world today, everyone has a different way of interpretation. Interpretation ranges from person to person and varies with every artifact that we interpret. A red octagon to some may mean to stop while to others it may have no meaning. A poem or song may have one meaning to one person and a completely different meaning to another person. To help uncover the reasoning behind an artifact a rhetorical analysis can be utilized. When one utilizes a rhetorical analysis, it will result in their interpretation of the artifact.
Whereas the interpreter is obliged to go to the depth of things, like an excavator, the moment of interpretation [genealogy] is like an overview, from higher and higher up, which allows the depth to be laid out in front of him in a more and more profound visibility; depth is resituated as an absolutely superficial secret.(18)
This theory is not only credible in literature, to discuss the intentions of an author, but is also effectively used in film, to discuss the intentions of a director. One benefit of this theory is that it can help with many literary problems. For example, Freudian critics not only “stress distinction between the conscious and the unconscious”, but also uncover “the unconscious motives of characters” as well as see “an embodiment of classic psychoanalytic conditions” within literary works (Barry 101). By drawing connections between concepts in the text, we are able to further enrich our understanding of the work and, if we plan to discuss it with others, are able to yield a meaningful, coherent interpretation of the
“Araby” tells the story of a young boy who romanticizes over his friend’s older sister. He spends a lot of time admiring the girl from a distance. When the girl finally talks to him, she reveals she cannot go to the bazaar taking place that weekend, he sees it as a chance to impress her. He tells her that he is going and will buy her something. The boy becomes overwhelmed by the opportunity to perform this chivalrous act for her, surely allowing him to win the affections of the girl. The night of the bazaar, he is forced to wait for his drunken uncle to return home to give him money to go. Unfortunately, this causes the boy to arrive at the bazaar as it is closing. Of the stalls that remained open, he visited one where the owner, and English woman, “seemed to have spoken to me out of a sense of duty” (Joyce 89) and he knows he will not be able to buy anything for her. He decides to just go home, realizing he is “a creature driven and derided with vanity” (Joyce 90). He is angry with himself and embarrassed as he...
What makes reader to see an feel that ? The literary elements used by author to describe and coll or this main character through his journey to find the answer to all of the question arisen in a upcoming situations.
It is noteworthy to be stated clearly at the outset of the present paper that literary theories are composed of a mere plethora of highly debatable ideas, concepts and assumptions. They are in other words, strikingly vague, opaque and of a typical flexibility. According to Wellek and Warren (1966, p. 30) }there are then, not only one or two but literally hundreds of independent, diverse, and mutually exclusive conceptions of literature, each of which is in some way right~. That is, the diversity of literary theories and even the contradiction between them sometimes, is something natural.
A story will become unreliable and lose the reader’s interest unless its author knows how to draw an exquisite circumstance and arrange the information. The story has demonstrated the descriptive scenes, even it’s a small detail. The powerful descriptive information and the symbols in the story helped to make the success of the story. That process is called setting which is the idea of the broad, form picture of the story. In the beginning of the story, we can see the house where the narrator and her husband rent for their summer vacation. It is the main and only place that story takes place. It was a colonial mansion and it was filled up with romantic love and happiness. By taking a first a look at its beautiful outside form and appearance but then the narrator described, “It is quite alone, standing well back from the road, quite three miles from the village. It makes me think of English places that you read about, for ther...
The short story “Araby” by James Joyce is told by what seems to be the first person point of view of a boy who lives just north of Dublin. As events unfold the boy struggles with dreams versus reality. From the descriptions of his street and neighbors who live close by, the reader gets an image of what the boy’s life is like. His love interest also plays an important role in his quest from boyhood to manhood. The final trip to the bazaar is what pushes him over the edge into a foreshadowed realization. The reader gets the impression that the narrator is the boy looking back on his epiphany as a matured man. The narrator of “Araby” looses his innocence because of the place he lives, his love interest, and his trip to the bazaar.
The narrator alienated himself from friends and family which caused loneliness and despair, being one of the first themes of the story. He developed a crush on Mangan's sister, who is somewhat older than the boys, however he never had the confidence to confess his inner-most feelings to her. Mentally, he began to drift away from his childlike games, and started having fantasies about Mangan's sister in his own isolation. He desperately wanted to share his feelings, however, he didn't know how to explain his "confused adoration." (Joyce 390). Later in the story, she asked him if he was going to Araby, the bazaar held in Dublin, and he replied, "If I go I will bring you something.' (Joyce 390). She was consumed in his thoughts, and all he could think about was the upcoming bazaar, and his latest desire. The boy's aunt and uncle forgot about the bazaar and didn't understand his need to go, which deepened the isolation he felt (Borey).
Although “Araby” is a fairly short story, author James Joyce does a remarkable job of discussing some very deep issues within it. On the surface it appears to be a story of a boy's trip to the market to get a gift for the girl he has a crush on. Yet deeper down it is about a lonely boy who makes a pilgrimage to an eastern-styled bazaar in hopes that it will somehow alleviate his miserable life. James Joyce’s uses the boy in “Araby” to expose a story of isolation and lack of control. These themes of alienation and control are ultimately linked because it will be seen that the source of the boy's emotional distance is his lack of control over his life.
Throughout most of the story, vivid word choice is used to describe the setting of the story. Particularly during both the exposition and resolution of the short story. During the exposition, the author James Joyce describes the setting of North Richmond Street, the location of the boys house. He begins to explain the appearance of the house by saying, “[...] we ran through the gauntlet of the rough tribes from the cottages, to the back doors of the dark dripping gardens where odours arose from ash pits, to the dark odorous stables where a coachman smoothed and combed the horse or shook music from the buckled harness,” (Joyce 1). By describing the setting the short story already starts off by starting to reveal how the boy feels about his surroundings. Through somber word choice and the detailed explanation of how his neighbor hood where he roamed looked, it is clear that the attitude of the boy is not cheerful. Much later, during the resolution of the novel, the unnamed boy has already arrived at the bazaar, however, it's almost closed. He is asked to purchase something and he replies “no” after observing her behavior toward him. The boy notices, “The young lady changed the position of one of the vases and went back to the two young men. They began to talk of one of the same subject. Once
Joyce emphasizes the unnamed narrator’s unrealistic view of life in “Araby” by showing his loss of vision. The boy is infatuated with his friend’s older sister, Mangan, and he often watches her in secret. Within the comfort of his own home, he habitually “lay[s] on the floor” and makes sure the blinds are “pulled down to within an inch of the sash so that [he] could not be seen” (Joyce 42). By using the blinds to cover his curious stares, he is taking away the vision of Mangan’s sister. He very purposefull...
Birth and death in the Arab culture has being one of the most interesting topics that is being discussed more frequently. When people talk or hear about the Arab culture they tend to think about different things about them like they are being considered as terrorist, they oppress their women and many things like that. But we tend to forget that this people, the Arabs are also human beings that they have normal day-to-day activities like people in the other part of the so-called westernized world.