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The poem “This is what I’ll remember” by Gabeba Baderoon is a poem written from protest to post-apartheid era. It is a poem reflecting the poet’s contemplation of the memory of her relationship with her mother up until the point in time of her mother’s death. In this essay I will first discuss how Gabeba Baderoon explores the idea of memory throughout the poem, I will secondly discuss how she also reflects on the way in which we make sense of significant events in our lives, lastly I will discuss the significance of the poets relationship with her mother in relation to the exploration of memory and significant events in our lives.
The poem begins with an unclear title “This is what I’ll remember”, unclear in the sense that the term “this” as used in the title is not made clear to the reader as to what it is referred to. The exploration thus begins in the first line of the first stanza of the poem in which the imagery of “mist” (Baderoon, in Carolin 2014:l.1) “in the park” (Baderoon, in Carolin 2014:l.1) is used to introduce the uncertainty or rather not so clear but present memory that “brings slow clarity” (Baderoon, in Carolin 2014:l.2) of the memory the poet is trying to remember. As the poets memory is constructed, she begins to remember the things that have never changed and continues to cherish and celebrate like a memorialisation of a “statue” (Baderoon, in Carolin 2014:l.5) as a symbol of a memory forever commemorated and the poet reflects on those memories of the events of her life that were given “the open spaces…” to change over time. Memory is also explored by the poet through season change when “the trees show the last of their colour” (Baderoon, in Carolin 2014:ll.7-8) she sees herself get older and her life and tho...
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...on time” (Baderoon, in Carolin 2014:ll.41-42). This last line of the poem suggests that the mother eventually passed away.
In conclusion “ This is what I’ll remember “ by Gabeba Baderoon explores the idea of memory and as well as reflects on the way in which we make sense of the way in which we make sense of significant events in our lives. The poet makes use of various poetic devices throughout the poem such as imagery and symbolism to reflect on the above mentioned. The moral lesson of this poem is that at the end of the day as much as we may feel that memories fade away there will always be someone or something to remind you of the past. Time is not always on our side so as human beings we should learn how to appreciate every moment we have because as much as we may think we have time, it remains one factor in our journey of life that is not promised to anyone.
The past dictates who we are in a current moment, and affects who we might become in the future. Every decision people make in lives has an influence on future, regardless of how minimal or large it is. Some decisions people decide to make can have dire consequences that will follow them for the rest of the life. Moreover, even though if someone would want to leave any memories from past behind, however it will always be by his side. Specific memories will urge emotional responses that bring mind back to the past and person have no choose but to relieve those emotions and memories again. Nonetheless, certain events change people and make them who they are, but at the same time, some wrong choices made past haunts us. This essay will discuss the role of the past in novel Maestro, that was written by Australian author Peter Goldsworthy in 1989 and also in Tan Shaun's story Stick Figures which was included in book called "Tales from outer suburbia" and published in 2008.
Denise Levertov is the poet who wrote “The Blue Rim Memory” and “A Tree Telling of Orpheus,” in which she portrays a theme of morals and religious beliefs though post modernism, anachronism, and liberalism. Levertov was born in llford, United Kingdom and later moved to Massachusetts where she taught in universities such Brandeis University, MIT and Tufts University. Levertov wrote “The Blue Rim Memory” and “In the Land of Shinar” which brought her the fame and enabled her to begin her pilgrimage journey towards the deep spiritual, personal, and political understanding .
In ¨Hope, Despair, and Memory¨ a lecture by Elie Wiesel, Wiesel talks about a few significant memories. He is a holocaust survivor, he wrote this speech and won a Nobel Peace prize. He takes his readers back in time by using imagery. Some know, memory is a powerful tool, Wiesel uses this tool in this text. As you continue to read, think of where you would be without memory.
Through this short story we are taken through one of Vic Lang’s memories narrated by his wife struggling to figure out why a memory of Strawberry Alison is effecting their marriage and why she won’t give up on their relationship. Winton’s perspective of the theme memory is that even as you get older your past will follow you good, bad or ugly, you can’t always forget. E.g. “He didn’t just rattle these memories off.” (page 55) and ( I always assumed Vic’s infatuation with Strawberry Alison was all in the past, a mortifying memory.” (page 57). Memories are relevant to today’s society because it is our past, things or previous events that have happened to you in which we remembered them as good, bad, sad, angry etc. memories that you can’t forget. Winton has communicated this to his audience by sharing with us how a memory from your past if it is good or bad can still have an effect on you even as you get older. From the description of Vic’s memory being the major theme is that it just goes to show that that your past can haunt or follow you but it’s spur choice whether you chose to let it affect you in the
Memories are symbols that are used to demonstrate the progression from the past into the development of one’s current personal identity. We often use our personal memories to investigate our thoughts. Native Guard by Natasha Trethewey and Never Let Me Go by Kazuo Ishiguro are 21st century works that reflect on the use of memoires to enhance personal thoughts to impact perspectives. Perspectives are created and altered by addressing and reflecting on thoughts and feelings towards previous events. In Native Guard, Trethewey uses her memories to develop a perspective on her past and history. In Never Let Me Go, Ishiguro uses Kathy’s memories to develop her actions and decisions. Tretheway and Ishiguro both demonstrate that a memory is a symbol
The poems facilitate the investigation of human experience through illustrating life’s transience and the longevity of memory.
Similarly to the way people hold expectations for the daystar, or sun, to rise every day, mothers are expected to perform their duties like cleaning the house or taking care of the children. Both are taken advantage of and are not fully appreciated until they stop performing their duties. Throughout the poem, the woman’s daughter and husband are given names, “Liza” (line 12) and “Thomas” (line 17) respectively, but not her. The woman is only referred to as “she” or “her” which further highlights the lack of acknowledgement she receives. The mother is taken for granted by her family and is not regarded as important. Her efforts are ignored and she is never thanked for completing her tasks around the house because that is the role she is “supposed” to fulfill.
... the end of the poem until “the rose tree’s thread of scent draws thin and snaps upon the air”, terminating life and dictating the start of another season.
Eva Hoffman’s memoir, Lost in Translation, is a timeline of events from her life in Cracow, Poland – Paradise – to her immigration to Vancouver, Canada – Exile – and into her college and literary life – The New World. Eva breaks up her journey into these three sections and gives her personal observations of her assimilation into a new world. The story is based on memory – Eva Hoffman gives us her first-hand perspective through flashbacks with introspective analysis of her life “lost in translation”. It is her memory that permeates through her writing and furthermore through her experiences. As the reader we are presented many examples of Eva’s memory as they appear through her interactions. All of these interactions evoke memory, ultimately through the quest of finding reality equal to that of her life in Poland. The comparison of Eva’s exile can never live up to her Paradise and therefore her memories of her past can never be replaced but instead only can be supplemented.
Memory is both a blessing and a curse; it serves as a reminder of everything, and its meaning is based upon interpretation. In Julia Alvarez’s In the Time of the Butterflies Dedé lives through the memory of her family and her past. She tells the stories of her and her sisters lives leading up to their deaths, and reflects upon those memories throughout her daily life. Dedé lives on for her sisters, without her sisters, but all along carrying them with her throughout her life, never moving on. Dedé lives with the shame, sadness, and regret of all that has happened to her sisters, her marriage, and her family. Dedé’s memories serve as a blessing in her eyes, but are a burden
“Still Memory” by Mary Karr is a poem that depicts the distant, childhood memory that the author fondly recalls. Karr’s nostalgic diction and word choice is evident when she says, “…till it found my old notch in the house I grew up in…” In this section, Karr is dreaming, hoping to find a happier time in her life, her childhood. Throughout the poem, Karr is recalling a time when she was only ten years old, and shows how each of her family members’ mannerisms influenced her and her future in writing. What may only appear to be the family performing their daily routine, is much more beneath the surface. According to the lines, “My ten-year-old hand reaches for a pen to record it all as would become long habit,” these actions are what influenced her writing. For writers, inspiration can come from the simplest of elements, and for Karr, this happened to be her family.
In the poem, Harjo portrays the importance of recalling the past to help shape one’s identity. She uses the repetition of the word “Remember” to remind that while the past may be history, it still is a defining factor in people’s lives (l. 1). This literary technique
The theme of death in the poems “War Photographer”, “Remember”, and “Mother in a Refugee Camp” were all portrayed in different forms to explore death and the suffering it brings. The variations of death in the three poems create a diverse image of death, which some people can relate to through the different situations of loss. “Remember” by Christina Rossetti fashions an image of death because the speaker wanted her husband to remember all the memories they had shared during her life. Rossetti found it necessary to portray death as a spiritual place rather than a physical state of decomposition so that she can finally escape to a place of silence to avoid all the darkness in her life. “War Photographer” by Carol Ann Duffy is about a man who takes photographs of death in vivid, dark and disturbing images of conflict, which Duffy conveys thoroughly throughout the poem to powerfully showcase his grief and disheartening on the situation. “A Mother in a Refugee camp” by Chinua Achebe, displays the struggles of a mother desperately trying to support and save her child while writhing in her caressing arms at death’s doors. These are the poems that represent the theme of death.
It has been stated that the application of memory functions in fictional works which act as a reflective device of human experience. (Lavenne, et al. 2005: 1). I intend to discuss the role of memory and recollection in Kazuo Ishiguro’s dystopian science-fiction novel Never Let Me Go (2005).
The sites of memory tell that we must create archives, preserve memories because the memories will not occur again naturally. Memory becomes a history with each passing moment. In modern societies today, memory is archival through recording, taking pictures. With the advent of modern technology, people are creating memories and preserving them as well. As today it is very difficult to draw a line of distinction where we can say what to remember and what not to. The prediction is impossible what we should therefore remember. “Memory transforms from historical to psychological, social to individual, from repetition to creating re-memories.”(Nora: 15)