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The life and works of William Shakespeare
Summary comedy of the shrew
The life and works of William Shakespeare
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The author of The Taming of the Shrew was William Shakespeare. William Shakespeare was an English poet, playwright, and actor, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. William lived from around April 23, 1564 to April 23, 1616. He married Anne Hathaway in 1582 and together they had three children, two girls and a boy (who died at the age of twelve). He wrote thirty-seven plays. His last play, Henry VIII, was written two years before his death. The Taming of the Shrew begins with the discovery of a drunkard, Christopher Sly. A local lord decides to play a prank on him and dresses him up and puts him in one of his own rooms. When Sly wakes up, the lord and his servants tell him that he has been insane the past few years and is really a lord. He didn’t believe them until he sees his "wife," who is really a pageboy dressed as a woman. The rest of the story is a play that the lord's actors put on for him. In this play, a young man …show more content…
The Induction scenes in The Taming of the Shrew introduce the reader to Christopher Sly, a drunken tinker who is booted out of a tavern just before he passes out. While he is in his alcohol induced sleep, a Lord returns from hunting to find Sly and then devises the plan of dressing Sly in the clothes of the aristocracy and tricking him into believing that he is a wealthy Lord. Sly awakens to find himself surrounded in splendor, and even though he doesn't really believe he is a wealthy Lord, he plays along hoping that maybe it is true.A troupe of players is brought in to entertain the new Lord Sly and the play they perform is the story of the taming of the shrew. With too much time and money on his hands, the Lord highlights Shakespeare's emphasis on the hierarchal class order as it is represented in The Taming of the
William Shakespeare is a master of satire, and it is very evident in his work “The Taming Of The Shrew”. His use of exaggeration is impeccable, and he managed to make the entire work one giant parody. Through this satire, he makes a very important social commentary, using his influence to bring new ideas into people’s minds, and make them realize the flaws in their
find a wife. "I come to wives it wealthy in Padua; If wealthy, then happily in
In the beginning of “The Taming of the Shrew”, some say Shakespeare portrays Katherina as a very shrewish figure. Others may argue that she is not shrewish but just a very strong willed person. At the end of the play some people say she is transformed into a very kind and gentle person, while again others will argue that she is not “tamed” but just putting on an act to “show up” her younger sister Bianca, whom has always been more beautiful and charming. Kate is “like a wasp, like a foal, like foal that kicks from his halter; pert, quick and determined, but full of good heart.” 1. This statement made by one author, shows clearly that he does not see her as shrew-like, even at the beginning of the play. The same author states that at the end of the play she has not really transformed, rather she has just fallen in love with Petruchio, in essence she is free from torment because she is no longer seen as the shrew.
In Shakespeare's comedy, The Taming of the Shrew, Shakespeare has a woman as one of the story's main characters. Katherine Minola (Kate) is off the wall, and kinda crazy. Because of her actions, the “male centered world” around her doesn't know what to do with her.
Garner, Shirley Nelson. “The Taming of the Shrew:Inside or Outside of the Joke?” “Bad” Shakespeare: Revaluations of the Shakespeare Canon. Dickinson: Farleigh Dickinson U P, 1988. 105-19. Rpt. in Shakespeare for Students. Ed. Catherine C. Dominic. Detroit: Gale, 1997. 374-78. Print.
Power is the capability of influencing others in their behavior. It all connects to him trying to tame Katherine. He wants to change her behavior and he contains the power of doing this because at the end she respects him more than any other female would respect their husband. Throughout the play, The Taming of the Shrew, by William Shakespeare, Petruchio, Katherine 's husband, contains the power in the relationship because he is able to change her behavior.
A long time ago, a drunken man fell asleep outside an alehouse. This man, Christopher Sly, was discovered by a mischievous lord who took him into his home. The witty lord then convinced Sly that he was a lord, as well. The lord then put on a play for him. The play, The Taming of the Shrew, was about the two young daughters of Baptista. The youngest daughter, Bianca, wished to wed but her father, Baptista, would not allow this until his eldest daughter, Katherina, was married. Under normal circumstances, it would be easy to find a husband for Katherina with all her beauty, but all her beauty was covered by her shrewd personality. By this time Bianca's suitors were growing very impatient, so they decide to team up and find a husband for Katherina. In jest they mentioned their plan to a friend, Petruchio, who surprisingly agreed to marry Katherina. All her beauty and wealth were enough for him. Katherina reluctantly was wed to Petruchio and she was taken to his home to be tamed. With Katherina out of the way, Bianca was now allowed to marry Lucentio, who offered her father the highest dowry for her. In the final scenes of the play, Katherina proves that she is tamed by winning an obedience contest at a dinner party. Katherina is now even more in accordance with her wifely duties than Bianca. A fare is a type of comedy based on a ridiculous situation. The Taming of the Shrew, an eminent example of a farce, is the first of three farces written by Shakespeare.
William Shakespeare's The Taming of the Shrew is an interesting story that demonstrates the patriarchal ideas of how a marriage is suppose to be according to society, what is acceptable of a woman's role in a relationship. It's a story that has many things to show for it's been remade, and remade, even slightly altered to better relate to the teenage audience.
In The Taming of the Shrew, the concept of love is a means of emotional manipulation, and manipulation is nothing more than a means of control between men and women. William Shakespeare critiques the patriarchal social structure by ironically employing the manipulative stance Petruchio takes towards winning Katherine as his wife by charming her with words and manipulating her psychologically, and then taming her after their marriage through legal, physical, financial, and psychological control and manipulation. Though Petruchio may think he yields power over his wife, Katherine uses obedience as a tool of manipulation and has the control of the household, as can be seen by her ironic speech at the end of the play, where she claims women must serve their men. Shakespeare uses the irony of a man using manipulation as a tool for control to magnify the significance of the power women yield through manipulation, thus proving that men and women engage in a power-shifting struggle.
It is for this reason, that Lear and Gloucester are considered as fools for their actions as instead of taking responsibility for their actions, they absolve their guilt by viewing the Gods as omniscient figures who “kill [them] for sport”. By referring to his downfall as a “sport”, Gloucester conveys that the Gods view the downfall of man as entertainment and that man is powerless against all Gods as if they are “flies to wanton boys”. The theme of Materialism vs Spirituality also appears to be presented in The Bloody Chamber story, especially through the intriguing character of the Marquis and his contrast with Jean-Yves in the eyes of the female narrator. Carter appears to use this contrast on order to convey the notion that wealth and materialistic possessions can easily corrupt. Whilst the Marquis is presented as significantly wealthier that Jean-Yves and the wealthiest character in the story, he is simultaneously presented as the most distorted character in the story. The female narrator seems to acknowledge this, believing that he was in “despair” when he discovers her betrayal and also highlights his “atrocious loneliness”; thus portraying that even the
William Shakespeare born in 1564 is famously known as one of the most influential writers of all time; he conjured up many breathtaking plays during his lifetime. One of Shakespeare most successful plays was the tragedy Macbeth. Public and critical acclaim quickly followed and Shakespeare eventually became the most popular play writer of all time. In this famous play Shakespeare has portrayed Macbeth as respectable noble man however he is motivated to go down the path of dishonesty and crime.
Themes of memory and dreams echo throughout the works of Shakespeare, just as these concepts still resonate in postmodern literature. In The Taming of the Shrew the lower class drunken character Christopher Sly is picked up off the streets by a nobleman and, for sheer amusement, dressed up to be a lord. Though at first skeptical of his identity, as Sly remembers who his father is, what his profession is, and what his hobbies are, the poor drunk man soon believes the nobleman that his memories are false and that he is in fact of noble blood. Though the audience knows of the game, and what Sly's background actually is, Sly himself contemplates the difference between his dreams and his memories, blurring the boundaries of the dream world and waking life. Sly ponders, "do I dream? Or have I dreamed till now?" considering the possibility that his memories are nothing more than dreams and that he has now awakened to his true identity. In this sense, Sly is battling with the contradictions of the condition of the liberal human subject. Sly has been taught by society to believe that his memories form his identity, but at the same time his surroundings suggest something other than those memories and thus he no longer is sure of who he really is. Sly is still guided by the notion that memory forms identity and so he assumes that his memories are false and that his new identity has been his all along.
“SparkNote on The Taming of the Shrew.” SparkNotes.com. SparkNotes LLC. 2002. Web. 30 Apr. 2014.
The Taming of the Shrew, written by William Shakespeare, is historical proof that flirting and temptation, relating to the opposite sex, has been around since the earliest of times. Because males and females continue to interact, the complications in this play remain as relevant and humorous today as they did to Elizabethan audiences. This is a very fun play, full of comedy and sexual remarks. It's lasting impression imprints itself into the minds of its readers, for it is an unforgettable story of sex, flirting, and happiness. The Taming of the Shrew remains as relevant today because of its relation to the age-old story of the battle of the sexes and dynamics of marriage, as well as the woman's struggle with both of these.
The Chronicles of Narnia are veritably the most popular writings of C.S. Lewis. They are known as children’s fantasy literature, and have found favor in older students and adults alike, even many Christian theologians enjoy these stories from Lewis; for there are many spiritual truths that one can gleam from them, if familiar with the Bible. However, having said this, it is noteworthy to say that Lewis did not scribe these Chronicles for allegorical didactics of the Christian faith, but wrote them in such a well-knit fashion that young readers might understand Christian doctrine through captivating fantasy and thus gain an appreciation for it. With this in mind, and in the interest of this assignment, the purpose of this paper is an attempt to analyze one of the many doctrines of the Christian faith from The Lion, The Witch, And, The Wardrobe (LWW), namely, temptation and how Lewis illustrates it through an individual character, Edmund.