Page 1 of 3 ZOOM In the beginning of The Street (1946), written by Ann Petry, the narrator describes the relationship between the setting and the numerous people involved. The main character, Lutie Johnson is seen struggling against nature. Petry shows this relationship between Johnson and the city setting through imagery, personification, specific detail, and figurative language. The author, Ann Petry uses imagery all throughout this excerpt to relate the relationship between the environment and the people, more specifically Lutie Johnson. One example of imagery found in the passage is located in the very first paragraph when describing the wind. “It rattled the tops of garbage cans, sucked window shades out through the top of …show more content…
The reader should see now how violent the wind has gotten and how that affects all of the people in the area. Then, the author relates the wind more specifically to Lutie Johnson. “The wind lifted Lutie Johnson’s hair away from the back of her neck so that she felt suddenly naked and bald...She shivered as the cold fingers of the wind touched the back of her neck, explored the sides of her head” (Petry 35-40). As Lutie Johnson walks through the city, the reader should notice how vulnerable and exposed the wind is making her feel. The author also uses specific detail to get her points across throughout the entire passage. She introduces the story saying, “There was a cold November wind blowing through 116th Street” (Petry 1). This lets the reader know that the story is set somewhere in New York City, which is usually very busy with many people in a rush off to somewhere. Another quote that supports my previous statement is found in lines 10 through 15. “It found every scrap of paper along the street— theater throwaways, announcements of dances and lodge meetings, the heavy waxed paper that loaves of bread had been wrapped in, the thinner waxed paper that had enclosed sandwiches, old envelopes, newspapers...” (Petry 10-15). The story is set in some borough of New York City, most likely near theaters and vendors and/or restaurants. In the last two paragraphs of the passage, Johnson is standing in front of some sign. “...it had been there for a long time because its original coat of white paint was streaked with rust where years of rain and snow had finally eaten the paint off down to the metal and the metal had slowly rusted, making a dark red stain like blood...She read it rapidly. Three rooms, steam heat, parquet floors, respectable tenants” (Petry 51-61). This quote reveals to the audience that Johnson is searching for an apartment to live in. This apartment has obviously been available for a while,
Didion paints uneasy and somber images when describing the Santa Ana winds. “There is something uneasy in the Los Angeles air… some unnatural stillness, some tension,” starts the essay off with the image of Los Angeles people in a sense of stillness or tense. She further adds, “Blowing up sandstorms out along Route 66… we will see smoke back in the canyons, and hear sirens in the night,” propagating the uneasy and stark image of Los Angeles. “The baby frets. The maid sulks,” she adds, giving a depressing view into the effects of the Santa Ana winds on people. Didion, in an attempt to show the craziness associated with the Santa Ana winds, points out the Indians who throw themselves into the sea when bad winds came. At any rate, Didion attempts to show the negative effects of the Santa Ana winds through images of stillness, uneasiness, and sobriety.
The author illustrates the “dim, rundown apartment complex,” she walks in, hand and hand with her girlfriend. Using the terms “dim,” and “rundown” portrays the apartment complex as an unsafe, unclean environment; such an environment augments the violence the author anticipates. Continuing to develop a perilous backdrop for the narrative, the author describes the night sky “as the perfect glow that surrounded [them] moments before faded into dark blues and blacks, silently watching.” Descriptions of the dark, watching sky expand upon the eerie setting of the apartment complex by using personification to give the sky a looming, ominous quality. Such a foreboding sky, as well as the dingy apartment complex portrayed by the author, amplify the narrator’s fear of violence due to her sexuality and drive her terror throughout the climax of the
According to a 1997 report of the National Coalition for the Homeless, “nearly one-fifth of all homeless people are employed in full or part-time jobs”. In the book Nickel and Dimed, On Not Getting by in America, by Barbara Ehrenreich, the author goes undercover in order to investigate and experience first-hand how life is for America’s “working poor”. The “working poor” are defined as individuals who have a full-time job, sometimes more than one, but still cannot afford the basics of shelter, food and adequate healthcare. As one can imagine, this led to many public health concerns. In each of the three locations visited, Ehrenreich realizes that for many, “getting by” in America can sometimes be a daunting task.
Baldwin gives a vivid sketch of the depressing conditions he grew up on in Fifth Avenue, Uptown by using strong descriptive words. He makes use of such word choices in his beginning sentences when he reflects back to his house which is now replaced by housing projects and “one of those stunted city trees is snarling where our [his] doorway used to be” (Baldwin...
The main character of "The Street" is strong and determined and acquiring what she needs. This is seen when she says; "if it said two-why, there wasn't any point," (Petry 3). This is proof of her determination/persistence, because she needs exactly what she needs anything less won't work. Next, we see that because of her persistence, she is given a chance to overcome her obstacle which in this case is the wind. This is shown with this quote; "The wind held it still for an instant in front of her," (Petry 3). Finally, we see that the setting plays a part in her struggle. This is shown in this quote; "There was a cold November wind," (Petry 1). This quote does well to illustrate the setting, as well as allude to the fact that because it is a cold wind it will be that much more troublesome to face. Between the struggle of facing the cold wind and her actions, once again the theme is
The vicious cycle created by the code of streets that Elijah Anderson discusses is never ending. Anderson brings up many different factors in the cycle that keep it going, only inhancing crime. Every example the author brought up were actions used to gain respect in the streets. Kids are raised around the violence and are then encouraged by their parents to keep the cycle going. The kids are taught to defend themselves and always win the fight. They have to win fights, be violent and act tough to gain respect. Their accomplishments in violence hold their respect status in the streets. Learning to fight like this and continue the violence cycle then gives people on the streets low tolerance. They are easy to lash out. All of these examples
Since the beginning of the United States the American people have been on the move. Public transportation has played a major role in the development of this nation and in bringing its citizens together. In the book “Divided Highways”, author Tom Lewis takes the reader on a journey of the building of the Interstates and the consequences(good and bad) that came from them. Lewis believes that the Interstates are a physical characteristic of America and that it shows “all our glory and our meanness; all our vision and our shortsightedness”(xiv).
Phoenix’s journey is a little long just by walking alone in the middle of the
In the story 'Everyday Use', by Alice Walker, the value of ones culture and heritage are defined as a part of life that should not be looked upon as history but as a living existence of the past. Walker writes of the conflict between two Black cultures. Dee and Maggie are sisters whom do not share the same ideals. Mama is torn between two children with different perspectives of what life truly means. In the story, Walker describes the trial and tribulations of one daughter whose whole life is tormented by fear, failure and weakness; while the other "has held life always in the palm of one hand"(61) and moves to a better lifestyle. The possessions of the past will ultimately change the relationships of the future.
Firstly, the narrator gives little detail throughout the whole story. The greatest amount of detail is given in the first paragraph where the narrator describes the weather. This description sets the tone and mood of the events that follow. Giving the impression that a cold, wet, miserable evening was in
Ann Petry’s The Street In our society today, there are many images that are portrayed through media and through personal experience that speak to the issues of black motherhood, marriage and the black family. Wherever one turns, there is the image of the black woman in the projects and very rarely the image of successful black women. Even when these positive images are portrayed, it is almost in a manner that speaks to the supposed inferiority of black women.
the street, letting the wind play with the soft ribbons of her cap" (610). The
On the other hand, poor weather in the novel was used to foreshadow negative events or moods. In the opening of the novel, when Jane was living in Gateshead, she was reading while an unpleasant visit of John Reed was foreshadowed: “After it offered a pale blank of mist and cloud: hear, a scene of wet lawn and storm-beat shrub” (2).
The story begins as the boy describes his neighborhood. Immediately feelings of isolation and hopelessness begin to set in. The street that the boy lives on is a dead end, right from the beginning he is trapped. In addition, he feels ignored by the houses on his street. Their brown imperturbable faces make him feel excluded from the decent lives within them. The street becomes a representation of the boy’s self, uninhabited and detached, with the houses personified, and arguably more alive than the residents (Gray). Every detail of his neighborhood seems designed to inflict him with the feeling of isolation. The boy's house, like the street he lives on, is filled with decay. It is suffocating and “musty from being long enclosed.” It is difficult for him to establish any sort of connection to it. Even the history of the house feels unkind. The house's previous tenant, a priest, had died while living there. He “left all his money to institutions and the furniture of the house to his sister (Norton Anthology 2236).” It was as if he was trying to insure the boy's boredom and solitude. The only thing of interest that the boy can find is a bicycle pump, which is rusty and rendered unfit to play with. Even the “wild” garden is gloomy and desolate, containing but a lone apple tree and a few straggling bushes. It is hardly the sort of yard that a young boy would want. Like most boys, he has no voice in choosing where he lives, yet his surroundings have a powerful effect on him.
The night ebbed in the darkness brUGHT t about the memory of the most tragic event in the history of the small town of Greenville. Not knowing the tragedy that would unfold the citizens rested quietly in the slumber of that hot August night. Storm clouds loomed on the horizon with blazes of light that speckled the sky. In the distance the soft rumble of thunder brought no alarm to this quiet little town. Jenny and Blade lived in the rural area of green pine forests on the outskirts of this sleepy little town. Nowhere in the history of Greenville had such a tragedy happens, and no one was aware of the destruction that loomed on the horizon. As the night closed near the midnight hour, the wind seemed to awaken the lifeless living things in