Analyzing the Characters of Waterland

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Analyzing the Characters of Waterland

In "Waterland" Swift weaves a magical yet haunting tale of ordinary characters who live through they’re own struggles and problems unadorned by the complexity of world history yet forever revolving around the isolated and mysterious Fenns. His characters are a formidable mix of the stereotyped and the unordinary as he shows us how even the most common person can lead the strangest and most complex life and display a vast range of opposed emotions and thoughts.

"Waterland" is a profound study of human nature that not only displays the intricacies of people but also analyses the men and woman that live among us and for which each of us can find a name. Thus we all know an Ernest Atkinson, a bourgeois born into wealth who finds a meaning in life in the texts of Marx which push him to oppose the life that has been imposed on him thus angering his town and family. Ernest is the most interesting character in that he shows how geniuses and men with unorthodox ideas are often called rebels and segregated from the rest of society in their uniqueness and intensity. Mary in "Waterland" leads a disturbingly bizarre life that ends with her kidnapping a baby; the transformation of her personality following the abortion and her increasing mental instability shows the fragility of the human mind. Her character as that of Ernest is astoundingly realistic and thus one of the most effective characters in the novel.

One of the most compelling characteristics of Swift's writing is his mysterious characters, he only describes people at the most important and relevant part of their lives and the rest is left to the readers imagination. He also surprises the reader by withholding vital information about a character for a couple chapters than suddenly revealing it thus changing the reader's perspective completely. This permits him to build up formidably complex minds in very short periods of time as he only describes what is striking and always brings new dimensions to old characters thus he shows what Mary was like when she was a "little Madonna" and abruptly changes our whole perspective of her when we learn of her adventures thus shedding the first layer of mystery and giving the reader something new to reflect on. Swift also for some of the characters gives us information at the very the beginning of "Waterland" and it takes the whole novel for us to learn how that person died (in the case of Dick) or became insane (in the case of Mary).

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