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Impacts of colonialism in Nigeria
Impacts of colonialism in Nigeria
Impacts of colonialism in Nigeria
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“Where you will sit when you are old shows where you stood in youth.” This is an old African proverb from the Yoruba tribe. I find this Yoruba proverb to be very true based on my upbringings and how I evolved into the young woman I am today. This African saying exemplifies how wise and discipline Africans were back in the day. This discipline definitely played a role in the advancement of human civilization. One country in Africa who played a key role in the advancement of civilization is Nigeria. To begin, One in every five African is Nigerian. This demonstrates how large and populated Nigeria is. It is not just Africa’s most populous nation, but also Africa’s most popular nation. To some people in the west, every African is a Nigerian, one can hardly fault them. Nigerians are all …show more content…
Famous now for its sculpture, Ife flourishes from the 11th to 15th century. In the 16th century a larger Yoruba empire develops, based slightly further from the forest at Oyo. Using the profits of trade to develop a forceful cavalry, Oyo grows in strength during the 16th century. By the end of the 18th century the rulers of Oyo are control.” (Gascoigne., 2001)
Moreover, Nigeria also has history in the arts . The earliest known rock art preserved in the Saharan sands in Niger dates as far back as 6500 BC. They are carvings known as petroglyphs and depict animals like giraffes that no longer exist in that area. From these images we learn how ancient tribes and cultures viewed their universe around them. Observing the paintings may give us insight into their thoughts, their spiritual and physical worlds. There were major internal changes in Nigeria in the 19th century ,In 1804, Usuman dan Fodio a Fulani and a pious Muslim, began a holy war to reform the practice of Islam in the north. He soon conquered the Hausa city-states. This is where we began to see the trans-atlantic slave trade which destroyed many African
Initially there was a great deal of debate about Benin art and its display, as it did not equate with the perceptions then held about Africa. Until the British conquest of Benin in 1897, little was known about Benin and its culture apart from brief interaction with other Europeans in the sixteenth century. The perception of Africa was of a primitive, savage and uncivilised land, full of ‘abuses and fetishes and idolatries’, (Hodgkin, 1975, p33). Therefore, when the British invaded Benin they treated any artefacts they found as ‘war booty’ (Woods, 2008, p30) and sold anything of any value to pay for the expedition. They removed artefacts and artwork without recording any contextual evidence of form or function. These ideas are evident in the photographs in figures 1.10 on page 31, 2.2 on page 50 in Cultural Encounters (AA100, Book 3) and Plate 3.1.14 in the Illustration Book: Plates for Book 3 and 4 where artefacts are bundled into piles with centralised white figures suggesting only British triumph (Loftus, 2008). The ‘clever workmanship’ (Gallewey, 1893b, p37) and ‘delicacy of detail’ (Bacon, 1897, p39) attest to the quality of the artwork and the subsequent bidding by rival museums and galleries for the pieces did not prevent the perception that Africa, and thus Benin, as being barbaric and primitive.
Western attitudes to African people and culture have always affected how their art was appreciated and this has also coloured the response to the art from Benin.
McKissack, Patricia and Fredrick Mckissack. The Royal Kingdoms of Ghana, Mali, and Songhay - Life in Medieval Africa, Henry Holt and Company, Inc., 1994.
CULTURE COMPARISON WITHIN THREE IGBO GROUPS AND YORUBA CONCEPTS UDI NSUKKA ONITCHA BODY Ehu Eshu Aru ORANGE Oloma Orume Oloma HAND Eka Eka Aka HERE Nwanu Nwabe Ebea NOW Nnwo Nwoshia Kita EYES Enya Enya Anya Nigeria is a country in west Africa with more than 180 million people living in it.
In Africa, there were achievements in the empires or kingdoms and their cities before the Europeans arrived and took control. In the Kingdom (Empire) of Axum they developed a trade route. In the Kingdom of Ghana they had characteristics of powerful nations today. In the city of Timbuktu they had great morals and developed the center of Islamic Art. There are many other things that Africa achieved in.
The attitudes towards the display of Benin Art, adopted by European museums and galleries have dramatically changed over the 112 year period since their initial acquisition. This has been for a number of reasons including the societal transition from accepting colonialism to acknowledging cultural diversity, the gradual integration and cross-fertilisation across the academic fields of anthropology, ethnography and art history and the ongoing debate regarding provenance and repatriation.
The Portuguese arrived in Benin, in modern Nigeria, between 1472 and 1486 to find an established and ancient kingdom with remarkable social and ritual complexity, with art that was comparatively naturalistic, and with a political system that was, on the surface, recognizable to the Europeans: monarchy. Even more importantly, they found a land rich in pepper, cloth, ivory, and slaves, and immediately set out to establish trade (Ben-Amos 35-6). Though we often imagine "first contacts" between Europeans and Africans as clashes of epochal proportions, leaving Europeans free to manipulate and coerce the flabbergasted and paralyzed Africans, this misjudges the resilience and indeed, preparedness, of the Benin people. The Benin were able to draw on their cultural, political, and religious traditions to fit the European arrival in an understandable context. Indeed, as the great brass plaques of the Benin palace demonstrate, the arrival was in fact manipulated by the Benin to strengthen, not diminish, indigenous royal power.
My names are Victor Adeshile, from Nigeria. I'm a Computer Science Student here at Uopeople. This is an essay based on the two Artistic figures, "Memi and Sabu" and "Statue of Gudea" Although, all Continents are different is all things, historic statues and artistic figures are very common in all and it deeps down to culture, era, periods, state or condition of livelihood and artistic styles. The following is a comparison between "Memi and Sabu" a statue of the African Origin and "Statue of Gudea" of the Asian Origin.
Loftus, D. and Wood, P. (2008), 'The Art of Benin: Changing Relations Between Europe and Africa II' in Brown, R. D. (ed.) Cultural Encounters (AA100 Book 3), Milton Keynes, The Open University, pp. 43-87.
Benin is a country in west Africa from 15th century until now. Benin has been renowned for brass sculpture production and there is a sort of encounter did happen between the Europeans and Benin .there were many of the positive and negatives to this type of encounter between Benin and European ,such as ,their encounter had artistic consequences in terms of the supply of raw materials for sculpture ,and Benin craftsmen developed their forms and subject matter to suit their new clients ,this was one of the positive aspect ,also there was the British occupation of Benin , so I will talk about five elements in this essay ,firstly what is the concept of cultural encounter , particularly of Benin art , how the art is encountered shapes how understood,
Nigeria had resources that weren't available anywhere else, and British wanted to use these resources to make The 3 G’s of "God, glory, and gold" was very important to the development of Nigeria (Adebajo 2013). Through the British colonization, more people in Africa were converting to Christianity. Later, any of them became missionaries influencing others to do the same. Unfortunately, as Christianity spread, traditional beliefs suffered, which led a rift between new Christians and Muslims.
...’s depictions of both traditional and modern beliefs in varying degrees illustrate the importance of both in contemporary Nigerian culture, as well as the greater Africa as a whole, and how both are intertwined and cannot exist without the other. In effect, she skillfully subverts stereotypes or single perceptions of Africa as backward and traditional, proving instead, the multifaceted culture of Africa. She further illustrates that neither traditional African nor western culture is necessarily detrimental. It is the stark contrast of the fundamental cultures that inevitably leads to clashes and disagreements. In the end, what holds African countries such as Nigeria together is their shared pride. Modern, western influences can bring positive changes to society, but new cultures cannot completely eradicate the foundational cultures to which a society is founded on.
Nigerian culture is as multi-ethnic as the people in Nigeria. The people of Nigeria still cherish their traditional languages, music, dance and literature. Nigeria comprises of three large ethnic groups, which are Yoruba, Hausa-Fulani and Igbo.
Most art has some sort of reason or purpose behind it. It might be religious, symbolic, literal, traditional, customary, or just a preference by the artist. Most African art has a symbolic reason. Masks, pottery, figures, portraits, jewelry, baskets and clothing reflect the religious belief of the different tribes. Africans believed that everything in nature is alive. For example: rocks, grass, plants, trees, rivers and mountains. African art was not popular and was looked down upon until recently. In Nigeria, people were tattooed as a test of courage. The figure- “Portrait Head of a King (Oni)” reflects this. The King has this tattooing on his entire face. The King has big slanted eyes, a prominent nose, and big full lips. All these things represented something to the Nigerian people; the King...