Have you ever wondered why, Disney tales all end in lies? This is what happened when all their dreams came true.
Popular YouTube channel ‘Paint’ aka Jon Cozart's creates four simultaneous versions of himself singing as four major Disney characters, as if they were displaced in the real world – by wayne allen Brenner, 2013 posted back in February 2010. That takes on some pretty serious social issues today; he uses parody, humour and hyperbole to show the satirical devices through out his video. If you have ever wondered what happens after "happily ever after," well, you're in luck. Cozart’s viral video has four Disney princesses, he sings about after the ‘ever after’ he includes some pretty controversial issues, Ariel is dealing with pollution, Jasmine is troubled with the war on terror, Pocahontas dying of disease and Belle is being charged with counts of bestiality. √
The video now features over 31 million views, according to Cozart’s he states ‘thanks to BP’ ‘Bestiality’, ‘Disease’ and ‘Osama bin laden and the war on terror’. This isn’t a very fortunate ending; pretty predict...
The climax of the story is when Miles is shot by the Bonewoman. The reader comes to realize that Miles’ choice to live life on the safe side was a mistake:
Every one is scavenging for the next big gadget- the future is a standard that society strives to have in their grasp. However, Joel Achenbach a former humor columnist solves the mystery of the future in his article, “The Future is Now: it’s heading right at us, but we never see it coming” .he presents a sense of urgency describing that the future is not something that society needs to wait for it happens behind closed doors. He argues that the future is a fast pace entity that occurs all around us. Achenbach proves this point by sticking to his humorous style, with the use of witty allusions to Sci-Fi films.
1. Define 'satire' and provide one example of personal or social satire that yoou have encountered. You may use any source for your example:TV, media, news editorials, movies, comedy, etc.
Ordinary Men is the disconcerting examination of how a typical unit of middle-aged reserve policemen became active participants in the slaughter of tens of thousands of Polish Jews.
The idealistic childhood memory every child thinks back to is their first trip to Disney World, “The Happiest Place on Earth, “according to Walt Disney. The ideal place where everything is magical and fairytales do exist. Disney World has become America’s most popular attraction since 1923. Whether it’s through one of Disney’s theme park, 227 radio stations, six motion studio pictures, three cruise lines, or its theatrical production companies, Disney Corporations culture monopoly has gone unnoticed by Americans. Americans are indulged by Disney’s childhood fantasies with the image every princess has a prince, and will live happily ever after in a magic kingdom. Although it all seems innocent Disney’s Corporation has America indulged with its theme parks, merchandise, films, and cruise lines.
The men of Reserve Police Battalion 101 were just ordinary men, from a variety of backgrounds, education, and age. It would appear that they were not selected by any force other than random chance. Their backgrounds and upbringing, however, did little to prepare these men for the horrors they were to witness and participate in.
We all grew up hoping that we were the princesses who met the dreamy prince and lived ‘happily ever after’ like in a fairytale.People debate over whether or not Disney fairytales are beneficial for children. Like Melissa Taylor the author of the piece ‘10 reasons why kids need to read non disney fairy tales’, I am against disneyfied fairy tales. In this essay I will argue on why kids should not only watch disney fairytales but also the real versions.
If children or adults think of the great classical fairy tales today, be it Snow White, Sleeping Beauty, or Cinderella, they will think Walt Disney. Their first and perhaps lasting impression of these tales and others will have emanated from Disney film, book, or artefacts (Zipes 72)
Alexandrova, Marina. "Disney and The American Princess: The Americanization of European Fairy Tales." America: The New Society (2010): 1-77. Print.
When the word “fairytale” is mentioned, nearly everyone thinks of light-hearted stories with friendly characters and happy endings. However, these are not the ideas that classic fairytales originally sparked. In fact, numerous modern Disney movies were based off stories that were not so sugar coated. In the 19th century, the Brothers Grimm were responsible for multiple of these popular children’s tales. The Disney remakes of classic fairytales such as Cinderella, Tangled, and Snow White exclude the dark, twisted themes that are significant in the Brothers Grimm fairytales, because society tendencies continue to evolve toward sheltering and overprotecting young children.
The book, Into the wild, takes us into the world of a young man named Christopher Johnson McCandless. He travelled across the western United States from 1990 to 1992, and on April 28, 1992, he started his last adventure and walked into the wilds of Alaska. About 112 days later, he died of starvation. Unsurprisingly, public opinion polarized on his behavior. Some may admire his courage and noble ideals, though some regard him as an idiotic and arrogant narcissist. Although he died on his way to find the truth and back to nature, I believe that Chris McCandless should be considered as a hero, but I cannot completely approve of all his behaviors.
In Pouliuli, a novel written by Albert Wendt, Faleasa Osovae awakens to find the life he’s been living all along is a mere façade. Pouliuli invites readers into the Samoan community of Malaelua, which is turned topsy-turvy when Faleasa misleads his aiga and community by acting maniacal. Albert Wendt ties a famous Malaelua saga about a mythological hero named Pili to Faleasa Osovae’s life. In the myth as well as in Faleasa’s story, they both had the same goal, which was to live the rest of their life “free”. To accomplish this goal, they both had to accomplish three tasks. Pilis’ tasks were to eat a mountain of fish which the giant’s had caught that day, to race the giants down a river, and make himself disappear. Faleasas’ tasks were to destroy Filemoni, Make Moaula the new leader, and remove Sau and Vaelupa as council leader. Of course they couldn’t have done these tasks alone so both of them enlisted help from friends. Pili enlisted the help of Tausamitele, Lelemalosi, and Pouliuli. Faleasa enlisted the help of his long time friend Laaumatua and his son Moaula. Finally to get the freedom they so wished for they had to complete one last task. In Pili’s case it was to divide his kingdom among his children while Faleasa had to remove Malaga as congress of the village. In the end, they both end up with nothing. Both ending up in the darkness of Pouliuli.
Zipes, along with other scholars such as Eleanor Byrne and Martin McQuillan, authors of the book Deconstructing Disney, explore and catalogue the various ways in which Walt Disney-the man-and Disney-the corporation that is his legacy-perpetuate social figurations of race, gender and ethnocentrism through they films they produce. They furthermore critique Disney for reducing fairy tales to over-simplified, over-sanitized and over-sentimentalized banalities designed solely as a profit-generating products. Such analyses prove to be truly important work, as the socio-cultural ideas propagated by Disney, as well as the means by it executed such propagation prove key in unlocking the messages that are sent through seemingly harmless "entertainment". As Zipes keenly point out,
By the late 1900s, approximately five billion human beings occupied planet Earth. Whether they crawled on top of comfortable carpets or scurried across dark alleys, five billion people carried the ability to not only walk on the earth, but also to shape it, to mold it with their footsteps. Among this era's sculptors that molded the ground below them with their various talents was Walt Disney, a man who grew up to become a film producer, a screenwriter, a director, an animator, an entrepreneur, an international icon and a philanthropist. With his imagination, ambition, and a little help from a special mouse, Disney transformed both the entertainment industry and international culture itself. He pioneered full-color animated cartoons, created "the happiest place on Earth", and introduced the world to inspiring family movies that to this day encourage both children and adults alike to pursue their dreams and chase happiness. However, while Disney's movies all end with a "happily ever after", the actual tales the movies are based on are far from happy; they are rather morbid, realistic and poignant. The Little Mermaid, Disney's movie about a young princess lusting after a prince, serves as an example of a story in which Disney strayed far from the actual tale. The basis of Disney's feel-good, family movie is Hans Christian Andersen's The Little Mermaid, which shocks readers with the death of the mermaid's beloved prince, the mermaid's awareness of her physical pain, and the loss of her innocence. Analyzed through a psychoanalytical lens, both Walt Disney's and Hans Christian Andersen's A Little Mermaid displays female subjectivity in favor of a dominant patriarchal world.
Arthur Ashe once said, “From what we get, we can make a living; what we give, however makes a life.” Such is the case in Nikolai Gogol’s short story The Overcoat. Gogol takes a man without a friend in the world and gives him a new overcoat. The new overcoat represents a new life and a new identity for the man and instantaneously he is much happier. The man, Akaky Akakievich, basis his “new life” upon the love that he gives to his overcoat, and what he feels it gives him in return. Before long, Akaky begins to care more about his beautiful coat and less about the people around him. Thus is the theme of the story. Often material things are more important in our lives than people, resulting in the emptiness of one’s heart and soul. One cannot be truly happy with his possessions alone. He needs more than that. He needs people his life, whom he can call friends.