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What is the impact of role models on youngsters
What is the impact of role models on youngsters
Influence of role models in youth
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The novel Jasmine by Bharati Mukherjee is an incredible story about the transformation and life experiences of a Panjabi girl from India. The life of Jyoti is told from her point of view when she is twenty-four years old, and pregnant with the baby of Bud Ripplemeyer, a crippled banker who is more than twice Jyoti’s age. During the span of two months in Iowa, Jyoti narrates her biographical experiences in Punjab and in America as she strives to become independent. Jasmine illustrates that when one’s relationships go through changes, it will impact one’s identity. Born in Hasnapur in India, Jyoti is said to be the most beautiful and clever person in her family. Unlike her sisters and other girls, Jyoti excels in school and continues her education until the 8th grade despite her father’s disapproval. Education represents a way for Jasmine to separate from many girls her age including her sisters and to shape her identity. In other words, this allows her to break from the semi-feudal rural society in which she lives. Her life, like most Indian women in that time period, is controlled and dominated by her father and brothers, "Village girls are like cattle, whichever way you lead them, that is the way they will go" (46). Jyoti’s opinions are often considered unnecessary. The role of women in villages was only to be a mother and to manage household affairs. The first of many glimpses of Jyoti’s varying identities occurs during her marriage to Prakash. The first time Prakash talks to Jyoti, he says, “She is a woman of fine sympathies…” (74). He sees her as a delicate, obedient woman who follows her family’s wishes and societies restriction on women. Jyoti describes Prakash as “A modern man…For Prakash, love was letting go. Independenc... ... middle of paper ... ...el Jasmine, Jyoti has conflicts with her past and the present as she attempts to combine her life as an immigrant and life in India. Jyoti comes to America in order to fulfill her husband, Prakash’s dreams and to lead a more fruitful life. She undergoes her first transformation from an innocent, dutiful daughter to a modern wife when she meets Prakash who calls her Jasmine, then she becomes more American when she meets Lillian Gordon who calls her Jazzy. Later, with Taylor Hayse, who calls her Jase, she starts to accept her past and present together, however seeing her husband’s murderer frightens her. She then moves on to become Bud’s Jane. Jyoti tries to establish a new identity as she learns new American customs, skills, and aspirations. These transactions in her identity are apparent in her attitude towards life and her relationships with men and women.
Lahiri, a second-generation immigrant, endures the difficulty of living in the middle of her hyphenated label “Indian-American”, whereas she will never fully feel Indian nor fully American, her identity is the combination of her attributes, everything in between.
Adolescents experience a developmental journey as they transition from child to adult, and in doing so are faced with many developmental milestones. Physical, cognitive, social and emotional changes are occurring during this tumultuous stage of life, and making sense of one’s self and identity becomes a priority. Sherman Alexie’s The Absolutely True Diary of a Part-Time Indian addresses the challenges of adolescence in an engaging tale, but deals with minority communities and cultures as well.
When Sripathi and his family receive the news of Maya’s and her husband’s fatal road accident, they experience a dramatic up heaval. For Sripathi, this event functioned as the distressed that inaugurated his cultural and personal process of transformation and was played out on different levels. First, his daughter’s death required him to travel to Canada to arrange for his granddaughter’s reverse journey to India, a move that marked her as doubly diasporic sensibility. Sripathi called his “foreign trip” to Vancouver turned out to be an experience of deep psychic and cultural dislocation, for it completely “unmoors him from the earth after fifty-seven years of being tied to it” (140). Sripathi’s own emerging diasporic sensibility condition. Not only must he faced his own fear of a world that is no longer knowable to him, but, more importantly, he must face his granddaughter. Nandana has been literally silenced by the pain of her parent’s death, and her relocation from Canada to Tamil Nadu initially irritated her psychological condition. To Sripathi, however, Nandana’s presence actsed as a constant reminder of his regret of not having “known his daughter’s inner life” (147) as well as her life in Canada. He now recognizeed that in the past he denied his daughter his love in order to support his
Alexie, Sherman. The Absolute True Diary of a Part-Time Indian. New York: Hachette Book Group, 2007. Print.
Creating an identity that is separate from one’s cultural and community background is a difficult task. In Sandra Cisnero’s The House on Mango Street, the narrator is a young Latina girl named Esperanza who explores her own individual identity through the pursuit of friendship with another female named Sally, a girl who pushes boundaries by finding comfort in both sexuality and beauty as forms of self-identification. Jamaica Kincaid’s Lucy focuses on a teenage girl who moves from the West Indies to North America in an attempt to pursue the supposed endless American opportunities by creating a new understanding of herself through her career as an au pair for a wealthy, white American
This fully narrated by the ten years old girl Lilia who belongs to the second generation of immigrants lives with her parents in Boston. This story seems to be an autobiographical; it reminds Lahiri’s own life. Throughout the eyes of Lilia, the reader could understand the experiences of the life of Indians in the host country.
Jess’s continued pursuit of football is perceived by her mother as being oppositional or rebellious, rather than a career choice or dream. The generational differences between Jess and her mother are transparent when her mother questions, “What family would want a daughter-in-law who can run around kicking a football all day but can’t make round chapatis?”(Mrs. Bhamra). In Jess’s culture, it is expected that marriage be a top priority, which her mother stress over any other aspects of Jess’s life. This idea of marriage is stemmed from her family's desire for security and comfortability, which Jess is very unconcerned about during this period of her life. Mrs. Bhamra’s traditional beliefs cause her to be unaware of her daughters true potential which in turn hinders their relationship. Jess’s sister also has trouble recognizing the differences of Jess and her family when she asks, “Jess don’t you want all of this? This is the best day of your life, innit?” in which Jess replies, “I want more than this”(Pinky/Jess). Although typically girls in Indian culture dream of the day they are wed, Jess does not fit into this social understanding which creates a barrier between her and the other women of her
Jyoti, now, begins the journey of realization of ‘Self’ and ‘Potential’. Jyoti is renamed as Jasmine, appears to be jubilant sharing the ambition of her husband, intent to go to America, a land of her dreams and opportunities. Her dreams gets shattered by the murdered of Prakash on the eve of the departure but Jyoti decides to continue as jasmine because if she recedes to Jyoti she would be compelled to like her own mother or like her friend Bimla who make desperate suicidal attampts after death of their respective husband.(Pandey: 16)
To begin, Nair shows us that both couples have a willingness to work and fight for their relationships, from Dubey's thoughtful marigold proposal and fierce protection of Alice to Aditi's honest confession of her affair, and Hemant's forgiving response. Hemant explains to Aditi, "What marriage doesn't have risks? Whether our parents introduce us, or we meet at a club, what difference does it make?" Hemant emphasizes that it is not so much about how two people meet but more so about how they approach a relationship: with honesty, integrity, and empathy. Relationships and individuals are complex, and thus should be regarded with sincerity. In the same way, culture is just as complex. Returning to the censorship scene, Aditi watches from the sidelines as her ex-boyfriend and television personality, Vikram, poses the question of censorship in India on his show Delhi.com: is censorship necessary and how much western influence can an another culture accept? The question can be related back to how one approaches a relationship. Censorship is not a valid means of upholding culture; it is dishonest and rather ineffective. Instead, Monsoon Wedding encourages us to commemorate India's
She handled typical Indian themes and has successfully depicted the dilemmas and conflicts of women in their interactions and dealings with their partners. Through the aspects of kindness, tolerance and understanding of human relationships this novel can better be accepted by the readers. The despair and disappointments in the life of Jaya is clearly understood by the readers from the very beginning of the novel. She begins the novel by saying
We find characters like Mr. and Mrs. Das who are so distant from their Indian heritage that they need a tour guide, and we find Mrs. Sen, who sits on her floor every day, chopping vegetables in the same way she did in India, with the same knife she used in India. The characters who find happiness are always those who can embrace their present circumstance, while at the same time never forget their Indian roots.
Sexism is a major theme that is present throughout the film. Jess struggles with her environmental surroundings because she lives in an Indian household and faces many cultural barriers. Jules and Jess have the same share of soccer but their parents give them lack of support. This indicates that their parents want their daughter to become a perfect female daughter who likes girly things than being a soccer player. This theme is expressed through Jess’ mother saying “What family would want a daughter-in-law who can run around kicking a football all day but can’t make round chapatis”. The author
Prof. Jasbir Jain finds the vision of ambivalence in Anita Desai’s fiction: The reality of Anita Desai’s novels is an uncertain one; it's a domain where the key concord is aimed to but not attained, and the hope to love and last crashes from time to time violently in terms of loneliness which is shown in its altering tones and significances. Anita Desai is a receiver of several awards in India and overseas. She is obtained many esteemed positions in India and other countries of the world. Her novel Fire on the Mountain awarded her the Royal Society of Literature’s Winifred Holtby Memorial Prize and the Sahitya Academic Award for English for the year 1978. Her Clear Light of Day was nominated for the1980 Booker Prize. Again her In Custody was nominated for 1984 Booker Prize. The Village by the Sea was the guardian award for children’s fiction in 1982. In 1999 she newly published novel Feasting; Feasting was as well nominated for the covetous Booker Prize and concluded as a second best in the hot run. In the battle, the Peacock (1963) Desai’s 1st novel, the individuality crisis of the character Maya, bases from various interconnected elements. She's an enthusiastic and sensitive young lady married to her lawyer father’s dependant Gautama who is a practical tending individual, came off from emotions, she is completely different to him. Maya needs a beloved spouse with broad understandings, extremely
The Truth about Me is the unflinchingly courageous and moving autobiography of a Hijra (Eunuch) who fought ridicule, persecution and violence both within her home and out- side to find a life of dignity. Revathi was born a boy, but felt and behaved like a girl. She feels like a woman trapped in a man’s body. All she wanted was to be a woman, to be considered a woman by society.In telling her life story, Revathi evokes marvellously the deep unease of being in the wrong body that plagued her from childhood. Her life became an incredible series of dangerous physical and emotional journeys to become a woman and to find love. It is an honest autobiography which depicts life as a hijra in India. A community that is feared, ridiculed and ill-treated in so many ways.It is a peek into lives of our sexual minorities who have struggled so hard to gain acceptance, ill-treated by society, by the law enforcers,shackled by our archaic laws, looked down by their own families, no means of earning a living, etc. The story opens in small village in Tamil Nadu. Doraisamy was the youngest of five children – the fourth boy. He grew up shy, culturally effeminate, with an inclination to dress as a girl and do traditionally female activities around the house – the domestic chores, the games, the singing and dancing.Doraisamy spends his childhood years with a growing unease as he tries to negotiate his body’s incongruity with his inner desires and natural talents.In his mid-teens he met a group of like-spirited men, who introduced him to visiting hijras. Doraisamy stole some money and an earring from his mother, and ran away from home. As Revathi, she could dress, walk, and talk as a woman. But she is, of course, a hijra, that liminal third-sex, and so she was constrained to live and earn in specific places, in specific manners. The story follows Revathi’s life as she moved from city to city,