Analysis of Gabriel Garcia's One Hundred Years of Solitude
Historical roots of Macondo and the Buendia family.
One Hundred Years of Solitude is about on imagined mythical town which is named as Macondo. Its foundation, rise, development and death throughout the history of its founders; Buendia family is narrated. It is the evolution and eventual decadence of a small Latin American town and its inhabitants. The novel is dominated by Colombian settings and the Buendia family is a Colombian family of those times that the story takes places. At that point, the reader may question the position of the book. Is the story of the fictional town Macondo and Buendia family simply about the failure of that particular town and family or is there something beyond. Did Gabriel Garcia Marquez, the author of One Hundred Years of Solitude, spend three years to write this book that then became his master piece, only because he wanted to talk about an imagined town, an imagined family and their failure. Or, is the book a metaphor for Latin America's, specifically Colombia's and her peoples history. Did Marquez write this book to paste it on history as an example of a
history not to be repeated again, to paste it as a warning. As the second part of this assay, I want to focus on gypsies since they construct an other culture other than the inhabitants of Macondo. To find out the importance of this distinct, nomadic gypsy culture will enable the reader to make a comparison between gypsies and their contact with civilization, and Buendia family and their failure within their solitude. In other words, by comparing gypsies and Buendias, the reader will be able to get some important clues about Buendias' failure.
Gabriel Garcia Marquez is the Nobel Prize wining author of "One Hundred Years of Solitude" of 1982. The ambiguity, aesthetic genius and the usage of the technique, 'magical realism' that is the connection between the fantasy and reality brought that success. The reader does not have to think too hard to enjoy the book. This is the beauty of Third World writing, that it deals with both specific and international issues. Third World and multi-cultural writers are describing, reproducing and addressing a heterogeneous and international (and this is often what passes for post-colonial) readership. Third world is a useful term which makes it possible to talk about this...
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.... Buendias overlooked the beauty of the heterogeneous thinking and behaving and stacked with the useless homogenous way of living that ended their aimless existence. Their aimless living left its place to a tabula rasa, a new fresh start at the end of the novel. Famous Colombian writer, Gabriel Garcia Marquez, by creating this new page, by eliminating the Buendia family, is preparing a new chance for other peoples, in fact for Latin Americans. His book is now pasted on history with the help literature and the intended readers may look at it and learn a lot from it. The story of Macondo and Buendias is not simply a story of a fictional town and its inhabitants. Marquez uses Aureliano's method, pasting names on objects to remember their names and functions. By pasting this book as a warning, Marquez names the true history of Colombia. He retells the civil war; the War of One Thousand Days and the banana massacre that is denied by the Colombian Government and erased from history books. Marquez pasted his book to show some overlooked parts of Colombia's history and the dangers of circularity and repetitions and he wants his book to be a guide, a warning at least for a better future.
The Carrillo Adobe is in a dire situation. It has not only fallen into disrepair from the many years of weather and use by so many individuals, but by visitors and citizens have been less that kind and considerate of its age and the prominence that it deserves. After Carrillo’s death her house was given to three of her daughters, Marta, Juana, and Felicidad. Then her belongings were distributed between all of her children. In the first decade after her death her different children each occupied the house at different times. One of her daughters, Juana and her husband ran the home as a tavern. They then converted the adobe into the first post office in the town of Santa Rosa. After her daughters no longer had a need for the adobe it was turned into a trading post where numerous individuals...
This text exhibits the events of the 1937 Parsley Massacre. Similar to Junot Diaz’s, The Brief Wondrous Life of Oscar Wao, this text refers back to Trujillo’s dictatorship in the Dominican Republic. Trujillo organized a genocide of Haitians who were in D.R. Danticat allows readers to experience this traumatic event through the perspective of Amabelle Desir, the main character.
The Alvarez lived in a compound on a respected neighborhood surrounded by aunts, uncles, cousins and the grandparents, and were a very well establish family as a result of “benefitting from their support of the people in power” during the revolution against the Haitians (“Julia Alvarez”). In her novel, ...
The appearance of biblical allusions in One Hundred Years of Solitude by Gabriel Garcia Marquez has been noted by numerous critics. These allusions are not merely additional literary devices, but rather form much of the structure of the novel. Renowned critic Harold Bloom has even called the book “the Bible of Macondo” (Bloom 1), an apt characterization considering that the novel, throughout its course, contains sections that closely parallel the Book of Genesis. - going to add more to this
At the onset of the novel we are given Jose Arcadio Buendia as the founder of the town. Clearly as founder and discoverer of Macondo he is the leader of the community. He would give instructions to the community on everything ranging from planting to how to raise children. He was hard-working and generally reliable. It was greatly due to his diligence that the people of Macondo were so happy. However, as his insatiable lust for knowledge grew he began to ignore the needs of Macondo. At one point he even wanted to abandon his Eden in Macondo and lead the community elsewhere simply for discovery. His wife Ursula, unlike the Eve of genesis, did not agree with his search for knowledge but instead usurped his authority and made sure this idea never came to fruition. Ursula showed that while her husband may have been the “leader” of the town, she had just as much power as he. This is clear when she not only, “…predisposed the women of the village against the flightiness of their husbands…” (p.14, Marquez) but also when she declared to Jose, “We will not leave,” (p.14, Marquez). For the time following, with everyone still in Macondo, the town continued to grow and prosper.
One Hundred Year of Solitude by Gabriel Garcia-Marquez projects itself among the most famous and ambitious works in the history of literature. Epic in scope, Marquez weaves autobiography, allegory and historical allusion to create a surprisingly coherent story line about his forebears, his descendants and ours.
A Very Old Man with Enormous Wings by Gabriel Garcia Marquez is a complex story about the author’s experience of poverty and hardship during the civil war in Colombia. Throughout Marquez’s late teen years, Colombia was plagued by social and economic problems. In 1946, Colombia’s problems grew into a violent rebellion that lasted for ten long years. “The violent war was named La Violencia or The Violence; it became the most bloodshed period in Colombia” (Bailey 4). Marquez’s choice of magic realism made it possible for him to place hidden messages in the story by creating a deeper connection to his readers. The intricate characters and scenes Marquez portrays in the story all have a significant relation on his emotions, his life, and his country during the tragic years of La Violencia.
Style: The typical Magical- Realistic story of García Márquez placed in a familiar environment where supernatural things take place as if they were everyday occurrences. Main use of long and simple sentences with quite a lot of detail. "There were only a few faded hairs left on his bald skull and very few teeth in his mouth, and his pitiful condition of a drenched great-grandfather took away and sense of grandeur he might have had" (589).
In the story Chronicle of a Death Foretold, Gabriel Garcia Marquez portrays how the bystander effect impacts the people around Santiago Nasar to act submissively revealing how people do not want to help others in difficult situations, unless it directly affects them. Marquez informs readers how individuals only see the different ways for personal gain, thereby not having “time” to help others in need. As Santiago Nasar nears his death, many of those who are informed of it do nothing to save his life, as they all rely on others to help rather than taking matters into their own hands and stepping up. Ignorance by specific townspeople, like Angela Vicario, Lazaro Aponte, Clotilde Armenta, and even a friend, Cristo Bedoya. Each person’s ignorance caused them to fail in helping a fellow citizen to their small town while some did not take enough initiative in preventing the murder.
The founder of Macondo, Jose Arcadio Buendia, is the first great solitary. He becomes so obsessed with his own search for truth that he neglects his family and ultimately loses all touch with outer reality. His wife, Ursula, is perhaps the greatest of the antisolitary figures, the person who more than anyone else holds the family and the house together. She takes in a foster child and later insists on rearing the bastard children of her sons and grandsons. Her whole life is devoted to strengthening social bonds.
The novel begins with geographic isolation. Jose Arcadio Buendia shouts, "God damn it! Macondo is surrounded by water on all sides!" Whether it is, in truth, an island is irrelevant. The town believed itself to be cut off from the rest of the world. In addition, Jose Arcadio Buendia and Ursula are looking for solitude. The founding of Macondo was a result of escaping Jose Arcadio Buendia's murder of Prudencio Aguilar. Aguilar's ghost haunted them, eventually forcing them to retreat.
Cien Anos de Soledad Style in Gabriel Garcia Marquez's One Hundred Years of Solitude is closely linked to myth. Marquez chooses magic realism over the literal, thereby placing the novel's emphasis on the surreal. To complement this style, time in One Hundred Years of Solitude is also mythical, simultaneously incorporating circular and linear structure (McMurray 76).
El libro cuenta la historia de la familia Buendía en el pueblo de Macondo. El pueblo es fundado por diversas familias conducidas por José Arcadio Buendía y Úrsula Iguaran. Los dos son primos y se casaron con el temor que sus hijos pudieran tener cola de cerdo. Igualmente tuvieron tres hijos: José Arcadio, Aureliano y Amaranta. José Arcadio, el fundador, es la persona que lidera e investiga con las novedades que traen los gitanos al pueblo, y termina su vida atado al árbol hasta donde llega el fantasma de su enemigo Prudencio Aguilar con el que dialoga. Úrsula es la matriarca y jefe de la familia, quien vive durante más de cien años cuidando de la familia y del hogar.
The cultural surroundings of Macondo, specifically the Buendia household, caused the Buendias to become solitary people. In One Hundred Years of Solitude, the Buendias tended to reside together in one house. Since members of every generation lived in the house, the family’s culture was passed down through the generations, taught by the older residents of the house to the younger people. The family’s way of life was one of solitude. Jose Arcadio Buendia, the patriarch, frequently worked in his laboratory when his children were young. Ignoring his children, he focused completely on his experiments. Eventually, his son, Aureliano Buendia, picked up this behavior and started working alongside his father in the lab. However, “[Aureliano] seemed to be…in some other time while his father [worked] in the workshop, which [th...
Gabriel García Márquez is arguably Latin America’s most well known writer and socialist with Marxist ideals. His short story, Balthazar’s Marvelous Afternoon, is one that well exemplifies a few ideals of Marxism, without enforcing a political agenda, something only the greatest writers can achieve. One concept of Marxism is that capitalism can only thrive on the exploitation of the working class. This leads to economic conflict which creates class tension, this type of disputation is prevalent within Balthazar’s Marvelous Afternoon. To begin, the setting of the story is not clear, it is assumably in a small town since everyone is familiar with one another and the titles and careers of the characters are exposed in the story. One can also assume