Angelas Ashes

Despite Frank McCourt's horrid poverty, tiresome starvation and devastating losses, Angela's Ashes is not a tragic memoir. It is in fact up lifting, funny and at times triumphant. How does Frank McCourt as a writer accomplish this?

Although life presents you with many obstacles, if you continue to persevere, eventually you will achieve success. Angela’s Ashes, by Frank McCourt, is a good example of this. Frank is constantly limited by his poverty. We watch him stick with his goals and eventually accomplish them in the end. He also watches his mother continually try to stretch the family budget in order to get meager amounts of food. Death is also very prevalent in this book as Frank and his family have to adjust to the death of loved ones.

James Joyce is the author of Dubliners, a compilation of Irish short stories that reflect on the feelings he associates with the city of Dublin, where he grew up in a large impoverished family. After he graduated from the University College, Dublin, Joyce went to live abroad in Paris, France. This action indicates a sense of entrapment that led to his desire to escape. The situations in his stories differ significantly, but each character within these stories experiences this sense of escape that Joyce had. In “An Encounter”, two boys make their first real move at being independent by skipping school to explore Dublin. In “Eveline”, the main character has a choice between taking care of her unstable father or leaving him to lead a new life with a man she has been seeing. In Joyce’s story, “The Dead,” a young man is thrown into deep human assessment, becomes unsure of who he is, and soon after is frightened of this newly discovered truth. The stories in Dubliners implicate this need for independence through characters in different situations and experiencing the feeling of entrapment.

Angela's Ashes Exposition: Characters: Francis McCourt- protagonist Malachy McCourt (father)- antagonist Angela McCourt (mother)- protagonist Malachy McCourt (brother)- protagonist Michael McCourt (brother)- static Alphie McCourt (brother)- static The Abbot (uncle)- protagonist Uncle Pa Keating (uncle)- protagonist Aunt Aggie (aunt)- antagonist Setting: In the poor part of Limerick, Ireland around 1938. Rising Action: 1. Frankie's father, Malachy, lost his job in America.

The main character in the story is the grandmother in which O'Connor uses her for almost every ironic situation. In the beginning of the story O'Connor uses the idea that "we" the reader have of what a grandmother would be like to unfold a story that is nothing like what "we" would perceive a grandmother to be like. This type of irony is situational irony; this is used throughout the story and literature. It is the contrast between what happens and what was expected to happen or what would seem appropriate to have happen, or an appropriate way for a character to act versus the way they do act. If a story started out using a character that's a professiona...

Ireland is described as, “Poverty; the shiftless loquacious alcoholic father; the pious defeated mother moaning by the fire; pompous priests; bullying schoolmasters; the English and the terrible things they did to us for eight hundred long year” (9). The family lived in poor and life threatening conditions. Eleven families shared one lavatory which was closest to the McCourt family door. The lavatory is never cleaned and can kill them from all the diseases (112-113). Although the conditions were bad they couldn’t move it was the cheapest and most affordable place they could find for six shillings a week. Malachy Sr. suggest they clean the lavatory themselves but they can’t afford coal and he is too prideful to pick it up off of the road (69). The McCourt’s couldn’t afford safe food, Malachy and Frank had to resort to filling the twin's bottles with water and sugar, and sometimes with stale bread, and sour milk

A collection of short stories published in 1907, Dubliners, by James Joyce, revolves around the everyday lives of ordinary citizens in Dublin, Ireland (Freidrich 166). According to Joyce himself, his intention was to "write a chapter of the moral history of [his] country and [he] chose Dublin for the scene because the city seemed to [b]e the centre of paralysis" (Friedrich 166). True to his goal, each of the fifteen stories are tales of disappointment, darkness, captivity, frustration, and flaw. The book is divided into four sections: childhood, adolescence, maturity, and public life (Levin 159). The structure of the book shows that gradually, citizens become trapped in Dublin society (Stone 140). The stories portray Joyce's feeling that Dublin is the epitome of paralysis and all of the citizens are victims (Levin 159). Although each story from Dubliners is a unique and separate depiction, they all have similarities with each other. In addition, because the first three stories -- The Sisters, An Encounter, and Araby parallel each other in many ways, they can be seen as a set in and of themselves. The purpose of this essay is to explore one particular similarity in order to prove that the childhood stories can be seen as specific section of Dubliners. By examining the characters of Father Flynn in The Sisters, Father Butler in An Encounter, and Mangan's sister in Araby, I will demonstrate that the idea of being held captive by religion is felt by the protagonist of each story. In this paper, I argue that because religion played such a significant role in the lives of the middle class, it was something that many citizens felt was suffocating and from which it was impossible to get away. Each of the three childhood stories uses religion to keep the protagonist captive. In The Sisters, Father Flynn plays an important role in making the narrator feel like a prisoner. Mr. Cotter's comment that "… a young lad [should] run about and play with young lads of his own age…" suggests that the narrator has spent a great deal of time with the priest. Even in death, the boy can not free himself from the presence of Father Flynn (Stone 169) as is illustrated in the following passage: "But the grey face still followed me. It murmured; and I understood that it desired to confess something.

The irony at the end of this story is very interesting. O’ Connor forces the reader to wonder which characters are “Good Men”, perhaps by the end of the story she is trying to convey two points: first, that a discerning “Good Man” can be very difficult, second that a manipulative, self centered, and hollow character: The Grandmother is a devastating way to be, both for a person individually and for everyone else around them. The reader is at least left wondering if some or all of the clues to irony I provided apply in some way to the outcome of this story.

James Joyce created a collection of short stories in Dubliners describing the time and place he grew up in. At the time it was written, Joyce intends to portray to the people of Dublin the problems with the Irish lifestyles. Many of these stories share a reoccurring theme of a character’s desire to escape his or her responsibilities in regards to his relationship with his, job, money situation, and social status; this theme is most prevalent in After the Race, Counterparts, and The Dead.

In “Dubliners”, the themes that were addressed are all a part of life in Ireland. These particular themes all play a valuable role in many Ireland families. Some of these stories in the book are factual and some are not factual. The reader can tell that Joyce succeeded in what he was trying to say when he wrote this book. He informed the audience about Ireland and how life was during that time period. Joyce tied the theme of light and autonomy which represent freedom and the theme of dark and responsibility which represent duty. These themes are contrasting to each other, but in his book he tied them together in a way that would grasp the reader’s attention.