Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Analysing newspaper story essay
Newspaper analysis
Analysis essay sample of a newspaper article
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Analysing newspaper story essay
Analysis of a Newspaper Article: Much Ado About Mousing
This piece is in the format of a newspaper article in the broadsheet
‘The Independent Review’. Styled as a critical review, the piece is
intended to inform the reader about an episode of ‘Tom and Jerry’, a
cartoon aimed at young children. However, I decided to imitate the
verbose style of a broadsheet critic, and I also aimed to mock the
overly analytical, presumptuous tone that the media often exudes, by
relating every minor incident of ‘violence’ in the cartoon to extreme
cases of brutality in society.
I chose to implement the typical discourse structure of a newspaper
article, with short, bold introductions and a succinctly clear
headline. I chose the headline “Much Ado About Mousing” as it is
wordplay on the Shakespearian play “Much Ado About Nothing”, and the
readership of ‘The Independent Review’ would most likely realise the
pragmatic meaning of the pun. It also raises the question whether the
satirical style of the article really is much ado about nothing, and
analysing the content of ‘Tom and Jerry’ in too great a depth.
I used complex lexis, to appeal to the more refined audience:
“unashamed trivialisation”, “sadistic depravity” and “ferocious
contempt” are a few examples. In many cases, I used words that would
not be found in typical tabloid newspapers; I would have incorporated
more simple synonyms if I had written the article for ‘The Sun’. The
language is Standard English, with a formal register to add gravitas
and sincerity to the article.
I have mostly used compound and complex sentences, as these are
flowing and add diversity to the article. However, I did include some
simple sentences to create impact: “Yet the plot thickens.” In the
style of broadsheet newspapers, I included semi-colon usage for an
intellectual effect. Rhetorical questions involve the reader,
encouraging them to process the information they are reading and think
about it in greater detail; however, they are leading questions, which
direct the reader to the same conclusion that the author of this
The fear of reading literature and not being able to comprehend the ideas presented forces readers to create a deeper meaning through annotations, as expressed through Billy Collins’ use of comparative imagery and aggressive diction in “Marginalia” and “Introduction to Poetry.” Collins’ choice to
An article that uses a lot of rhetorical devices is Shitty First Drafts by Anne Lamott. The speaker of this article is obviously Anne Lamott; the reader gets to understand her more after she shares some personal experiences. Lamott wants people to know that their first drafts are supposed to be shitty. This article is meant for college students who just finished their first draft and is looking for improvement. The purpose of this whole article is to inform you that your first draft is supposed to be horrible because no one can just pull an amazing paper from no where, not even the people who write for a living. The whole subject is telling you that your first drafts are going to be bad, so make sure to write multiple drafts before you
above all their new album ! They tell us how it was almost never made
In the documentary film, Page One: Inside The New York Times, the inner world of journalism is revealed through journalists David Carr and Brian Stelter as the newspaper company The New York Times, struggles to keep alive within a new wave of news journalism. The film is dedicated to reveal the true inner mechanics of what modern day new journalists face on a daily basis and leaves the audience almost in a state of shock. It broadcasts news journalism as yes, an old school method of news generation, but it also highlights an important component that reveals the importance behind this “old school” methodology. We often think that progression always correlates with positive products, but the documentary insists that within the case of modern journalism, the new wave method is actually a detriment that can reap negative consequences.
Violent Media is Good for Kids, by Gerard Jones, is an article which makes many claims to support the argument in which a controlled amount of violence could be beneficial for a young, developing child. Even though the topic of this article can be controversial, the claims serve to support the argument in many noteworthy ways. It is written in such a way that it tells a story, starting when the author was a child and works its way to his adulthood. In this case the author uses, what I believe to be just the correct amount of each rhetorical strategy, and fulfills his goal for writing the article. This argument is interesting and at the same time, effective. Throughout the analyzing process logos, ethos, and pathos are searched for and scrutinized.
In “Violent Media is Good for Kids” Gerard Jones introduces us to his fearful and lonesome childhood. He lived in a world where he was taught to be the violence fearing, and passive boy his parents wanted him to be. But, when one of his mother’s students gave him a Marvel comic book, his fearfulness was transformed into inspiration. He found a way to escape these discouraging feelings through the “stifled rage and desire for power” (Jones 285) that he had newly found. The popular comic book hero “The Hulk” freed him from his passive and lonely persona. Throughout the article he cites his testimonies and the testimonies of others as examples; and shows how they used violence as a positive realm for “overcoming powerlessness.” (Jones 287) Ultimately, Jones is trying to convey the message that violent media can provide kids with psychological tools for coping with the problems that they face as they grow. Although there are slight hints of biased evidence, “Violent Media is Good for Kids” should be considered for the top prize for persuasive essays.
In sandra cisneros’s novella The House on Mango Street the author uses many rhetorical strategies to capture her audience's sympathy for Esperanza. These strategies include assonance, consonance, alliteration, and syntax.
L’Engle, L'Engle. “Focus On The Story, Not Readers…” Writer Apr 2010: p. 24-25. MAS Ultra-School Edition. EBSCOhost. Web. 25 Feb. 2014.
In the past few days, we have read a lot of short stories, and we have learned different rhetorical devices, how to make the story more vivid. This essay will be based around some short stories we have read, they all used the irony of the narrative and the authors use it as a euphemism to express their discontent or to the irony of the characters. The use of irony can use indirect ways to make the reader realize the disadvantages from another perspective.
Reinert, Otto. (1956). Satiric Strategy in the Importance of Being Earnest. College English, Vol. 18, No. 1.
Initially, Costello explains that the language in the novel perfectly encapsulates the vernacular used by teenagers in the time period the book is set in. In order to support this statement, Costello mentions a plethora of reputable sources that also share the same belief. He even acknowledges reviewers with contrasting opinions by explaining that they did not agree that the book’s language was authentic because of how obscene is. Costello then uses this information as a base for the rest of his arguments within the paper.
...into works of literary art. In particular, structural and textural ironies, in conjunction with other literary elements, can add dimension to short stories to help enhance their literary merit. The dynamics of these short stories are then studied for years and years in the scholarly world. Through the use of the previous four short stories the impact and influence derived from textual and structural ironies are exemplified in great detail. Zora Neale Hurston, William Sydney Porter, Guy de Maupassant, and Nathaniel Hawthorn heavily incorporate these two forms of irony into their stories in order to achieve a greater literary merit. While doing so structural and textural ironies have managed to also intrigue their audiences to read further, present a moral warning to their readers, and finally provoke discussion through adding depth and purpose to their contents.
Its rigorous yet mocking mimicry of both Victorian and contemporary philosophies, genres and styles, its abundance of narrative parody and pastiche, and the unashamedly flaunted parallels of story and time all serve to foreground underlying questions of narrative playfulness and (meta-) historical representation and suggest strong- if perhaps suspiciously blatant- allegiances to the critical ideas concerning fiction, history and identity so fashionable in the late 1980s and early 1990s.
Newswriting, as it exists today, began with the adoption of the telegraph, which roughly coincided with the start of the American Civil War. The necessity of getting at story through before the telegraph’s occasional malfunction forced a radical change in the style of writing used in reporting. Before the telegraph, much of writing news was just that: writing. News was reported much like books were written. The reporter would set the scene with a detailed account of the setting or the mood and tell the tale just like any other narrative that one might read simply for pleasure. Since the telegraph made it possible for news to be printed the day after it happened; it was immediately adopted as the preferred method of getting news to the newsroom. Occasionally, however, the telegraph line would go down. Often this happened during a transmission, and the remainder of the message could not be sent until the line was repaired. Since a detailed description of the setting and the mood are useless without the actual piece of news, the system of writing, now known as the inverted pyramid, in which the most important items are written first in a concise manner, was born. The inverted pyramid system, born of necessity, was absorbed into newswriting over the proceeding century, and exists today as the standard style for reporting news.
Newspapers have allowed for such a freedom in our everyday lives, and most have not even realized this fact. They have provided us with an outlet to speak our mind about politics, societal issues, public differences, and religion and cultures. Searching online to find such knowledge can be extremely challenging; moreover, newspapers always seem to be a place to find valid information. Newspapers have started to come off the printer more slowly over the past decade. More people are turning to electronic ways to find information rather than going to the direct source where that electronic media got their information. Most reliable information comes from newspapers where high up and educated citizens or leaders speak their mind on certain and important topics. The reason newspapers should stay a part of today’s society is because they offer a way for people to speak freely about what they please and get their voice heard, they are always credible, and they help us hear the problems of the world openly from different perspectives.