In The Visit by Friedrich Dürrenmatt you feel unattached and are constantly reminded that you are in fact watching a play, nothing else. Dürrenmatt constructs this play using Bertolt Brecht’s epic theatre, a twentieth-century theatrical movement that was a reaction against popular forms of theatre, Dürrenmatt uses epic theatre in his work, The Visit, because he wants his audience to analysis what is being said and done instead of what they see and hear. An intellectual audience member will make connections when watching an epic play. Epic plays often relate back to a fable or a historical event (McDonald). This helps the audience relate to the play because they are aware of that subject matter.
Consequently, this idea of cause and effect must direct the plot of the play until the protagonists have an unfortunate end. Thus, the audience watching the tragedy will experience fear and pity for the characters since their actions will lead to their dramatic downfall. Similarily, William Shakespeare’s, Romeo and Juliet, conveys these fundamental ideas, but it mainly emphasizes on certain tragic concepts. These components, explained by Aristotle, certainly make this play a quintessence of tragedy. They support the chain of events in Romeo and Juliet by using character traits and majors events to connect the plot and illustrate how the characters create their own ending.
Shakespeare succeeds in meeting these expectations by including several parallels in his performance. Parallels are events that foreshadow a later, more tragic incident of the play and are used to add suspense even in act 1 to create a sense of foreboding and tragedy. In a classic, tragic tradition, Shakespeare highlights the main characters by naming the play Romeo and Juliet. Therefore the audience are aware of who the main characters are, who will lose their lives, at the beginning of the play. Before these two characters are introduced, the audience find themselves becoming impatient to meet them.
In Samuel Beckett’s Waiting for Godot two characters, Estragon and Vladmir are waiting for ‘Godot’ in which Beckett does not explain. Along with Estragon and Vlamir comes Lucky and Pozzo another two figures who add a bit of nonsense into the play to distract the reader from the real issue, waiting for Godot. Simply who or what is ‘Godot’, is the question that Beckett’s play raises. It is easy to say that Godot is a Christ figure or God, hopefully Beckett would not make it that easy. So who/what is Godot?
“The Merchant of Venice” is a play that relies on soliloquies to advance the plot, create mood and atmosphere, and to develop character among all the actors. I am here to prove how this happens in two different soliloquies and show you why Shakespeare put them into the play. My first soliloquy is from Lancelot Gobbo and it is taken from Act 2 Scene 2.I know that Lancelot is a secondary character, but this speech is really important in the outcome of this scene. He is talking about if he should run away from his master, who just happens to be Shylock. This soliloquy has all the makings of what a soliloquy should do.
. He fears he lacks something constitutionally that would make such oppression unendurable, that would stir him to action.” (Bloom, Key passages). Once the action starts it requires emotion to continue because without it the action goes away. Shakespeare gives an example of this in the sub play when the player king says “Great grief and joy may rouse us to action, but when the grief or joy have passed, we’re no longer motivated to act. “ (Shakespeare).
In this act, some of the most famous and most important lines in the play are spoken. In Hamlet’s soliloquy during Act III, Scene 1, Hamlet asks a question concerning the nature of bei... ... middle of paper ... ...d not learning anything of providence, the play would be a complete tragedy. However, this is not the case, and the play is not as tragic as it could be. Lastly, by observing Hamlet’s character and thoughts throughout these three specific points in the play, the themes of revenge and appearance versus reality can clearly be seen. At the beginning of the play, Hamlet is unsure if he should seek revenge because he is not able to differentiate between appearance and reality.
Shakespeare uses references to plays and acting throughout the play to keep in mind the theme of appearance Vs reality. Hamlet says, “Our indiscretion sometimes serves us well, when our deep plots do pall, and that should learn us/ There’s a divinity that shapes our ends, rough-hew them how we will” (V, ii.lns 8-11). He is referring to the plot, the plan to alter the Murder of Gonzago, that he had earlier used to catch the conscience of the king. Hamlet also refers to a play when speaking of his voyage with Rosencrantz and Guildenstern: “being thus benetted round with villainies-- or I could make a prologue to my brains, they had begun the play” (V, ii. lns 29-31).
Custom Written Essays - The Theme of Actors and Acting in Hamlet. Many would perceive madness and corruption to play the most influential role in Hamlet. However, it could be argued that the central theme in the tragedy is Shakespeare's presentation of actors and acting and the way it acts as a framework on which madness and corruption are built. Shakespeare manifests the theme of actors and acting in the disassembly of his characters, the façades that the individuals assume and the presentation of the `play within a play'. This intertwined pretence allows certain characters to manipulate the actions and thoughts of others.
“Nothing to be done,” is one of the many phrases that is repeated again and again throughout Samuel Beckett’s Waiting For Godot. Godot is an existentialist play that reads like somewhat of a language poem. That is to say, Beckett is not interested in the reader interpreting his words, but simply listening to the words and viewing the actions of his perfectly mismatched characters. Beckett uses the standard Vaudevillian style to present a play that savors of the human condition. He repeats phrases, ideas and actions that has his audience come away with many different ideas about who we are and how beautiful our human existence is even in our desperation.