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Tragedy of antigone
Elements of tragedy in antigone
Elements of tragedy in antigone
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In the play “Antigone” by Sophocles we the reader are presented with the tragic events that befell that of Antigone (the character) when he tried to do right by the laws endowed by the gods. These laws would inevitably clash with the royal edict King Creon asserted (no one was to “grace him with sepulture or lament, but leave him unburied…Antigone 11). In the play Antigone becomes the embodiment of the natural laws; endowed upon by the gods, and those who oppose these laws will eventually buckle but only when all has been lost.
From the get-go of the play we can already witness Antigone assuming the role of the natural laws. This can be noted in the dialogue between Antigone and Ismene. Ismene isn’t as steadfast as Antigone is in defying the newly enacted law stating that “to defy the State,-I have no strength for that.” (Antigone, 6), but when compared to Antigone we can see that she has no intention of obeying the decree ushered in by a human. Antigone at this point is fully aware of the penalty that will befall her for disregarding the rules but she has wholefully accepted her fate in that she states “the folly that is mine alone, to suffer this dread thing; for I shall not suffer aught so dreadful as an ignoble death.” (Antigone, 8). It is so intriguing to see one fight for a fallen loved one going against all the odds to do right by your families side, even though in the case of Polynices his being a traitor of the state.
When Creon was notified of the deed that had been committed he and his guards were at first dumbfounded to who could have possibly committed such an unthinkable action. In the clamour that was the deducing the “culprit” we as a reader can find a direct reference of Antigone being the natural law. This i...
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...lly slaining himself at the end of his sword. And his wife met her tragic end at the fangs of a viper, once finding out that her son was no longer a part of this plane, and that of the role in which her husband played in all of this. This can all be wrapped up in one quote “Alas, I was already as dead, and thou hast smitten me anew! What sayest thou, my son… a wife’s doom-of slaughter headed on slaughter.” (Antigone, 55).
In the end as time proceeds throughout the play there is an avalanche of evidence that supports the claim that Antigone is the embodiment of natural laws that are imposed by the gods themselves, and that those who oppose these laws will eventually buckle but only when all has been lost. In hindsight only wisdom could have avoided this calamity, if only Creon had heeded the advice of those wiser than him could all of this have been avoided.
" This indicates Creon’s decision to punish Antigone was not taken kindly by the gods, but his ego wouldn't allow him to solve that as shown by Haemon, which, again, contribute to his nemesis. This proves by how Creon’s stubbornness isn't liked by the gods establishing him as a tragic
In complete disregard to Creon’s threatening laws, Antigone knowingly risks capital punishment and seals her fate by choosing to bury Polynices out of respect for Theban tradition. Antigone declares her independence by stating that “[she] will bury him [herself]. And even if [she] die[s] in the act, that death will be a glory,” (85–86). She takes full responsibility for her own actions, and recognizes that her inevitable death may come sooner than planned due to this deed. Antigone’s self-governing demeanor and ability to make her own decisions allows her to establish the course of her future. She self-determines her destiny by not sitting idle and working hard to honor her family. Antigone’s bluntness towards Ismene while trying to convince
Summing up, Antigone decides to express her discontent with what she considers to be the unethical new regime of King Creon by burying her brother's body. By taking this bold step, Antigone shows the strength that an individual’s actions hold in a democracy. Creon, with his stubborn attitude, shows how a democracy where peoples’ voices are not heard can be dysfunctional, and that laws should be made by taking other people into confidence and not on an individual basis. In the end, Antigone resolves to sacrifice her own life in the service of a greater justice. It is this kind of formidable resolve that changes the course of history, and that is something that we can respect equally in the 5th century B.C. and the 21st century A.D.
Paralleling ¨The Allegory of the Cave,¨ Creon, the king and antagonist of this play, foolishly believes that his opinion is infallible and the people of Thebes must blindly obey. Similar to how the cave dwellers naively accept the puppeteers images, the Thebans accept Creon's law for what it is, except for Antigone. Antigone is able to recognize that the law is incorrect, because she has seen the light and therefore the truth; this is the beginning of the unraveling of Creon’s reign. Creon rules as a King over those who remain in the dark; however, because Antigone has seen the light and can now recognize the truth, she stands in the path of Creon's leadership. Plato establishes that ¨ The state in which the rulers are most reluctant to govern is always the best. . . The state in which they are most eager, the worst;¨ contrastingly, Creon is represented as a power hungry tyrant ”declaring ¨Is not the city Held to be his who rules it?¨ Ultimately, Creon’s refusal to accept the truth leads to the death of his niece, son, and wife and the undermine of his rule as predicted by
Antigone’s opinions are distinctive as she clearly states her beliefs to Creon after being caught for performing her brother’s burial rituals. Antigone strongly believes that law has no validity when laid by a human as she questions Creon saying, “What laws? I never heard it was Zeus who made that announcement” (Antigone 450). This quote shows her reliance on the Gods for moral direction instead of the kings who reign over her. Although she disregards the law, she also accepts punishment; Antigone is able to follow her opinions and independently rule herself, yet also recognize the societal expectations of law and accept punishment. When being taken by Creon with her sister Antigone takes the responsibility of the crime all herself and recognizes what she did despite not being ashamed of it. One of the main views of Antigone that causes her disobedience is the belief that rulers should not keep loved ones from each other. Antigone clearly states, “He has no right to keep me from my own” this shows how she believes the connection between family overpowers that of a law passed by a vengeful king (Antigone 48). Antigone’s opinions contrast to those of Creon who is a gender biased ruler who sees women as lesser as he states “I will not be ruled by a woman” (Antigone 24). This shows his belief in who is credible within law. Not only does he have opinions on who
In the following paper, I plan to discuss the source of conflict between the title characters of Antigone and Creon in Sophocles’ “Antigone”. I also plan to discuss how each character justifies his or her actions and what arguments they give for their justifications. I will also write about the strengths and weaknesses of these arguments. The final points I try to make are about who Sophocles thinks is right and who I think is right.
Creon believes that his laws are absolute and must be followed above all else, even Divine Law. Therefore when Antigone, in accordance with divine law, goes against Creons edict by burying her brother she is forcefully imprisoned and sentenced to death by Creon. In Creons opening speech he says, “Of course you cannot know a man completely, his character, his principles, sense of judgment … Experience, there’s the test” (Sophocles, p. 67). How Creon handles Antigones unlawful actions serves as his first test as the new king of Thebes and ends up showing the Thebans a glimpse of his true nature, that of a tyrannical ruler. This can be seen again when Haemon comes to Creon with the hope of dissuading him from his current course of action. He does this by trying to make Creon understand that the citizens of Thebes don’t agree with his use of power and planned execution of Antigone. Again Creons authoritarian nature comes to light in his response to Haemon, “And is Thebes about to tell me how to rule… Am I to rule this land for others – or myself?” (Sophocles, p. 97). To which Haemon counters by saying that “its no city at all, owned by one man alone” (Sophocles, p. 97). Creon, being the tyrant he is, fails to heed the wisdom of his sons’ words, which ultimately leads to his downfall. Creon, like Machiavelli, believed that it was
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
In the Antigone, unlike the Oedipus Tyrannus, paradoxically, the hero who is left in agony at the end of the play is not the title role. Instead King Creon, the newly appointed and tyrannical ruler, is left all alone in his empty palace with his wife's corpse in his hands, having just seen the suicide of his son. However, despite this pitiable fate for the character, his actions and behavior earlier in the play leave the final scene evoking more satisfaction than pity at his torment. The way the martyr Antigone went against the King and the city of Thebes was not entirely honorable or without ulterior motives of fulfilling pious concerns but it is difficult to lose sight of the fact that this passionate and pious young woman was condemned to living imprisonment.
..., this sense of arrogance angers Creon to a point beyond belief. Antigone’s refusal to cooperate causes Creon to go mad with irritation and frustration. Wanting to show his sense of power, he refuses to back down in fear of losing his position. His stubbornness grows stronger as Antigone continues to disobey his commands. Antigone’s strong and steady foundation helps her show defiance. She is able to overcome the opinions of the people and commit to helping her brother regardless of the after effects. She ignores what everyone says and does only as she wants. She is powerful, both physically and mentally, and is successful in her tasks. Antigone matures into a commendable and respectable character in which she depicts her rebelliousness and bravery, pride and tolerance, and sense of moral righteousness to demonstrate fundamental character development in the play.
Antigone utilizes her moral foundations, her religious roots, and the events of her past to form a sophisticated argument. Despite being unable to convince Creon to reverse her punishment, Antigone is able to convince the people of Thebes that she was right in her actions. After Antigone’s death, and the deaths of several others, Creon reflects on this monologue and realizes the honest truth behind Antigone’s actions and words.
After burying her brother, Antigone is caught, and is seems that the state is more powerful than the gods for a time. “And yet you dared defy the law.” (208) Creon thinks that his law is all-powerful and ...
In the beginning of Antigone, we see Antigone struggling with the conflicting expectations between divine law and man’s law. The problem throughout the play is Antigone is a believer in divine law while Creon is a believer in man’s law. In the first scene, Antigone tells her sister that she will defy Creon’s law and bury her brother. Antigone says, “He has no right to keep me from my own” (Sophocles 1008). She believes in divine law even if it means breaking man’s law. Creon commanded no one to bury her brother. Antigone knows it is not the right choice according to divine law and she should be able to bury her own brother, but Creon believes no one should break the law he has put before everyone. Ismene replies, “ The law is strong, we must give in to the law, in this thing and in worse. I bet the dead to forgive me, but I am helpless: I must yield to those in authority” (Sophocles 1009). Antigone ...
Natural law can be considered the ‘morally correct’ approach to authority and justice. It is the idea that one should make decisions based upon what they deem morally appropriate within themselves. Antigone’s support of this approach is apparent in her refusal of Kreon’s order when she buries Polyneices anyway. She loves Polyneices and believes in her heart that there is no other alternative. She is aware that by burying him she would be breaking the law and risking her own life for it. “I will bury him myself. If I die for doing that, good: I will stay with him, my brother; and my crime will be devotion” (87-90). To her this is the only morally acceptable solution. Her support of Natural law resolves her to perform what she believes in her heart to be right, casting aside any social and political upholding that prove to be opposition.
Antigone if she is caught. As the play moves on there is a building of this fear and pity that is felt for many of the characters that finally is resolved at the catastrophe. At that point the reader learns that Creon, the king, has lost his wife, his son, and his niece Antigone, all because he was too stubborn to give in as well as to afraid that if he did give in that he would be judged as an easy king. In a way this ending brings the two emotions together. The reader feels pity for Creon because of his great loss, but at the same time he feels a bit of fear because he wouldn’t want this type of tragedy to ever occur in his life.