Till We Have Faces
In Till We Have Faces, C. S. Lewis retells the myth of Cupid and Psyche from the point of view of Psyche's sister, with powerful insight into the nature of human affection and the relationship between human and divine. In the original myth, Psyche is the youngest of three princesses, so beautiful that men begin to worship her instead of Venus. The goddess avenges herself by commanding that Psyche be exposed on a mountain to die, but her son Cupid secretly rescues her, having fallen in love with her. He hides her in a palace where he visits her nightly, but he forbids her to see his face for fear of his mother. After a time Psyche is granted a visit from her sisters; seeing the splendor of her palace, they are jealous. They tell her that her "husband" must be some horrible monster, and they persuade her to disobey the god's command and light a lamp while he sleeps, to see if it is not so. This she does, but he wakes and rebukes her, and she goes into exile to be tested until worthy of her husband. Lewis's retelling makes the god's palace invisible to mortal eyes; thus Psyche's sister Orual, the narrator of the tale, can insist it is not jealousy but concern for Psyche that motivates her to act as she does. Told from Orual's point of view, the story shows her journey to self-discovery and understanding--her quest to find her face, for as she learns, the gods cannot "meet us face to face till we have faces"--until we know our own selves. Faces are thus a strong source of imagery and symbolism in the book. One's face is a reflection of one's soul and true character. It is, symbolically, one's identity. The faces of Orual and Psyche, of Ungit and her son the God of the Grey Mountain, give us insight into their ...
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..., both beautiful.
The faces of the gods do not change; but those of Psyche and Orual do, and in their developing we see the developing of character--the search for identity. Psyche, who was born nearly divinely beautiful, becomes even more so when she is married to the god, and her "brightface" appearance reflects the new joy and maturity created in her character by that union. Orual's character development takes longer, for she fights it; she is unwilling to believe in the god, and even when she sees his face she becomes bitter against him for her loss of Psyche. Yet through great suffering and a long time of facelessness, she too finds her face--her identity--and becomes beautiful in the end. She is finally able to meet the gods face to face, when she has a face of her own.
Work Consulted:
Lewis, C.S. Till We Have Faces. Harcourt Brace: New York, 1980.
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