Andrew Marvell's To His Coy Mistress and John Donne's A Valedictorian: Forbidding Mourning
One may define poetry as imaginative and creative writing which uses elements like rhyme, meter, and imagery to express personal thoughts, feelings, or ideas. Certain subjects recur frequently in poetry such as carpe diem, nature, death, and family.
Andrew Marvell's "To His Coy Mistress" and John Donne's "A Valediction: Forbiddmg Mourning," focus on the prevalent topic of love. Although both poems emphasize the importance and meaning of love, the tone of each poem reveals differences with regard to the conception and magnitude of the love; the diction shows contrasting ways in which each poet incorporates love into the overall theme while distinct figurative language devices further convey the themes. All of these differences add to the understanding and effectiveness of the poems.
In "To His Coy Mistress," the speaker does not conceive of true, ardent love; to him, love does not go beyond the realm of physical beauty or, perhaps, the realm of his mistress's bedroom. The tone of the first stanza illustrates the insincerity and exaggeration of the speaker with comments like, "An hundred years should go to praise / Thine eyes, and on thy forehead gaze / Two hundred to adore each breast..." (13-15).
Here, the speaker appears to be flirting and fawning upon his young mistress. The second stanza differs greatly from the first in that instead of using flattery to seek love or sexual favors from his mistress, the speaker resorts to blatant honesty. One may describe the tone as altogether realistic, gloomy, and eerie. In this stanza, the speaker clearly explains that his love will diminish when his mistress's beauty fades as he say...
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...d easily manipulated; therefore, their love much like the gold can withstand change. Again, in the .final three stanzas, Donne metaphorically compares the two lovers to a compass. As long as his lady remains "firm" (35) or "fixed" (27) like the :fixed foot in the center of the circle, then the she can anticipate her love's return as he completes his journey, his path around the circle.
Poems may share certain characteristics, but they often possess unique attributes.
Andrew Marvell's "To His Coy Mistress" and John Donne's "A Valediction: Forbidding
Mourning," similarly concentrate on the subject of love. However, each poet contrasts in his conception of love and the way he chooses to disclose this conception through tone, diction, and other figurative language devices. By recognizing the differences, one comes to value and appreciate each poem's significance.
The. Maybe it is a genuine love poem to his mistress, sort of. offer of a way of life. Both concepts, though, underline the point. simplistic romanticism of the poem.
Which as claimed by the speaker, represents his union with the maiden in matrimony, since the flea has taken blood from them both."It suck'd me first and now sucks thee/And in this flea our two bloods mingled be"(lines 3-4). And, since their bloods have already mingled together, intercourse with him wouldn't be a sin and no honor would be lost if she yields to him."Though know'st that this cannot be said/A sin nor shame nor loss of maidenhood:" (lines 5-6) Though however similar the gist of the poems might be, the art of seduction used by each speaker is quite different. The speaker in "To His Coy Mistress" seems to change his tone of persuasion rapidly from stanza to stanza. At first he is sweet, comming across as a gentleman and overstating how many ages he would spent on a single part of her anatomy "A hundred years should go to praise/Thine Eyes.
On the other side, “Love Poem” is very different from the previous poem. This seven stanza poem is based on a man describing the imperfections of his lover. In this, the speaker uses stylistic devices, such as alliteration and personification to impact more on reader, for example as the speaker shows “your lipstick ginning on our coat,”(17) ...
Both poems represent the despairs and failures of the love they hone for their beloved, with brings a touch of sadness to the poems. From this the reader can feel almost sympathetic to the unrequited lovers, and gain an understanding of the perils and repercussions of love.
Throughout his life... was a man self-haunted, unable to escape from his own drama, unable to find any window that would not give him back the image of himself. Even the mistress of his most passionate love-verses, who must (one supposes) have been a real person, remains for him a mere abstraction of sex: a thing given. He does not see her --does not apparently want to see her; for it is not of her that he writes, but of his relation to her; not of love, but of himself loving.
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The overall gist of "To His Coy Mistress" is established in the opening stanza of the poem. It describes a sceneario where a girl has the option to either give in to the young persuaders sexua...
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The speaker uses metaphors to describe his mistress’ eyes to being like the sun; her lips being red as coral; cheeks like roses; breast white as snow; and her voices sounding like music. In the first few lines of the sonnet, the speaker view and tells of his mistress as being ugly, as if he was not attracted to her. He give...
At the start, the first stanza of the poem is full of flattery. This is the appeal to pathos. The speaker is using the mistress's emotions and vanity to gain her attention. By complimenting her on her beauty and the kind of love she deserves, he's getting her attention. In this first stanza, the speaker claims to agree with the mistress - he says he knows waiting for love provides the best relationships. It feels quasi-Rogerian, as the man is giving credit to the woman's claim, he's trying to see her point of view, he's seemingly compliant. He appears to know what she wants and how she should be loved. This is the appeal to ethos. The speaker seems to understand how relationships work, how much time they can take, and the effort that should be put forth. The woman, if only reading stanza one, would think her and the speaker are in total agreement.
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This poem speaks of a love that is truer than denoting a woman's physical perfection or her "angelic voice." As those traits are all ones that will fade with time, Shakespeare exclaims his true love by revealing her personality traits that caused his love. Shakespeare suggests that the eyes of the woman he loves are not twinkling like the sun: "My mistress' eyes are nothing like the sun" (1). Her hair is compared to a wire: "If hairs be wires, black wires grow on her head" (3). These negative comparisons may sound almost unloving, however, Shakespeare proves that the mistress outdistances any goddess. This shows that the poet appreciates her human beauties unlike a Petrarchan sonnet that stresses a woman's cheek as red a rose or her face white as snow. Straying away from the dazzling rhetoric, this Shakespearean poem projects a humane and friendly impression and elicits laughter while expressing a truer love. A Petrarchan sonnet states that love must never change; this poem offers a more genuine expression of love by describing a natural woman.
The young lady in "To His Coy Mistress" is definitely not to be taken for a mere fool because he would not have gone to great lengths to convince her to give her body to him. His word to describe the young lady as coy shows her response to his question. The speaker seems to be desperate while he attempts to win her over. His mood began to change in the poem from calm to impatient just by the use of his words. By the end he even contradicts himself. In the beginning he states:
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