Anna Deavere Smith's Twilight: Los Angeles 1992

883 Words2 Pages

A perspective on this question comes from Anna Deavere Smith’s film Twilight: Los Angeles 1992. Smith explores different dynamics of the tragic and well-known historical event, the 1992 Los Angeles riots. The Los Angeles riots instigated when an African American named Rodney King was beaten by four police officers, who were later acquitted for the beating. The occurrence of the incident was inconspicuously video-taped and released to the Los Angeles community, which led to individuals becoming outraged and starting a demonstration. As a result of the major outbreak of violence, there were several casualties, injured individuals, and a great deal of property damage, which resulted to be one of the most devastating domestic disruptions in United …show more content…

By completing her production, Smith’s work consisted of a series of monologues from interviews of residents that were conducted in the aftermath of the disturbance. Throughout the film, she reenacted witnesses’ experiences, outlooks, and concerns about the sudden nerve racking riots by as well as changing her physical and speech presentation to have a similar correlation. and their reflection on their personal experience of being surrounded in the midlife crisis atmosphere. Smith strived to maintain capturing an extensive range of perspectives of the following situation by interviewing several individuals from various ethnicities, financial backgrounds to different occupations. The composed piece is combined with historical research to provide a significant examination of the underlying cause of the devastating riot. The play, Twilight: Los Angeles 1992, provides assistance to illuminate speculations and emotions of numerous diverse viewpoints behind the horrendous racial tensions, the perceived police brutality, and the absence of leadership, which is desperately needed for …show more content…

Anwar Congo, one of the chief leaders, and his associates are known to be gangsters who sold cinema tickets in the black market who were later promoted to be recognized as death squad leaders. Participants of the death squad are considered to be an essential part of the Indonesian parliamentary. In this particular film, Anwar and his collogues agree to reveal their personal experiences of the genocide to the filmmakers. The filmmakers took advantage of the opportunity of exposing the depraved acts and challenge Anwar and his partners to assemble the reenactment scenes of their perception on their experiences of the massacre modified into their desired Hollywood-style film containing a combination of genres of gangster like and musical film. During the process of filming, a few of Anwar’s partners begin to realize and reevaluate their wrongful actions, and others were apprehensive about their public image and subsequential consequences. The filmmaking process turned from an exhilarating and anticipated piece into a drastic and emotional progress for Anwar. Gradually, he becomes less conceited and feels significantly remorseful once he confronts his reenacted dreadful actions. After the completion of the film, Anwar’s conscious becomes a threat to him and

Open Document