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Egypt before European imperialism
The influence of Egyptian art
Egypt before European imperialism
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Ancient Egyptian art has and always will play an important role in the development of art. Due to the length of time Egyptians lasted, there are many different artistic styles attributed to their existence. The ancient Egyptians were one of the most innovated civilizations ever seen throughout world history. However, their culture is still not fully represented and there are still mysteries yet to be discovered. Many Ancient Egyptian works of art have more than just a decorative meaning. They are able to tell a story or represent the culture of the Egyptian people. An example of art with a significant meaning and artistic value is the Bust of Sekhmet. It is from New Kingdom Egypt during the reign of Amenhotep III, which was from 1390 to 1353 …show more content…
The New Kingdom period of Ancient Egypt began in 1550 BCE and is also known as the Egyptian Empire period due to Egyptians expanding their borders and power. One of the most famous Egyptian dynasties was prevalent during this time period; the Eighteenth Dynasty. Amenhotep III was the ninth king of the Eighteenth Dynasty and was well known for a time of united harmony (“The New Kingdom”). He was able to obtain significant allies, which in turn gave him protection and a powerful empire. This time of peace gave Amenhotep III the ability to admire and create new works of art. He was a follower of the ancient Egyptian religion which involved many gods and goddesses, but a new religious cult was emerging during his reign that followed the sun god Aten. However, Amenhotep III focused many of his projects on the traditional religious beliefs and deities (Mark 2011). The Bust of Sekhmet is an example of the traditional Egyptian religion. Sekhmet is known as the goddess of war and vengeance who protected the Pharaohs of Egypt. The word “sekhem” can be translated to mean “power.” She was the …show more content…
It began when Amenhotep III’s son, Akhenaten, took control of Egypt. He abandoned the customary religion and started to worship one god named Aten. Akhenaten’s reign was called the Amarna period and not only did it change the culture, but it had an important impact on artistic styles as well. In general, a major difference that was brought about during this revolutionary phase was stopping the representation of traditional Egyptian deities, such as Sekhmet. Other modifications can be seen through the comparison between the traditional Bust of Sekhmet seen in Figure 1 and the new art style used for the head of Nefertiti seen in Figure 2 (“Nefertiti”). Nefertiti was the wife of Akhenaten and was one of the most powerful women in Egypt at the time. The head of Nefertiti shows how the new artistic style stepped towards an idealized naturalism. This is seen through the natural facial structure with the elongated neck and the extended headdress of Nefertiti. The Bust of Sekhmet is certainly an idealized look, however, the structure is far from a natural representation. This is one example of the difference between the two styles of sculpture. Another example can be seen through the amount of detail and decorative beauty put into each structure. For the head of Nefertiti, there is a much greater amount of detail. This can be seen in the patterns
During the New Kingdom of Egypt (from 1552 through 1069 B.C.), there came a sweeping change in the religious structure of the ancient Egyptian civilization. "The Hymn to the Aten" was created by Amenhotep IV, who ruled from 1369 to 1353 B.C., and began a move toward a monotheist culture instead of the polytheist religion which Egypt had experienced for the many hundreds of years prior to the introduction of this new idea. There was much that was different from the old views in "The Hymn to the Aten", and it offered a new outlook on the Egyptian ways of life by providing a complete break with the traditions which Egypt held to with great respect. Yet at the same time, there were many commonalties between these new ideas and the old views of the Egyptian world. Although through the duration of his reign, Amenhotep IV introduced a great many changes to the Egyptian religion along with "The Hymn", none of these reforms outlived their creator, mostly due to the massive forces placed on his successor, Tutankhamen, to renounce these new reforms. However, the significance of Amenhotep IV, or Akhenaten as he later changed his name to, is found in "The Hymn". "The Hymn" itself can be looked at as a contradiction of ideas; it must be looked at in relation to both the Old Kingdom's belief of steadfast and static values, as well as in regards to the changes of the Middle Kingdom, which saw unprecedented expansionistic and individualistic oriented reforms. In this paper I plan to discuss the evolvement of Egyptian Religious Beliefs throughout the Old,
Egypt is a city bound to its history and tradition. Portraiture in Egypt was the inspiration for many cultures and stood as heavy influence for the catalyst of portraiture development around the world. Portraiture in ancient Egypt was constant and predictable until the late eighteenth century when Amarna style portraiture was introduced. The Amarna style stands out in Egyptian history for its severe contrast and break in tradition. The rendering of the body changes completely and deviates from what is expected of Egyptian art. This falls into the same time when Amenhotep IV was introducing other changes into Egyptian culture as well. As Amarna style progresses it is accompanied by the institution of Egyptian henotheism. Over two thousand deities were to be abandoned during Amenhotep IV’s eighteen year reign. His name would become Akhenaten and the Amarna style would be grouped into a class of ancient art surrounding Akhenaten, his family, and the sole god Aten.
Akhenaten, or Amenhotep IV as he was first known, reigned during the prosperous golden age of Egypt’s 18th dynasty. He is generally associated with the neglecting the empire in order to pursue his dreams as a religious philosopher; letting the Egyptian border crumble, and ignoring their foreign colonies and provinces. Akhenaten was married to the most beautiful woman of ancient Egypt, who also happened to be his sister, Nefertiti. Delving into the reasons behind Akhenaten’s brief reform of Egyptian religion and art and the impact this had on Egypt’s golden age.
The statue of Sekhmet demonstrates the method pharaohs control people, unique culture and belief in ancient egypt.
The statue of King Khafre Seated , from the fourth dynasty of the Old Kingdom, 2520 - 2492 BCE, was created by an unknown artist in the smooth permanence of graywacke stone. Although the statue is currently at the Metropolitan Museum of Art as number 56 in the Special Egyptian Exhibition, its true home is at the Egyptian Museum, in Cairo. The man being portrayed, King Khafre, ruled Egypt for approximately thirty years, during which he commissioned the single most recognizable monuments of Egypt, the a fore mentioned Pyramids at Giza and the Sphinx. These monuments of symmetry and solidity characterize the focus of popular architecture and sculpture from the Old Kingdom in Egypt.
The Egyptian culture was a culture that lasted about 3,000 years and was located near the Nile River. The Nile River provided most of the resources for the Egyptians; therefore, a lot of the artwork was based on representing these bountiful resources. Another major influence of the artwork that was created was the kings and gods that were held at such high standards (Stokstad and Cothren, 50). There is one king in particular that was known in history for his great accomplishments, this king was King Narmer. The Egyptian’s expressed their respect for this king through a palette known as The Palette of Narmer. This piece is one of the firsts of Egyptian times that sets the morals for Egyptian artwork; it was created in the Early Dynastic time period. The Palette of Narmer tells a vast political story of the history of Egypt and the king, King Narmer.
The Metropolitan Museum of Art. ‘Egyptian Art’, The Metropolitan Museum of Art Egyptian Art. New Series, Vol. 41, No. 3, Egyptian Art (Winter, 1983-1984): pp. 1+3-56
In the glorious Eighteenth Dynasty, when Egypt became for the first time a world power, a young Pharaoh ascended the throne about 1375 B.C., who first called himself Amenhotep (IV) like his father, but later on changed his name to Akhenaten (1370-1358 B.C.). This king undertook to force upon his subjects a new religion, one contrary to their ancient traditions and to all their familiar habits. It was a strict monotheism, the first attempt of its kind in the history of the world, as far as we know; and religious intolerance, which was foreign to antiquity before this and for long after, was inevitably born with the belief in one god. But Amenhotep’s reign lasted only for seventeen years; very soon after his death in 1358 B.C. the new religion was swept away and the memory of the heretic king proscribed. From the ruins of his new capital, which he had built and dedicated to his god, and from the inscription in the rock tombs belonging to it, we derive the little knowledge we possess of him.1
Egypt relied on their pharaohs to rule and run their county. Amenhotep III was the ninth pharaoh of the 18th dynasty; he ruled as pharaoh for a long period and achieved a significant amount of development in national and foreign affairs. He has been known as one of the best pharaohs that the world has seen. While Amenhotep was ruler of his era, it was known as the period of peace and prosperity. This allowed him to build many of the impressive structures that are found throughout Egypt today. He went on military campaigns and not only strengthened but expanded the boarders of Egypt throughout his campaigns. Amenhotep III was a successful pharaoh because he completed the roles of a pharaoh exceptionally well; these roles are High Priest, Administrator and Military commander. His name ‘Amenhotep’ means that the gods are satisfied.
The sculptures and paintings produced during the Fourth Egyptian Dynasty set the standard of Egyptian art until the end of the dynastic periods. Egypt was a culture steeped in religion and bound by the ideas of order and balance; and so was their artwork. Because most pieces produced were depictions of reigning pharaoh’s divine relationship with the Egyptian gods and his role as king of Egypt (Hawass), the Fourth Egyptian Dynasty gave life to specific cannon in Egyptian art called the “law of frontality (Egyptian Art).” All gods, pharaohs and noblemen would be depicted based on this standard. These standards left little room for artistic innovation until the reign of Akhenaten at the end of the Eighteenth Dynasty. The pharaoh Akhenaten abandoned the artistic style and religion of the Old Kingdom and created his own called the Armarna Style. Both periods produced beautiful architecture and artwork but the artist of Akhenaten’s reign were given more creative liberties and produced more life-like pieces.
To understand ancient Egypt, one must understand ancient Egyptian art. Studying ancient Egyptian art, one can understand how they lived, worked and what they believed in including religion. The ancient Egyptians also believed in the afterlife so tomb painting, was also an important part of ancient Egyptian art.
The final judgment Egyptian papyrus, Figure 1, is an artwork that was created during the Ancient Egyptian period +-3100 BCE - 30 BCE (Harris & Zucker 2013). According to Kleiner (2005:76), this particular artwork was created during the 19th Dynasty, which was within the New Kingdom. During the New Kingdom, the power was passed on to the shepherd kings (Kleiner 2005:67). They brought with them a new influential culture as they came from the Syrian and Mesopotamian uplands (Kleiner 2005:67). This time period took place +- 1539 BCE - 1075 BCE (Kleiner 2005:67). Even though there was a different culture that began influencing the Egyptians, they still believed in the afterlife and the judgement they would have to go through. This is evident within
Queen Nefertiti lives up to her name by being known for her beauty, leading to the creation of her bust. The life of Queen Nefertiti is an Egyptian mystery. She is the wife of Pharaoh Akhenaten, who reigns in the 14th century B.C. There is almost no information about the Queen’s life. Researchers were not able to identify Nefertiti’s ancestors either. Some researchers believe that Nefertiti is from Egypt, while others believe she is of Syrian descent. Egyptologists believe that she is the daughter of the Courier, Ay. The Bust of Nefertiti is still one of the most iconic masterpieces from Ancient
This bust is one of the first ranking works of Egyptian art mostly due to the excellent preservation of the colour and the fine modelling of the face. The Nefertiti
The Nile played an important role in the life of the ancient Egyptians. It makes life in the deserts of Egypt possible. It provided drinking water, a source of irrigation for crops, and most importantly the fertile soil used to grow crops. Without the Nile River it would have been difficult for Egyptian civilizations to survive. The Nile provided the crucial resources needed by a growing civilization. It caused all the ancient Egyptian communities to develop alongside the river. It also created a way of transportation of goods and people. This caused the development of boats and other water traveling methods.