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Themes explored by tayeb salihs seasons of migration to the north
Themes explored by tayeb salihs seasons of migration to the north
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In Tayeb Salih’s Season of Migration to the North, readers are introduced to an unnamed narrator who has after studying poetry in Britain finally decided to return to Wad Hamid, his hometown. From the book readers learn about his excitement to finally contribute to his country, which has recently gone through post colonialism. After meeting the old faces, he notices Mustafa Sa’eed, someone new. The unnamed narrator bonds with Mustafa, as both of them are from England. Mustafa tells him stories about his life in London, and the string of European women and his unrelenting relationships with them that led him to return his native land; he also talks about his successful career in economics. However, after confiding in the narrator Mustafa mysteriously disappears, asking the narrator to look after his wife. The narrator then describes his journey in a land between Europe and Africa where everything is unsettled and violent, there is confusion between tradition and innovation, holiness and defilement, and man and woman, from which no one will escape, unaltered or unharmed. Therefore, Sea...
Despite their differences in time period, location, and gender, the narrators of “Araby” and “Wild Berry Blue” are alike in their infatuations and in their journeys. Within each story, the young narrators come to the conclusion their actions reflect their immaturity and folly with regard to their first loves. The appearance of this conclusion in both “Wild Berry Blue” and “Araby” indicates Galchen’s deep understanding of “Araby”. Rivka Galchen must have read James Joyce’s classic short story “Araby” prior to writing her narrative “Wild Berry Blue” with a similar plot but a contemporary
Joyce, James. “Araby”. The Norton Anthology of Short Fiction. Eds. R.V. Cassill and Richard Bausch. Shorter Sixth Edition. New York: W.W. Norton and Company, 2000. 427 - 431.
Nowadays the wide array of transportation means and infrastructures at our disposal has made it relatively easy for us to travel from one country to another; even when those countries are thousands of miles away from each other. However, during the 13th and 14th centuries, travelling was not that easy. Yet, two men, the Italian tradesman Marco Polo and the Moroccan Jurist Ibn Battuta became famous for having managed to perform extremely long distance journeys away from their home country. At the end of their long travels, both men shared their experiences with the world via the books, The Travels of Marco Polo and The Travels of Ibn Battuta. An analysis of those two texts reveals two things. On one hand, Marco Polo remained a cultural outsider to the people he met during his travels, thus enhancing his power of observation and stimulating his curiosity. On the other hand, Ibn Battuta travelled as an insider, and consequently he judged the people he met only in light of his Muslim background.
How I had lighed. I smiled at the memory now” (Hosseini 366). Had Amir not immigrated to America, one would not see a cleansed and stable main character reminiscing about his father at the end.
Written in 1914, James Joyce’s “Araby” is the tragic tale of a young boy’s first hopeless infatuation with a neighborhood girl. The young boy lives in a dark and unforgiving world.
Joyce, James. “Araby.” The Norton Introduction to Literature, Shorter Eighth Edition. Eds. Jerome Beaty, Alison Booth, J. Paul Hunter, and Kelly J. Mays. New York: W.W.Norton.
Fatou Diome’s first novel, The Belly of the Atlantic, tells the coming-of-age of a young Senegalese female living in Strasbourg after she emigrated from the island of Niodior. Reflective of the author’s own life, the fictionalized narrative recounts the experiences of Salie. After growing up in a community in which strict traditions require women to submit to men, at a young age Salie decides she will educate herself although not enrolled in school. The schoolteacher Ndétare quickly discovers her academic and motivational abilities and decides to guide her through her education. Later, Salie moves to France and she is progressively shun out by her family, except by her brother Madické who is constantly seeking to go to France to play soccer professionally. Salie is quickly overcome by the lack of identity her immigration has caused her. She is constrained between both Europe and Africa, which she can’t call home. Through this disconnectedness the narrator suffers, and Salie’s identity progressively becomes that of exile. How, then, does the novel illustrate the degrading identity of the narrator trapped between two worlds?
In the story, the narrator is forced to tell her story through a secret correspondence with the reader since her husband forbids her to write and would “meet [her] with heavy opposition” should he find her doing so (390). The woman’s secret correspondence with the reader is yet another example of the limited viewpoint, for no one else is ever around to comment or give their thoughts on what is occurring. The limited perspective the reader sees through her narration plays an essential role in helping the reader understand the theme by showing the woman’s place in the world. At ...
One’s sense of self is a reflection of those with whom the most time is spent. Both positive and negative relationships determine aspects of identity. Family relationships can often be the most complicated, Khaled Hosseini’s The Kite Runner tells a story about a difficult father-son relationship between Amir, the protagonist, and his father Baba. “I let myself dream: I imagined conversation and laughter over dinner instead of silence broken only by the clinking of silverware and the occasional grunt. I envisioned us taking a Friday drive in Baba’s car to Paghman... We’d go to the zoo to see Marjan the lion, and maybe Baba wouldn’t yawn and steal looks at his wristwatch all the time. Maybe Baba would even read one of my stories. I’d write him a hundred if I thought he’s read one.” (Hosseini, 56). Amir creates a vivid anecdote in this chapter of what his ideal relationship with Baba could be but his mind quickly returns to the realities of his life. Hosseini uses strong imagery to describe Amir’s ideal relationship with Baba and parallels it to his daily confrontations with him. Amir yearns for his father's love and attention. His lack of unity with Baba hurst his identity because he feels neglected which results in Amir’s inability to communicate his feelings and contributes to his resentment towards Hassan. Neglect is a form of abuse, although Amir was never physically hurt by his father he faced the challenges of being in a impugnment relationship. Often times people become trapped in verbal and physically abusive relationships, living in constant fear of staying or losing the ability to escape. Similarly, The Help contains a subplot between a maid, Minny, and her abusive husband Leroy.” ‘If I didn’t hit you, Minny, who knows what you’d become.’...’Who knows what I’d become if Leroy would stop goddamn hitting me’ “ (Stockett). The author inputs anaphora, the repetition of a word or phrase at the beginning of
Although “Araby” is a fairly short story, author James Joyce does a remarkable job of discussing some very deep issues within it. On the surface it appears to be a story of a boy's trip to the market to get a gift for the girl he has a crush on. Yet deeper down it is about a lonely boy who makes a pilgrimage to an eastern-styled bazaar in hopes that it will somehow alleviate his miserable life. James Joyce’s uses the boy in “Araby” to expose a story of isolation and lack of control. These themes of alienation and control are ultimately linked because it will be seen that the source of the boy's emotional distance is his lack of control over his life.
In “Araby”, author James Joyce presents a male adolescent who becomes infatuated with an idealized version of a schoolgirl, and explores the consequences which result from the disillusionment of his dreams. While living with his uncle and aunt, the main character acts a joyous presence in an otherwise depressing neighborhood. In Katherine Mansfield’s, The Garden Party, Mansfield’s depicts a young woman, Laura Sherridan, as she struggles through confusion, enlightenment, and the complication of class distinctions on her path to adulthood. Both James Joyce and Katherine Mansfield expertly use the literary elements of characterization to illustrate the journey of self-discovery while both main characters recognize that reality is not what they previously conceptualized it as.
The narrator in “Araby” is a young man who lives in an uninteresting area and dreary house in Dublin. The only seemingly exciting thing about the boy’s existence is the sister of his friend Mangum that he is hopelessly in love with; “…her name was like a summons to all my foolish blood.” (Joyce 2279) In an attempt to impress her and bring some color into his own gray life, he impulsively lies to her that he is planning on attending a bazaar called Arab. He also promises the gi...
Season of Migration to the North by Tayeb Salih tells the story of a man searching for an identity he was unaware he had lost. Through his growing understanding of Mustafa Sa'eed's life, the central character eventually reconciles his own identity conflicts.
Waïl S. Hassan,(2003). Gender (and) Imperialism: Structures of Masculinity in Tayeb Salih's Season of Migration to the North. Sage publications. Retrieved from jmm.sagepub.com at University of Balamand.Dec, 2013. dio: 10.1177/1097184X02238529.
Although he had endured trials and tribulations to attend the bazaar, he soon finds that, exotic name withstanding, he is still in Dublin, is still impoverished, and his dreams of Araby were merely that, dreams. Our narrator remains a prisoner of his environment, his economic situation, and painful reality. North Richmond Street, the dead-end street described in the first sentence of “Araby” is more than a street. It is a symbol for the way that our protagonist views his life.