The ghost, however, loses little time in effecting a more solid manifestation, as a young woman runaway whom Sethe shelters, and by whom she comes to be dominated. She gives up her job to be with Beloved and while the girl ghost thrives, she and Denver are reduced to near starvation. It is only when Denver dares to come out of her isolation and invoke the help of the rest of her black community that Beloved can be sent back to her grave and Sethe and Paul D. reunited.
In the book, Beloved, by Toni Morrison and the movie, One Flew Over the Cuckoo’s Nest, featuring Jack Nickolson, both share a common theme of love and loving oneself. Morrison’s character, Baby Suggs, is the source of love for her people. Similarly, Jack Nicholson’s character McMurphy tries to give the men confidence, so that they can love themselves. To be loved is to be supported, whether succeeds or fail. This support gives the confidence needed to go day to day. In both situations, deprived characters have experienced traumatic events, which have made them unsure of what love is or even feels like. The roles of McMurphy and Baby Suggs are to show these characters that despite their troubled pasts, they can make it in the world, with proper support and love.
From the beginning, Beloved focuses on the import of memory and history. Sethe struggles daily with the haunting legacy of slavery, in the form of her threatening memories and also in the form of her daughter’s aggressive ghost. For Sethe, the present is mostly a struggle to beat back the past, because the memories of her daughter’s death and the experiences at Sweet Home are too painful for her to recall consciously. But Sethe’s repression is problematic, because the absence of history and memory inhibits the construction of a stable identity. Even Sethe’s hard-won freedom is threatened by her inability to confront her prior life. Paul D’s arrival gives Sethe the opportunity and the impetus to finally come to terms with her painful life history.
Beloved had many obscenities, such as, murder, raw language, sexual harassment, and other unwanted sexual advances but they are what made the novel what it is. The murder that Sethe commits is gruesome but a very huge part of the story. The following quote from the novel is the depiction of the murder scene in which Sethe performs a grotesque murder on her own daughter and injures her two boys in order to keep them from a life in slavery. "Inside, two boys bled in the sawdust and dirt at the feet of a nigger woman holding a blood-soaked child to her chest with one hand and an infant by the heels in the other. She did not look at them; she simply swung the baby toward the wall planks, missed and tried to connect a second time, when out of nowhere- in the ticking time the men spent staring at what there was to stare at- the old nigger boy, still mewing, ran through the door behind them and snatched the baby from the arch of its mother's swing.
In Toni Morrison’s Beloved, love proves to be a dangerous and destructive force. Upon learning that Sethe killed her daughter, Beloved, Paul D warns Sethe “Your love is too thick” (193). Morrison proved this statement to be true, as Sethe’s intense passion for her children lead to the loss of her grasp on reality. Each word Morrison chose is deliberate, and each sentence is structured with meaning, which is especially evident in Paul D’s warning to Sethe. Morrison’s use of the phrase “too thick”, along with her short yet powerful sentence structure make this sentence the most prevalent and important in her novel. This sentence supports Paul D’s side on the bitter debate between Sethe and he regarding the theme of love. While Sethe asserts that the only way to love is to do so passionately, Paul D cites the danger in slaves loving too much. Morrison uses a metaphor comparing Paul D’s capacity to love to a tobacco tin rusted shut. This metaphor demonstrates how Paul D views love in a descriptive manner, its imagery allowing the reader to visualize and thus understand Paul D’s point of view. In this debate, Paul D proves to be right in that Sethe’s strong love eventually hurts her, yet Paul D ends up unable to survive alone. Thus, Morrison argues that love is necessary to the human condition, yet it is destructive and consuming in nature. She does so through the powerful diction and short syntax in Paul D’s warning, her use of the theme love, and a metaphor for Paul D’s heart.
In Song of Solomon, through many different types of love, Ruth's incestuous love, Milkman and Hagar's romantic love, and Guitar's love for his race, Toni Morrison demonstrates not only the readiness with which love will turn into a devastating and destructive force, but also the immediacy with which it will do so. Morrison tackles the amorphous and resilient human emotion of love not to glorify the joyous feelings it can effect but to warn readers of love's volatile nature. Simultaneously, however, she gives the reader a clear sense of what love is not. Morrison explicitly states that true love is not destructive. In essence, she illustrates that if "love" is destructive, it is most likely, a mutation of love, something impure, because love is all that is pure and true.
Beloved is the story of Sethe, a woman escaped from slavery. Shortly after her escape, members from the plantations on which she worked came to take her and her four children back to the plantation. In desperation, Sethe kills her young daughter by cutting her throat, and attempts to murder her other three children in order to prevent them from returning to slavery. The majority of the film is about the revisitation of the ghost of the daughter she killed, named Beloved. The ghost returns in the form of a woman who would be the daughter's age if she were alive at the time, approximately twenty years old. Throughout the rest of the film Beloved begins to absorb all of the attention and energy of those around her, especially her mother. This continues to the point where Sethe has lost her job and spent all of her money buying things to please Beloved. Ultimately, the...
Toni Morrison’s Beloved is a tale of a mother’s deep lost and sadness for her dead child. In the novel the protagonist Sethe appears to be stuck between the land of the living and the dead living in the house that is haunted by her dead child. Despite the troubles that the house causes and her deep sadness she does not leave and her daughter Denver remains with her in the house and does not leave the front yard. Beloved tale is has many underlying mythology connections; the protagonist Sethe can be compared to the Greek mythology character Medea and the relationship between Sethe and her daughter Beloved can be c...
In Toni Morrison’s Beloved Sethe is a runaway slave haunted by her past. Riddled with the guilt that her child was murdered by her own hand; Sethe imagines that a young stranger is the reincarnation of her child’s ghost. The images that Morrison creates with her writing are often horrific, and yet equally beautiful. Just as Faulkner’s and James Joyce’s narratives had done; Morrison’s narratives focus on the internal monologues of her characters. In Beloved there are four chapters devoted to the inner thoughts of Sethe, her daughter Denver and the ghost girl Beloved. It is in these chapters that the reader becomes aware of the motivations and fears of Morrison’s characters. However, just as with Faulkner, sometimes Morrison leaves more questions created than answers revealed.
Beloved - Overall Summary
One of the most common reader responses to Beloved is
speechlessness. Readers attempt to deal with that speechlessness by trying to
determine whether Sethe's attempt to kill her children was morally justified or
not. These almost always seem like stilted, insufficient answers to a beautiful,
poetic, and profoundly disturbing novel. It is as though the novel haunts the
reader until he or she incorporates it into some structure of moral judgment.
Perhaps trying to overcome the speechlessness with an awkward attempt at
moral reasoning is not the most productive way to respond to Beloved.