The chase scene is a key part of the film as it influences the
viewer's overall opinion of the main character, "Roy". Throughout the
film "Roy" is interpreted as the "villain" and "Deckard" seen as the
"hero". However this scene creates sympathy for "Roy" and portrays him
as a saviour figure. Ridley Scott, the director, does this using a
range of technical, cultural and symbolic codes. These are the
semiotic codes this essay will explore.
Technical codes are the use of technical techniques used to create a
certain atmosphere, mood or feeling. For example a Blue Filter is used
to set a melancholy feel putting forward the image of "Roy" having
"the blues".
Cultural codes are themes or techniques used in media that are linked
in some way to: religion, culture, events in history or previously
published books and films (media). An example would be Ridley Scott's
use of neon signs (TDK), behind "Roy" at the end of the chase scene.
This suggests links with Tokyo, a main focal point for manufacturing
goods.
Symbolic codes use words, objects and images to represent a certain
emotion or idea. In this case their main purpose is to provoke
sympathy. An example would be "Roy's" black Nazi style coat
symbolising/portraying him as an evil character.
To begin the scene, the mood is set by a blue filter. This is a
technical code: provoking the emotion of sadness. This effect creates
sympathy for "Roy" because the atmosphere is dismal and melancholy.
Likewise the establishing shot is in soft focus, another technical
code creating a gentle, calm mood, which contrasts with the violence
later to come. These two techniques toget...
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...s meanwhile show he feels yet again as a human does and
hence the viewer relates to "Roy" and therefore empathises with him.
Finally he dies and a dove flies away out of his hands, representing
peace and "Roy's" soul. But does "Roy" have a soul? This is one of the
many rhetorical questions the viewer is left to think about. It is not
a spoken question, it is an open-ended sign, there is no limit the
audiences' interpretation; it is a mere guide to their emotional
response.
To conclude I think the piece is extremely successful in making the
viewer feel sympathy for "Roy" through each semiotic code. The issues
raised about "Roy" through these leave the viewer in suspense with
unanswered questions like: Was "Roy" programmed to have emotional
responses? What are his rights? Maybe he was man made. But aren't we
all?
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Blade runner a box office flop in 1982 but a 1992 re release hit set
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music changes to show that she is sad. We then get a close up of
The opening scene fades into a girl rolling along a wheelbarrow. A horse is trotting along in front of her. Both of these indicate that she is in a rural area or on a farm. The camera is behind her and we don’t see her face. It is lit naturally and demonstrates deep space (it focuses on the breadth of the entire view of the camera). The camera then cuts to a shot of a boy on a bicycle, in a similar setting as the girl. The sun is facing the camera, creating a natural glare. He rides towards us and then goes out of view. We cut again to the girl, this time closer up. We see her face for the first time. She is probably around 8 years old. The music is a soft, playful piano piece that goes along with her footsteps as she is playing. There are a series of cuts between the boy and the...
Roy in the movie version is utterly heroic. He struggles, after an almost fatal injury in his youth, to try to become the best that the game of baseball has ever seen. He is quietly confident, without an arrogance to him. Iris is his former teenage-love who reappears after Roy makes it into the majors and stands up and inspires him when he is in a slump. Their relationship in the movie appears pure and innocent. Iris reminds Roy of “home” and all that is good and true in his life. Roy also has a relationship with Memo, who is his manager Pop’s niece. She is a shady character who basically throws herself at Roy after he notices her beauty and wants to get to know her. Their relationship is dark and more sexual than Roy and Iris’ on-screen romance. Roy is respectful to his fans and in return they stand by him faithfully, in good-times and bad. He even goes as far to helping the batboy make a bat resembling Roy’s own bat, Wonderboy. Roy views Pop as a father figure. Even after he is poisoned by Memo and blackmailed by Gus and the Judge, Roy decides to play in his last game to win Pop the pennant he had always wanted. By doing this he risks his life because of his stomach illne...
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