Analysis of I Am, by John Clare The poem 'I Am' by John Clare is written in the form ABABCC, except for the first verse, which is ABABAB and it is written in iambic pentameter. The structure of the three stanzas seems to be based on time, the first stanza is what is happening, he is 'live' the second is what is about to happen, what he is going 'into' and the third is what he thinks or wants to happen, what "I long for". There is a great use of punctuation, yet there are only two sentences, making the poem seem continuous, troubled and searching and without definite closure. The title of the poem is repeated four times in the first verse, but then it is not written again at all. In fact, after the first stanza, there are only five references to the writer. This suggests that the fist stanza is the most personal the one that is based most strongly on the writer. The 'I' from the poem is reflecting on his past, his life, and what is going on around him, what his life has become. The stanza seems to have a lost air, a feeli...
what he should do and when he does do things he doesn’t care whether or not
Upon reading the poem "Saint Judas" by James Wright, the reader quickly realizes that the poem deals with Judas Iscariot, one of Jesus' twelve apostles. The author describes Judas as "going out to kill himself,"(line 1) when he sees a man being beaten by "a pack of hoodlums"(2). Judas quickly runs to help the man, forgetting "how [his] day began"(4). He leaves his rope behind and, ignoring the soldiers around him, runs to help. Finally, he remembers the circumstances that surround his suicidal intentions and realizes that he is "banished from heaven"(9) and "without hope"(13) He runs to the man anyway and holds him "for nothing in [his] arms"(14)
The use of theme in One Flew Over the Cuckoo’s Nest by Ken Kesey brings upon the ideas of misogyny, sexual repression and freedom, and salvation from an omnipotent oppressor, through the story of Chief Bromden, who lives in an insanity ward. Even from the beginning pages of the novel, the reader is introduced to such characters as Nurse Ratched, or the “Big Nurse,” who is said to be the dictator of the ward and acts upon the ward with the utmost control. Another branch of the theme of oppressors and salvation that relates to Nurse Ratched, as well as Randle McMurphy, is the idea that they are both representatives of figures based in Catholicism. Sexual repression and freedom is seen with the ultimate punishment in the ward, a lobotomy, being stated as equivalent to castration. Both of the operations are seen as emasculating, removing the men’s personal freedom, individuality, and sexual expression, and reducing them to a child-like state. All of these different pieces of the theme relates to a powerful institution that, because of the advances of the time, such as technology and civil rights for women, is causing men to be common workers without distinctive thoughts that must fit the everyday working mold of the 1950s.
Poverty and homelessness are often, intertwined with the idea of gross mentality. illness and innate evil. In urban areas all across the United States, just like that of Seattle. in Sherman Alexie’s New Yorker piece, What You Pawn I Will Redeem, the downtrodden. are stereotyped as vicious addicts who would rob a child of its last penny if it meant a bottle of whiskey.
story, first impressions, what he thinks of himself, what others think of him, and what
As an extension to the short story “Where am I?” by Daniel Dennett, Dennett is taking the government to court, claiming that NASA owes him a new body, because he is currently forced to share his body with another person (Hubert). Wanting to make usage of my philosophical expertise, the government called upon me to give my recommendation to the court as to what validity, if any Dennett’s claim has, and whether or not Dennett should be awarded a second body transplant. After careful consideration on various philosophical issues pertaining to this case, I have concluded that there is absolutely some merit to Dennett’s claim, and that Daniel Dennett should be given a new body. I will expand upon the details of each specific issue that I investigated,
“Dubliners” by James Joyce was first published in 1914. It is a collection of short stories, which takes place in the same general area and time frame, moving from one individual’s story to the next. Boysen in “The Necropolis of Love: James Joyce’s Dubliners” discuses the way the citizens of Dublin are caught in this never ending misery because of the lack of love- mainly instituted by the “criminalization of sensual love” from the church- and the economic stress, and struggle to survive. Zack Brown goes through the individual short stories, pointing out their references to paralysis, as well as a few other themes in “Joyce’s Prophylactic Paralysis: Exposure in “Dubliners.”” “James Joyce’s usage of Diction in Representation of Irish Society in Dubliners” by Daronkolaee discuses the background knowledge of the culture and particular details of the city that enhance the understanding of the reader and enforce the ideas presented by Boysen and broken down by Brown. These analytical articles help support the idea that Joyce uses
In Edgar Allan Poe’s story The Fall of the House of Usher, the character Roderick Usher exhibits severe mental illness. Most of Poe’s writings are psychological in nature. The Fall of the House of Usher is a great example of this. Poe’s life was filled with many tragic events. The unpleasant outcome of his early years resulted in a great Gothic Romantic writer. He is a master of writing psychological thrillers, adding suspense and mystery in his stories. The topics of his writings are a concoction of unpleasant, austere, and grotesque things, thus the reader can be left feeling squeamish and susceptible. We are drawn into Poe’s stories by our intrinsic human nature of curiosity and intrigue. This paper gives examples of Poe’s literary style as we examine Roderick’s metal state through his words and appearance.
“Often fear of one evil leads us into a worse”(Despreaux). Nicolas Boileau-Despreaux is saying that fear consumes oneself and often times results in a worse fate. William Golding shares a similar viewpoint in his novel Lord of the Flies. A group of boys devastatingly land on a deserted island. Ralph and his friend Piggy form a group. Slowly, they become increasingly fearful. Then a boy named Jack rebels and forms his own tribe with a few boys such as Roger and Bill. Many things such as their environment, personalities and their own minds contribute to their change. Eventually, many of the boys revert to their inherently evil nature and become savage and only two boys remain civilized. The boys deal with many trials, including each other, and true colors show. In the end they are being rescued, but too much is lost. Their innocence is forever lost along with the lives Simon, a peaceful boy, and an intelligent boy, Piggy. Throughout the novel, Golding uses symbolism and characterization to show that savagery and evil are a direct effect of fear.
The poem entitled On My First Son is a pouring out of a father's soul-a soul that pours out every last drop of pain, anguish, and love for his deceased son neatly into a beautiful poem. Ben Jonson illustrates his love and loss with concreteness and passion. Just as an artist creates a painting on paper with a pallet of colors and different types of brushes, Jonson uses thoughtful phrasing and strong diction to create a vivid word painting of his son.
aspects of life. If he has already spent the previous part of his life satisfying his material
The character of the husband, John, in “The Yellow Wallpaper” by Charlotte Perkins Gilman is introduced as a respected physician and a caring husband who strives to improve the mental health of his wife, the narrator, who is diagnosed with temporary nervous condition. John tries throughout the story to apply professional treatment methods and medications in his approach to helping his wife gain strength. However, his patient, his wife, seems to disregard John’s professional opinions and act as if she is following his advices only during his awakening presence with her. The narrator seems to be in need of John’s positive opinion about the status of her mental condition in order to avoid the criticism even though she disagrees with his treatment methodology. John, without doubt, cares for his wife and her wellbeing, but he does not realize how his treatment method negatively impacts their relationship his wife’s progress towards gaining strength. Although John was portrayed as a caring and a loving physician and husband to the narrator through out most of the story, he was also suggested as being intrusive and directive to a provoking level in the mind of the narrator.
Illustrated by Whitman from his poem “ Song of Myself “ from the collection Leaves of Grass that the individual place is to be part of nature. Whitman articulates, “ This grass is very dark to be from the white heads of old mothers “ (ll. 31). This example proves that people who die and get buried fertilizes the soil and grows grass. It’s being proven by the corpse buried underground and grass that’s growing from it, and it’s significant because in order to live individuals have to die and in order to die individuals have to live. Transcendentalist like Whitman valued nature and the individuals belonging in it. Therefore, Whitman illustrates, “ They are alive and well somewhere, The smallest sprouts show there
what you want out of this life. Too Short talk's about this when he says, "you
Keats presents a stark contrast between the real and the surreal by examining the power of dreams. For the narrators of each work, dream works as a gateway to the unconscious, or rather, a more surreal and natural state of mind. Keats presents the world as a place where one cannot escape from his/her troubles. For the narrator in “Ode to a Nightingale” he attempts to artificially medicate himself as a means of forgetting about the troubles of the real world which cause him to feel a “drowsy numbness” (Ode to a Nightingale 1) which “pains / My senses, as though of hemlock I had drunk,” (1-2). The narrator, seemingly in search for both inspiration and relief, drowns out these feelings through an overindulgence in wine as a way to “leave