Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
evolution of the film industry
Technology changes and problems in the film industry
evolution of the film industry
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: evolution of the film industry
Hong Kong Film Industry The creative industries are built upon individual skills, talents, and creativity. These industries include, but are not limited to, film, fashion, design, computer game, craft, design, architecture and many more (Moeran and Alacovska, 2012). Primarily, they are recognized as economic activities that involve the creation of a product or service that constitute information or knowledge. While everyone is familiar with Hollywood, known as the film capital of the world, the Hong Kong film industry has also made its contribution to the film world. For the longest time, Hong Kong was deemed to be one of the largest film industry in the world. Hong Kong film industry had its peak – iconic actors like Jackie Chan and Bruce …show more content…
In the film industry, the end game of producer is to acquire a script and sell the final creative product for more than the amount of money they have invested. However, there is a obvious decline in the production of films based on creativity inspirations as film producers measure the level of success of a movie based on its box office instead of its originality (Lee, 2017). As a result, there is substantial pressure on creating an ultra-low-budget film to maximize profit. The property of art for art’s sake where producers invest their originality and creativity in the final film product has become less and less common in Hong Kong. Nevertheless, there is still a small number of producers and actors that focus on producing films that encourages creativity. Producers and actors that belief in art for art’s sake will thrive to work for the perfection of the creativity of the final product whereas profit-oriented actors and producers will focus on gaining high revenue. Charlene Choi, one of Hong Kong’s famous singer and actress, truly appreciates art as she willing to give up 90% of her regular pay to play her role in the movie Sara (Yip, 2015). This demonstrates art of art’s sake principle as actors like Charlene Choi who truly appreciate and cares about …show more content…
For decades, Hong Kong film industry was dominating but those golden days cease to exist. Within a year, Hong Kong once produced approximately 400 films in the early 1990s, but that figure has dropped drastically to roughly 60 currently (Chen, 2017). To regain the fame that was once held back in the 1960s, it is crucial for all the stakeholders in the Hong Kong film industry to understand the properties of the industry and how it relates to the economy. One element can not determine the success or failure of a film, but the above properties
The Australian Film Industry has been around since October 1896. The first full length feature film, in 1906 was ‘The Story of the Kelly Gang’. Australian Cinema has only become a much larger industry in like past 10 years with ‘Sanctum’ being Australia’s 10th largest film in the US Box Office history with its exceptional 3D technology and exquisite photography. ‘The Sapphires’ which also had a strong impact on Australian viewers did not reach the capacity of gross making in the US Box Office. The Australian Film Industry has become in crisis because without the Australian movies having an impact on the Australian viewers as a minimum, the money used to make the film will not have profited from the tickets bought to see the actual movie. In this essay I will explain how ‘Sanctum’ and ‘The Sapphires’ can be used in reference to the Australian Film Industry crisis and reason’s for how and why the Australian Film Industry has hit a crisis in film making.
Walt Disney Co.’s China division and Marvel Studios chose to partner with Beijing-based DMG Entertainment as the latter maintains close working ties with the state-run China Film Group. By doing so, the producers were able to bypass China’s rigid foreign film quota system of 34 films a year. This quota will be increased to 44 films in the next few years and that is good news for aspiring filmmakers from Singapore who is considering a join venture with China. By partnering with a Chinese company, the Singapore producer will gain leverage in obtaining a spot in the quota, as state media will view the co-production as a domestic film as opposed to a 100% foreign film.
Ever since the establishment of cinema in the early 1900s, Hollywood has continuously recreated elements of history to reenact for its future generations. In order to clearly broadcast a specific theme or message to relay to viewers around the world, Hollywood executives tend to embellish real life events, in order to provide a “fairytale” aspect to a seemingly not so “happily- ever-after” story from history. As part of this “fairytale” aspect, Hollywood tends to delegitimize as well as provide a more disrespectful and more comical version of societies and cultures in the specific time frame that the film is being set. Through the art of story telling, the movies Mulan and Kung Fu Panda, depict the two sides of Hollywood, the falsifying and mockery making of Chinese people, their society, beliefs and true events of history and that of an accurate portrayal.
In Hollywood today, most films can be categorized according to the genre system. There are action films, horror flicks, Westerns, comedies and the likes. On a broader scope, films are often separated into two categories: Hollywood films, and independent or foreign ‘art house’ films. Yet, this outlook, albeit superficial, was how many viewed films. Celebrity-packed blockbusters filled with action and drama, with the use of seamless top-of-the-line digital editing and special effects were considered ‘Hollywood films’. Films where unconventional themes like existentialism or paranoia, often with excessive violence or sex or a combination of both, with obvious attempts to displace its audiences from the film were often attributed with the generic label of ‘foreign’ or ‘art house’ cinema.
The United States of America has one of the oldest and largest (in terms of revenue) film industries. Hollywood is the main location of the United States film industry. However, four of the six largest film studios in the U.S. are owned by the companies that are located on the East Coast. Only The Walt Disney Company - which owns six other film-making companies (Walt Disney Pictures, Lucasfilm Limited, the Pixar Animation Studios, Hollywood Pictures, Touchstone Pictures and Marvel Studios) is located and fully based in Hollywood, California. Sony Pictures Entertainment also has headquarters in Culver City, California, although its parent company, the Sony Corporation, has main headquarters in Tokyo, Japan.
Movies today are extremely expensive to make and are typically financed through either film studio contracts or from investors willing to take a risk. In order to be successful, movies need to be marketed and distributed either under contract by the film studios or by companies that specialize in such services. The aspects of financing, marketing and distribution of films have changed between the studio and independent systems over the years as the evolution of the film industry took place.
Modernization in the 1980s paved the way for the Hong Kong New Wave, as the studio system set up in the 1950s was dismantled, the film industry experienced more freedom. Since decolonization was heavily present 75% of Hong Kong’s box office revenue were home grown movies, while the meager 15% was left for the foreign market. As one can see the political context of Ho...
Although in shambles, It did not take long for film to make a resurgence in France. Domestic production was boosted following the introduction of The Centre National de la Cinématographe, a government organization that provided assistance to the industry in the form of loans and training. Imported films, especially those from America, began flowing into France following its liberation by Allied forces, and moviegoers were suddenly exposed to years of new films they had been previously cut off from all at once. As the market for films began to heat up, French filmmakers were presented with two choices; continue producing films adapted from relatively outdated literary works in the classic French tradition, or imitate the Hollywood Studio system of production, creating big-budget features for an international audience with the assistance of the CNC. These contrasting styles of filmmaking...
Fu, Poshek, and David Desser, eds. The Cinema of Hong Kong. Cambridge, United Kingdom: Cambridge University Press, 2000.
Fifteen years ago, South Korean cinema was in precipitous decline. It was facing deadly competition from Hollywood as import barriers were dismantled, and had almost no export market. Today, South Korean cinema is widely considered the most successful and significant non-Hollywood cinema anywhere in the world today. It is successful both in the domestic market, and internationally. This essay sets out to understand this phenomenon. First, it attempts to trace South Korean cinema’s comeback story. I feel a need to do this because I find that so many of my South Korean friends and colleagues are reluctant to admit this, or focus solely on the problems the industry is facing in the future. There may be worries about the future and there may be “ifs” and “buts” about the present state of the South Korean film industry. But we should start out by acknowledging its success.
Films were blossoming during the “Roaring twenties.” At the beginning of the decade, films were created mostly in Hollywood and West Coast, but as well as in Arizona and New Jersey. Most people do not know that the greatest output of films was between 1920 and 1930 and was 800 films per year. Nowadays, people consider big output of 500 films per year. The film business was a huge one because the capital investments were over $2 billion. At the end of the decade there were 20 studios in Hollywood and the interest in films was greater then ever.
...rding to the US Economic Census, motion picture and video production in the United States as a whole generated revenues of $20.15 billion in 1997, with Hollywood alone being responsible for close to 60% of this total.” (US Census) Hollywood’s success has come with no great competition to push for more, and with the emergence of film globalization, it should be very interesting going forth seeing if they can maintain the ideal motion picture headquarters. Its unique pool of talent drawn from many different countries cultural impact of Hollywood films is now felt in all parts of the world.
The film industry has always been somewhat of a dichotomy. Grounded firmly in both the worlds of art and business the balance of artistic expression and commercialization has been an issue throughout the history of filmmaking. The distinction of these two differing goals and the fact that neither has truly won out over the other in the span of the industry's existence, demonstrates a lot of information about the nature of capitalism.
Over the years, Bollywood has emerged as its own distinct identity in the global Film industry. Bollywood is the global leader in production of movies with a staggering 27,000 featured films and thousands of short films. ( Pillania 1) However, Hollywood is still the leader in revenues generated. Due to the growth of the Indian market and globalization, Bollywood has made its way to the international markets. Globalization is often misrepresented as the growing influence of the western culture in the world and so we tend to state that Hollywood is influencing Bollywood to a great extent. An argument can be made to justify the validity of that statement. However, this paper aims at presenting the influence of Bollywood on Hollywood in terms of music, dance and visual representation. This papers deals with a specific part of globalization, providing evidence that it
Hollywood is known to be the home of the movie industry, but why is that so? Because of the increase of movie popularity, industries wanted to create better conditioned and more comfortable theater places for attraction purposes. Year-round outdoor filming was originally based in New York and Chicago, but their weather conditions only allowed use for a portion of the year. So, many companies attempted to look for different locations with better/warmer conditions such as Texas, Florida, etc. but the most successful places they found was Hollywood. Not only did it provide year-round warm weather, but it also had close, easy access to natural, unique landscapes to shoot around. This was the beginning of the iconic Hollywood movie industry. Some of the earliest and influential film companies were warner bros., paramount, 20th century fox, and more. All owning their own film studios and sets. “By 1915, more than 60 percent of U.S. film production was centered in Hollywood” (The History Of