The story Another Evening at the club by Alifa Rifaat is a short story that takes place in Egypt. It revolves around a newly wed couple consisting of an overbearing husband and a submissive wife. The main conflict of the story deals with the misplacement of an emerald ring. As the couple resolve this prove their true colors are reveled. Exposing the strong presence of a male dominate marriage and society. This story illustrates the role of women in a typical Egyptian marriage. Where the man is the decision maker, and the woman is submissive to her husband. The main reoccurring themes in this story is of gender oppression, sexual assault, and importance of social status. The theme of gender oppression is greatly shown throughout the story. Making it easier for the reader to comprehend the roles that were expect of women in Egypt. This theme is greatly shown when Abboud Bey and Samia’s father are discussing wedding arrangements. Abboud asks Samia’s father “And the beautiful little girl’s still at second school? She lowered her head modestly and her father had answered:” This shows the lack of respect males have for women in their society. Viewing women merely as a pretty face, incapable of answering simple questions. This also shows that Abboud views Samia as naïve and innocent by referring to her as “little girl”. He seems to be taken by her …show more content…
It revolves around the issues of gender oppression, sexual assault, and importance of social status. Alifa Rifaat manages to express her opinions towards these themes by writing about a typical Egyptian marriage. She puts in focus the strong influence that a patriarchal society has. She also manages to prove how important social status is in society. The uses of literally elements such as theme and irony help express this view. It shows that in a typical Egyptian society women are commonly oppressed by all males in society
Thus the text analysis will give instances where the portrayal of women is a reflection of the modern society which will be researched from a feminist point of view. To sum up, feminism plays an important role to uphold women’s right, and their status in a society. Furthermore, it is use to bid for human equality based on gender context. We can conclude that women now have the chance to decide on their
Both el Saadawi and Al-Shaykh both show how perception and expression are both affected within the confines of politics, social opportunities, and male privilege depicted in their stories. Whether the reader is a follower of the feminist movement or not, it is very clear and easy to see that these women are not being treated with the respect that any human being deserves. The misogynistic stranglehold on society, especially in this part of the world, is excessive and avoidable in today’s world but it is very likely that the traditional, conservative ways of the past will continue to control and inhibit women from being able to be fully treated as equals for many years to come, perhaps even after this generation has
Writing Women's Worlds is some stories on the Bedouin Egyptian people. In this book, thwe writer Lia Adu-Lughod's stories differ from the conventional ones. While reading, we discover the customs and values of the Bedouin people.
liberation? What are the causes of such oppression? The maintained traditional frontiers that continue to define gender roles in these stories, Islamic traditional values, familial expectations? Using the frontiers that guide the lives of Fatima Mernissi and Asya, we will seek to understand the causes of the differences between the two characters--one woman is liberated, the other, for most of her life, remains oppressed-- when both are from progressive, wealthy and educated families.
Ahmed’s mother is the first to fall into playing her stereotypical social construct after her husband; Hajji Ahmed beats her for not supplying him with an heir, a son. “One day he struck he struck her, because she had had refused to subject herself to a last, desperate ordeal…” This act shows Ahmed’s mothers weakness, a gender normative of women, compared to her husband. However instead of lashing back she accepts the fate she has put herself into. She punishes herself similar to the acts her husband acts onto her. “She, too, began to lose interest in her daughters…and struck her belly to punish herself.” At this point in the novel, it is evident that Ahmed’s mother is adjusting her own belief to match that of Hajji. His reoccurring distaste for his seven daughters has rubbed onto his wife. This compliance to accept her husband’s belief fits into that mold that says that women are not assertive and follow with what their husbands want. The next section femininity is seen in it’s natural essence is seen at the end of chapter three when Ahmed has been attacked and his father confronts him about his girlish ways.
8. Nawal El-Saadawi, "The Hidden Face of Eve, Women in the Arab World," translated and edited by Sherif Hettata, Zed Press, London, 1980, pg.33
The omnipresence of the American and European culture in the countries of the Middle East is a universally recognized phenomenon. The culture, thoughts and status quo of the people have been and continually are being changed and challenged due the mass spread of American goods and ideas. The American national culture largely revolves around the wants, needs and goals of the individual. As the one of the greatest superpowers of the time, its influence on the global community towards the focus on the individual is nothing short of inevitable. The movies, clothing and new age mentality of America are sending all people regardless of age, upbringing and locale, into a grand scale social transition. The Arabs and Muslims beliefs, traditions and entire state of being are no longer as they were 20 or 30 years ago. The women of the novels, Nadia, Fatima, Umm Saad, Maha, Asya, and Su’ad, each living in various Arab countries with unique situations of their own, all are united on the common ground of American introduced idea and concepts of individualism through such venues as feminism, capitalism, sexism and consumerism which adversely affect their society.
Upon reading Naguib Mahfouz’s Adrift on the Nile, and viewing the film of the same title released in 1972, one will undoubtedly notice the stark contrast between the portrayals of women in each of these works. Critics like Ibrahim El- Sheikh and Pamela Allegretto–Diiulio have argued that by realistically depicting the social condition of Egyptian women, Mahfouz’s literature is protesting the country’s patriarchal society and challenging the notion that women are not equal to men. The novel is clearly in line with these criticisms. The women in the novel are depicted as strong, independent, intellectual and on an equal footing with their male counterparts. The film however, deviates wildly from these positive portrayals of women. The women in the film are shown for the most part as vapid sexpots. While Mahfouz did not write the screenplay, he held positions as the Director of Censorship in the Bureau of Art, as Director of the Foundation for the Support of the Cinema, a consultant to the Ministry of Culture, giving him a heavy hand in the final product of the film. Thus is safe to say that Mahfouz sacrificed the feminist message of his novel in the film adaptation, but to what end? The film takes on a more overtly political tone that the novel, yet takes leaps backward in its depiction of women.
The portrayal of the Arab woman has always been through several different perceptions. Some believe that these women are weak, dependant and victims of a hyper patriarchal tradition and culture. They live their lives as if caged from one man to another. First it is their father and brothers and then their husbands and sons. It is true that Arab women do live within patriarchal traditions and cultures but the same can be said for majority of the women around the globe. A much more accurate perception can come only through the realization that what popular Western concepts conceive as women liberation and independence does not necessarily apply to every women around the world. One must understand the culture, religion and traditions and history of a people to know what their ideas regarding concepts such as liberation and independence are. In the west for example women were allowed to vote relatively recently compared to Muslim women who were allowed to vote over fourteen hundred years ago, the same could be said for owning businesses and property and the right to a career. One of the most popular beliefs in the Western world today regarding oppression is that women in Arabia are sexually controlled by their men. This has been brought about especially by the concept of the Hijab as being one of the channels to control women’s sexuality and freedom. It can be argued that in various cases this is true but one cannot commit such a grave injustice and put all Arab women under one umbrella and stamp them as sexually oppressed. The fact is that the Middle East is a region where many states, cultures and identities exist.
In our Women and Politics in the Middle East class this semester we watched three films that brought to surface social issues faced by women in the Middle East. Caramel, Divorce Iranian Style and Persepolis are films that speak of issues of taboo that are critical for women in the Middle East. The themes that connect all three films are social issues, female identity, and politics that are aimed against women’s rights. In all three films the protagonists are women who struggle with the government and society to get their rights in their own countries. Even though one film is a documentary and one film is a comedy/drama and the last one is a cartoon, all three of the films are similar in their themes and struggles. All three films show critical issues that women face in the Middle East on a daily bases.
Daniels starts the chapter by stating that men historically have had more advantages than women. Men could be writers without being judged while women were unable to do so due to their lack of education. It is because of this that men could express their opinion while women were kept shut. Literature served as an insight of the culture and society of the time period. In Arab literature specifically, women are often portrayed in the familiar cultural stereotypes. Alifa Rifaat, a Muslim feminist, took a twist on the average Arab literature and she instead wrote stories about what it means to be a woman in an orthodox Muslim society in Egypt. In Rifaat’s book, Distant View of a Minaret, she discusses themes of human rights, sex and gender roles in her stories that would allow the reader to come to their own conclusion about such rights, or lack of, regarding women, hopefully in protest of such. Rifaat’s book contains thirteen short stories in which Muslim women are faced difficulties in their arranged marriages. Throughout her stories it is made clear that in Egypt and other orthodox Muslim societies women have little to no say in economics or major decisions, as well as little to no education. Women are expected to be under the control of their husbands, or their older brother if they are single or widowed. A major theme in all of Rifaat’s short stories is the deprivation of sexual satisfaction and lack of emotional attention many of the women suffer from in their marriages in orthodox Muslim societies. This then leads to a tyranny of masculinity that make women passive and unable to fight back. Not only is it the religious rules that have oppressed women in orthodox Muslim societies but it is also the tradition in such cultures. Such rules and traditions have
In the novel Woman at Point Zero the author, Nawal El Saadawi, retells the life story of Firdaus, the main character, a tragic hero who rebels against the social norms within her oppressive culture seeking the same respect and prestige that is bestowed upon her male oppressors, only to be executed for her attempt to obtain the same privileges as men. This essay will demonstrate how the aspects and expectations of Egyptian culture influence Firdaus’s decisions as she struggles to be her own woman in a society controlled by dictatorial political and patriarchal structures all while exposing the evident discontentment she has with the way Egyptian society views women, and the glorification of things that go against ideal societal structures.
Perhaps the main reason I liked this book was the unfaltering courage of the author in the face of such torture as hurts one even to read, let alone have to experience first-hand. Where men give in, this woman perseveres, and, eventually, emerges a stronger person, if that is even possible. The book’s main appeal is emotional, although sound logical arguments are also used. This book is also interesting as it shows us another face of Nasir – the so-called “champion of Arab nationalism” – who is also the enemy of pan-Islamism. The book is also proof of history repeating itself in modern-day Egypt.
Women at Point Zero is a book written by Nawal El Saadawi where she focuses on the main character Firdaus and shares her story in a way that allows reader to get an idea of the patriarchal structures of Egyptian society. Her life story shows readers the obvious discontentment women have with the way society views them, and the glorification of things that go against normal societal structures. This book does an excellent job of portraying the patriarchal society and how women are dominated by men. However, it truly reinforces the stereotype that western culture has of Middle Eastern men as being animalistic beings ravaging defenseless women and the role of Islam.
The novel Woman at Point Zero by Nawal El Saadawi and the article “With Tasers and placards, the women of Egypt are fighting back against sexism” by Laurie Penny can be connected both internally in regards to the text and outwardly to the time and place surrounding the novel and article. Although Woman at Point Zero provides a fictional journey, one that is at heart and by inspiration very genuine, the ideas incorporated into this novel are just as authentic as those provided by the first hand account given by Laurie Penny. Woman at Point Zero follows the story of one woman, Firdaus, who is forcibly raped on numerous occasions. Firdaus later finds security by means of prostitution, which leads her to be targeted on a more authoritative scale. Ultimately Firdaus finds strength to retaliate against the men who have harmed her, as can be seen when she defends herself, killing her pimp.