Oronooko is an excellent play by Aphra Behn that discusses a large array of wonderful themes. The story’s main character depicts a person of power. He was in a sense eventually forced to empathize with those he unintentionally caused a great deal of harm to. Oronooko a man of royalty participated in the selling of African slaves. An African himself saw nothing wrong in doing this; this was an accepted part of his culture. He befriended the British and lived a life envied by those he persecuted.
It’s ironic how his very friends (the British) became those people he learned to hate; they became his masters. The story has a nice turn of tales. A man once full of power, now forced to interpret life from the other end of the life cycle. Behn clearly illustrates how there are mainly two extremes in life; Oronooko lived on both ends of these extremes. He went from possessing outstanding amounts of power to encompassing almost none.
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The novel forces the reader to slightly sympathize with Oronooko. He was made to feel the pain of his people (something he never thought he would have to do). Although a man of ignorance he became a man of knowledge. He was ignorant to what true betrayal was, ignorant to love, ignorant to the beliefs and pain of others. Behn was trying to teach her readers a lesson of living empathetic lives. This moral although helpful was revealed in such a brutal yet effective manner.
This play teaches...
Oroonoko is able to sustain his code of virtue and fidelity by showing an act of true loyalty that proves his devotion and love to his lover and wife, Imoinda. After the King, Oroonoko’s grandfather, vigorously takes Imoinda for himself, Oroonoko faces the decision to either end his love affair or prove his loyalty to Imoinda. He chooses to go against the King and have Imoinda for one more night, even if his consequence is death:
Thornton is a graduate from Millersville University, Pennsylvania. He is an American historian specialized in the history of Africa and the African Diaspora. He is also a history professor in Boston University. My paper speaks about the legitimacy of Nzinga’s coming to rule. I use Thornton’s piece for information about her rise to power.
If she resists the king, then Oroonoko would be sent off or killed. If she resisted a slaveowner then she could be killed. If she says no to Oroonoko killing her then their child will be born into slavery and that is the very last thing that Oroonoko wants for his child (Behn). In the situation with Oroonoko’s grandfather (the king), the people involved are Imoinda, the king, and Oroonoko. The king sent Imoinda the royal veil that she couldn’t refuse so she had to leave Oroonoko. This made her emotions change and she was upset that she was being taken away from her lover. Oroonoko wants to see her but he can’t because she has been taken to be the wife of the king. She is taken to the Otan which means that the only person that can see her is the king. Oroonoko eventually gets caught and then is told that she has been put to death by the king. What happened is that she was sold into slavery
Oroonoko – Slaughter of the Human Spirit. Aphra Behn introduces her characters in Oroonoko as beautiful people who possess pure, innocent love. Behn does this in an effort to make her readers feel and question. Her poetic description of their emotions magnifies the horror of the final scene. Behn's romantic love story is brought to a tragic end through brutality and death.
As the novel progresses, Behn includes more racist and stereotypical descriptions of Oroonoko. Within the selected quote, Behn describes Oroonoko as having an “earthly smell about him” (2358). With a time-sensitive perspective, Behn may be referring the idea that once someone dies, he or she is returning back to the earth and taking part in the ongoing cycle of life. However, from a more racist viewpoint, Behn may be referencing a stereotype in which blacks, due to slavery, constantly work with the land, and therefore, smell like the earth. Due to this association with the land and slavery, Oroonoko’s “earthly smell” is perceived as a negative characteristic (Behn 2358). Further, this possibly stereotypical reference is arguably, not the first referenced within the novel. There are key points within Oroonoko where stereotypical behaviour was described in reference to Oroonoko himself. For example, Behn writes that, he “did such things as will not be believed that human strength could perform,” referencing a common belief that black people have supernatural strength (2330). Again, these stereotypes can be perceived both as a form of racism, or simply, a way to describe Oroonoko’s behaviour or characteristics, unintentionally referencing the conventional
...e in the novel in that it represents quite closely the moral struggle of the reader. Although the reader might view the practices of the African clan to be wrong, they can empathize with Okonkwo, and also see the morally appalling actions of the Christians.
In the essay O'Brien is faced with a conflict, a moral dilemma. He had to decide whether he was either going to go to the war and fight or was he going to run away and avoid the draft. The relationship he had with Berdahl was not of friends or even regular acquaintances. Rather they were perfect strangers. That goes to show you that anyone can be a major influence on your life. Berdahl helped to open O'Brien's heart. He realized who he was and where he had come from, his past and what he has been through. How all the events of the past helped him to become the person he was right now. How his past helped form his personal identity.
Though many may interpret Okonkwo as a tragic hero are drawn to him, Obierika deserves more sympathy from the reader than Okonkwo. Obierika suffers just as Okonkwo does under the thumb of the missionaries, but he lacks the selfish focus that drives most of Okonkwo’s actions. Ultimately, Obierika’s venerability springs from his ability to see the compromise that will allow the Ibo to find a method for adaptation to the inevitable changes brought by the missionaries.
The struggle between custom values and conversion is a universally applied theme to Things Fall Apart by Chinua Achebe. The fable like, tragic tone of the work was set off from the very first page. The verb FALL APART has 4 senses to lose one's emotional or mental composure, go to pieces, break or fall apart into fragments, and to become separated into pieces or fragments. These are all exemplified in the novel Things Fall Apart. Okonkwo is a tragic hero in the traditional sense. His fate was decided for him and was unavoidable. Okonkwo’s inability to act rationally and express his feelings in a anthropological manner leads to his inescapable demise. Okonkwo exhibits the characteristics of a tragic hero not only by encompassing an unexceptional flaw. Okonkwo not only developed this flaw because of his erroneous equivalence of masculinity with being filled with relentless fury, vehemence, and impetuousness, but also because he leads to his own self-annihilation.
Aphra Behn’s Oroonoko portrays the slave in a new light, in a form meant to entice the English reader to believe and sympathize with an otherwise understated subject. She makes her usually simple characters into great beings beyond English views and brings to light a cruel and otherwise inhumane view of slavery. Her courtly love portrayal of exotic African characters humanizes the men and women who are meant to be considered nothing more than a work horse in an era of utmost indignity towards those of non-Christian beliefs. Oroonoko and Imoinda’s love become a Romeo and Juliet tragedy as slaves, African and beautiful.
.... An investigation into the imbalance of power in the play reveals the ideologies of race and gender that drive the power dynamics of the play. The construction of the inferior nature of non-European characters is firmly grounded in imperialist, European and patriarchal values.
Although the reader feels remorseful for Okonkwo’s tragic childhood life. It is another reason to sympathize with a man who believes he is powerful and respected by many when in reality, he is feared by his own family and that is another reason that leads Okonkwo to his downfall. He started positive, motivated but down the line, Okonkwo treats his wife and children very harshly. When the author mentioned, “Okonkwo ruled his household with a heavy hand. His wives, especially the youngest, lived in perpetual fear of his fiery temper, and so did his little children” (pg.13).
In conclusion Oyono criticizes the colonial time to a great extent to make the audience aware of the hypocritical method used to exploit the land and the destruction caused when citizens like Toundi who believed the false policy of assimilation. The Africans may have been claimed to be less civilized which is ironical to the idea of assimilation. Examples such as the priest or the immoral Madame are a part of the weak system which was enforced in Cameroon to civilize the natives. Such system which cannot follow its own rules cannot aid in controlling or improving the lives of others. The critics helped the audience to learn more about the problems and the ironical actions happening to Cameroon which could definitely not bring justice to the locals.
As a female writer trying to earn a living, and as the narrator of the story represented herself, Behn couldn't have the narrator offer too strong a criticism for fear of losing her audience. The narrator is presented as very European. She is very ethnocentric and seems to have no problem with the slave trade, only with the treatment of one specific individual (namely, Oroonoko). Occasionally, however, there will be a slip, a slight inconsistency in the narrators character, which offers a glimpse of Behn's true sentiments. For example, throughout the novel, the narrator is a strong believer in religion. She tells Imoinda ". . . Stories of Nuns and endeavour[s] to bring her to the knowledge of the true God."(41). She also tries to defend Christianity to an unbelieving Caesar. When discussing the natives of Surinam, however, she mentions that ". . . all the Inventions of Man . . . wou'd here but destroy that Tranquillity . . . and . . . wou'd teach ‘em [the natives] to know Offence . . . "(10). The first thing she includes as an "Invention of Man" is religion, implying that it is not essentiall...
Having done the above analysis on my favourite text, “Anowa” by Ama Ataa Aidoo, I realise that my like for the text has heightened because the analysis of Anowa has given me a deeper understanding of Africa’s colonialism. I now know what actually led to our colonialisation (the betrayal) and how it began (the bond of 1844) through the personal lives of Anowa and Kofi.