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Recommended: character of amanda wingfield in the glass menagerie
Aysha Rathor
English 112
Professor Cochran
May-08-2014
The Glass of Menagerie
In the four-character memory play by Tennessee William among the most prominent themes in Glass of Menagerie is the difficulty the Wingfield’s have in accepting the reality:
“The Wingfield apartment is in the rear of the building, one of those vast hive-like conglomerations of cellular living-units that flower as warty growths in overcrowded urban centers of lower middle-class populations and are symptomatic of the impulse of this largest and fundamentally enslaved section of American society to avoid fluidity and differentiation and to exist and function as one interfused mass of automatism” (Stage directions, 1.1). William uses this depiction in the beginning of the play to portray a prison like feeling for the apartment the Wingfield family takes on. Each member of the Wingfield family is incapable of to accept reality and as a result each one lives in there world of illusion where he or she finds comfort that can’t be offered to them by the real world. The first symbol represented by the author is the fire escape which represents the bridge between the illusionary world and reality for each member of the Wingfield family. To understand the role of the fire escape one has to see that it plays a different role for each character in the play.
The play is set in the apartment of the Wingfield family by the author’s description it is a confined space located in the city of St. Louis. None of the family member like living there but due to poverty they live in the fire escape but their minds are always somewhere escaping from their lifestyle and reality. And these escapes are all connected with the symbolic “fire escape” and Mr. Wingfield. He lef...
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...presents how she lives in the world of fantasy indicated my unicorn and Jim showed her a whole new world. The breaking of the horn on the unicorn represents the new transition for Laura to the reality but then she gives it away to Jim when he realizes that he didn’t mean to kiss Laura and he already has a fiancé. Laura gives away the one thing that represented her reason to connect with reality and find herself a nice gentleman caller and live her life and do the thing she wants to. But Laura gives it away because she’s so used to living in the fantasy world that she doesn’t have the courage to.
The Whole Winglfiled family has a problem distinguishing the difference what is real and what is not. At the end of the play only one character is able to escape the fireplace Tom he was so tired of her mother nagging and having all responsibility and was what he and did
In Tennessee Williams The Glass Menagerie, we are given opportunity to see and understand that even truth can be cloaked by illusion. There are four main characters, we have Tom Wingfield whom is the narrator of the play. By day is a warehouse worker in a shoe factory, often absent minded for he would must rather be focusing on his passion for poetry and writing. By nightfall he often finds refuge from his mother's constant berating in the local movies. Laura Wingfield is Tom's beloved sister. Crippled since childhood from a disease known as plurosis, Laura is also emotionally crippled as an adult, in the sense that she is so incredibly shy attending business school was simply too much for her. To others it is no issue but to her it's all than she can see. Instead of fulfilling her mothers wishes she spends her days carefully attending to her delicate glass animals and listening to her father's record collection.
Amanda was abandoned by her husband and now must take care of her two children, Tom and Laura. Amanda considers Tom unrealistic, daydreaming about becoming a recognized poet rather than staying committed to his present job. Amanda is overwhelmingly confused and perplexed about the future. Worse still, the fact that Laura is crippled worries her even more. Amanda tries to arrange everything for Laura lest she will live paralyzed in the threatening world. Aware of the reality, she enrolls her in a secretarial course in the hope that she would become, if not successful in her career, at least independent. Disappointed by Laura's inability to cope with the classes in the business school, Amanda tries desperately find her a reliable husband who can provide material and emotional security. But her hopes are unrealistic. Not even having met Jim, the gentleman caller Tom brings home at her mother's request, Amanda, looking at the little, slipper-shaped moon, asks Laura to make a wish on it for happiness and good fortune to be brought by this gentleman caller, when it is just wishful thinking on her...
One of the great, important themes is the importance of self-expression. Throughout the play the narrator is told to stay in her room, by her husband, to hide her depression from the world. She is forced to act like her marriage is perfect and that she is delighted, while in reality she is not. As the days pass she stares at this yellow wallpaper in this room
In Williams, Tennessee’s play The Glass Menagerie, Amanda’s image of the southern lady is a very impressive. Facing the cruel reality, she depends on ever memories of the past as a powerful spiritual to look forward to the future, although her glory and beautiful time had become the past, she was the victim of the social change and the Great Depression, but she was a faithful of wife and a great mother’s image cannot be denied.
The major events in the play, all develop around the memories of Tom Wingfield. The character, who takes care of his mother and sister, due to his father who left them at a young age. The next major event is when Jim who was a potential suitor for Amanda, comes and eats dinner with the family. Later on in the dinner, Amanda learns that her suitor Jim has girlfriend.
Tennessee Williams employs the uses of plot, symbolism, and dialogue to portray his theme of impossible true escape, which asserts itself in his play, The Glass Menagerie. Each of his characters fills in the plot by providing emotional tension and a deep, inherent desire to escape. Symbolism entraps meaning into tangible objects that the reader can visualize and attach significance to. Conclusively, Williams develops his characters and plot tensions through rich dialogue. Through brilliant construction and execution of literary techniques, Williams brings to life colorful characters in his precise, poignant on-stage drama.
Did you know that most of the plays written and performed in twentieth century America where based off of what was happening in the world at that time? The Great Depression, new inventions, and The Great War influenced the ideas of plays. The twentieth century American history takes a role in the ways of life in The Glass Menagerie which is set after the Great Depression in the late 1930’s.
In this piece, the Younger family is beaten down before they even have the chance for success. Throughout the duration of the play, the family lives in a small two-bedroom apartment that is “tired” and infested with cockroaches, on the Southside of Chicago. The apartment was originally meant to be temporary as Mama and Big Walter moved in immediately after their marriage. Like many other they had the “American dream”, the dream of owning ones house; however, this dream never came to be and the family is still living in the same apartment decades later. Walter and Ruth, the next generation, also shared this very same dream in the beginning of their marriage, but like Mama and Big Walter, they were never able to make anything of it. The inability to pursue their dream and utter lack of fulfillment influence the two main characters, Ruth and Walter, differently.
On April 12th, 2014, Syracuse Stage presented the play The Glass Menagerie by Tennessee Williams. The play was directed by Timothy Bond, and turned out to be an interesting production. The Glass Menagerie is a memory play that is set in St. Louis in 1937. Its action is taken from the memories of the narrator, Tom Wingfield. Tom who has a dream of being a poet works in a shoe warehouse to support his mother, Amanda, and sister, Laura. Their father, Mr. Wingfield ran off years ago. They had not heard from him except for in one postcard, they said he fell in love with long distance. Their mother Amanda, who genuinely wants the best for her children, pressures them with her uncontrollable desires for them. She is disappointed that Laura, who is crippled and is painfully shy, does not attract any gentlemen callers. She is even more disappointed to see that her son is following in his father’s footsteps.
Tennessee Williams’ play, The Glass Menagerie, depicts the Wingfield family in a naturalistic viewpoint that highlights the importance of a man in the life of a woman. Without a husband in the play, Amanda’s son Tom is rendered as “the man of the house.” Williams attributes the monetary stability of the Wingfields entirely to Tom. Williams stresses the necessity of a working man through Tom so that women and children can be financially stable. As a naturalist, Tennessee Williams illustrates the characters’ reactions to various events and circumstances in accordance with man’s natural instincts of survival. Williams reveals Amanda in this approach, and he portrays naturalistic tendencies in her personality and character, her relationship with her son, and her connection with her hopeless daughter, Laura. Amanda is trying to survive and raise her children without a husband to support her economically.
When awaiting Jim’s visit to the household, Laura is anxious and wondering if Jim is her same high school crush Jim. He arrives and Laura is so upset that she gets sick and has to miss dinner and instead lay down, so Jim accompanies her while Amanda and Tom clean up. He gets Laura to warm up to him using his charm and laughter, and even gets her to show him her glass collection and dance with him. When they dance, Jim bumps into the table and knocks off Laura’s favorite glass piece, her unicorn. Her unicorn is used as a symbol for her peculiarity and differentness from most other girls her age, and when Jim breaks the unicorn’s horn off, he shows Laura that she is normal too: “Now it is just like all the other horses” (Williams 1748, Scene 7). It takes Jim for Laura to realize that in reality, she is not all that different from other girls, and most of what she thought kept her from being normal was all in her head, like Elisabeth Beattie says in her analysis of the play: “When Jim… destroys her illusion, Laura realizes she is indeed ordinary, like her unicorn-turned-horse” (Beattie). Jim is the key for Laura to see that she is not strange and unusual like she is in her
Generally when some one writes a play they try to elude some deeper meaning or insight in it. Meaning about one's self or about life as a whole. Tennessee Williams' "The Glass Menagerie" is no exception the insight Williams portrays is about himself. Being that this play establishes itself as a memory play Williams is giving the audience a look at his own life, but being that the play is memory some things are exaggerated and these exaggerations describe the extremity of how Williams felt during these moments (Kirszner and Mandell 1807). The play centers itself on three characters. These three characters are: Amanda Wingfield, the mother and a women of a great confusing nature; Laura Wingfield, one who is slightly crippled and lets that make her extremely self conscious; and Tom Wingfield, one who feels trapped and is looking for a way out (Kirszner and Mandell 1805-06). Williams' characters are all lost in a dreamy state of illusion or escape wishing for something that they don't have. As the play goes from start to finish, as the events take place and the play progresses each of the characters undergoes a process, a change, or better yet a transition. At the beginning of each characters role they are all in a state of mind which causes them to slightly confuse what is real with what is not, by failing to realize or refusing to see what is illusioned truth and what is whole truth. By the end of the play each character moves out of this state of dreamy not quite factual reality, and is better able to see and face facts as to the way things are, however not all the characters have completely emerged from illusion, but all have moved from the world of dreams to truth by a whole or lesser degree.
The set plays a central role in dramatizing the theatrical experience of this particular production. As you can see in both figures 1 and 2, the set is purposely designed to resemble a metropolitan alleyway. This dramatic ambiance is created in an effort to parallel the harshness of the unforgiving streets of any particular conurbation. Normally, the audience would tend to construe this setting as a symbol of turmoil in the kingdom of Corinth. Thus, the set itself works as a device in developing a sense of political drama.
The unicorn is a mythological figure. Closely related to the horse, it is uniqueness comes in the form of a long horn located on the center of its forehead. In Laura's menagerie, it is unlike the other figures. In fact, Laura refers to the unicorn as being "freakish." (109) Her characterization of the unicorn reflects how she feels about herself. It is because of its uniqueness that Laura chose to identify with it. She creates a world with her figurines in which the abnormal coexists with the normal. When Jim, the gentleman caller, inquires about the unicorn being lonely, she replies, "He stays on a shelf with some horses that don't have horns and all of them seem to get along nicely together."(101) In her imaginary world no one judges her because of her limp and it is that world she is capable of coping in. Laura's characterization of the figurines hints at her inner desires to be able to deal with the outside world and become less "freakish." Laura tells Jim, "[the figurines] all like a change of scenery once in a while." (102)
In The Glass Menagerie, Tennessee Williams uses the roles of the members of the Wingfield family to highlight the controlling theme of illusion versus reality. The family as a whole is enveloped in mirage; the lives of the characters do not exist outside of their apartment and they have basically isolated themselves from the rest of the world. Even their apartment is a direct reflection of the past as stories are often recalled from the mother's teenage years at Blue Mountain, and a portrait of the man that previously left the family still hangs on the wall as if his existence is proven by the presence of the image. The most unusual factor of their world is that it appears as timeless. Amanda lives only in the past while Tom lives only in the future and Laura lives in her collection of glass animals, her favorite being the unicorn, which does not exist. Ordinary development and transformation cannot take place in a timeless atmosphere such as the apartment. The whole family resists change and is unwilling to accept alteration. Not only is the entire family a representation of illusion versus reality, each of the characters uses fantasy as a means of escaping the severity of their own separate world of reality. Each has an individual fantasy world to which they retreat when the existing world is too much for them to handle. Each character has a different way of dealing with life when it seems to take control of them, and they all become so completely absorbed in these fantasies that they become stuck in the past.