The University of Georgia’s theatre adaptation of the penny dreadful story, Sweeney Todd: The Demon Barber of Fleet Street, was very similar, design wise, to Tim Burton’s 2007 film of the same name. While the two were very comparable, they did differ in many design elements which include, lighting, costumes, color, and key structural set-ups. The lighting played a major role in setting the tone for both the theatre performance and the movie. In both the film and play, the lighting was dimmed and the non-important elements, such as background elements, were often hidden in the shadows. In the film the murky lighting also hid Todd in the shadows, in order to increase the suspense and further emphasize his intimidating demeanor. In the play, …show more content…
In the play, red was used to accent everything from the characters’ costumes to elements in the background, and the blood. Although red was heavily used, there was a difference in the shades of red throughout the play. For example, the curtain that draped Johanna’s window, was a bright red, while the on-stage blood was a deeper red. There was also a noticeable red-orange lighting casted over the stage during intense turning points in the play. In the film, the color did serve an important role, but it did not heavily influence the body of work, like in the play. Aside from Mrs. Lovett’s clothing in the film, the color showed up mainly during the scenes were blood was needed. The blood was darkened, watery and oozed. This darkened mess, was portrayed in this way in order to emphasize the deaths in the movie, which made each scene a little more …show more content…
The key props that adorned both settings were not much different from that of the film. In the play, however, there were more pieces that adorned the pie shop, and the raggedy arrangement of the background props compare to the distressed structure that the film wanted to show as well. In the movie there was more room to experiment and add to the locations. For example, in order to show the age of the barber’s shop, they added peeling wallpaper, creaking floorboards, and panels that were detached from the
Imagining the similarities between one of the most famous Shakespearean plays and a new animated Disney movie is difficult, until you look deeply into the characters. From the Shakespearean play Macbeth, Lady Macbeth is extremely similar to Mother Gothel from the Disney movie Tangled. Lady Macbeth is Macbeth’s wife that has strong desires and personality. The movie Tangled created a similar character with Mother Gothel, she is Rapunzel's mother and believes in going after what you want. The two characters are not the exact same, they differ in their desires and in their ending demise. They are much more similar in their motives and their actions which reveal their shared character traits.
Tim Burton, in Edward Scissorhands, uses high key and low key lighting. For example, Peg’s town is flooded with high key lighting in order to make the outside seem joyful and peaceful. The outside may look cheery and bring, but most of the people living there were not the most pleasant people. The women gossip and create rumors; the men are rude and conceited. He used low key lighting in order to make the audience feel anxious about the upcoming events. An example would be when Peg walked up to the top floor of the mansion and noticed that someone was sitting in the corner. Edward’s shadow may have given him a frightening appearance, as he is a ‘man’ with scissors for hands. But Edward was a kind and caring gentleman. In conclusion, he used reverse lighting to add an irreplaceable, distinctive quality to his movies.
Imagine a tall slim man dressed in a very respectable iron pressed suit, with a tie that’s perfect length and fits nicely with the colors of his blazer. To go along with his suit, he carries a very affluent briefcase with a matching belt and shoes. This is the typical perception from students of someone that works in the legal profession, including the consumption of time spent on only work along with having a very stern look. However, a look at how it’s shown in the film To Kill a Mockingbird, it shows that things like standing for justice, having integrity, and being family-oriented plays a huge role in the lives of lawyers.
may be a dark musical, but its construction lends well to light voices and an equally
The use of color in Stephan Crane’s Maggie: A Girl of the Streets is crucial when looking at the setting of the story; the repeated use of red is significant when describing Maggie’s mother Mary and the importance of color in describing the social system through the story. It is seen prominently when Maggie and Pete go to the theater, parts of the play paralleled the lives of the common people: "The latter spent most of his time out at soak in pale-green snow storms, busy with a nickel-plated revolver, re...
In the 1968 version, it accurately portrays what people usually wear in the medieval time period, which is similar to the play. For example, men wear tights, frills and Robin Hood like hats. It also uses the color difference to distinguish between the Montague actors and the Capulet actors. The Montague family wears dark color clothes like dark blue and grey, whereas the Capulet family wears bright color clothes like orange and red. The custom also depicts the social class difference. In the party, Juliet wears a red beautiful dress, which creates a strong contrast with the Nurse who wears servant clothing. In the 1966 version, the customs are more modernized. Female wears more make up and fancy dress. Male wears Hawaiian shirts and sunglasses. The color of customs between Montague and Capulet also changed. Montague wears bright color clothes, with pink hair and tattoos. While, Capulet wear dark clothes, vests and tattoos. Besides, actors use guns not sword as their weapon to fight. The above shows that the 1996 version is more modern and more applicable to our daily
In "Constant Star", lighting told much about the play as soon as it began. Low, yellowish lighting and a bit of fog spread by ceiling fans filled the stage as the play started. This gave the stage the look of an old photograph, so the audience immediatly gathered that the show was taking place in the past. The mood was often set by lighting as well. Red lighting gave the audience a sense of foreboding while yellow indicated happy times. Also, lighting could substitute for props. During scenes involving the train, lights would flash on and off, making the stage look as if it was actually moving. This effectively created the illusion that the cast was on a train. Also, lighting was innovatively used to create a "jail" in one of the scenes by creating vertical bars on the stage around the convicts.
The Music Man made interesting use of the technical aspects of theatre. Sound was used appropriately, as music from the monitors did not overpower the voices of the actors. Lights, however, did not leave any sort of impression on me. Hardly any lights were utilized to enhance the mood were present. This caused for less emphasization on spectacle than what would be expected of such a dramatic play. Although, intricate costumes and set made up for the dull lighting techniques.
Sweeney Todd: The Demon Barber on Fleet Street is a 2007 musical horror drama film directed by Tim Burton. I believe this film is the only musical Burton ever directed. Sweeney Todd is a dark film that explores the idea that evil is inextricably connected with the human condition. When the story begins, it is clear that the past overshadows the present in such a way that the characters live in permanent darkness. In a grim analogy with the victims consumed in Mrs. Lovett’s pies, Sweeney Todd is consumed by revenge. He starts out as a respectable and respected barber with a loving wife and a beautiful baby and ends as a murderous demon guilty of acts so abhorrent that he and the man he once was share on common ground.
The introduction starts with the choir singing “The Ballad of Sweeney Todd" it is year 1846, a sailor named Anthony Hope has rescued Sweeney Todd , and the two are riding a ship to London. When they land, Todds bad mood is made worse by a crazy Beggar Woman who asked both men for money, and appears to recognize Todd degrades Todd’s bad mood. Then the two men sing "No Place Like London". Todd soon goes to an old meat pie store on Fleet Street, where the shop's resigns, Mrs. Nellie Lovett, complains about the challenging times. She sings "Worst Pies in London". Then Todd asks about her empty upstairs apartment, she reveals that its old resident, the barber Benjamin Barker, was sentenced to life of prison on false charges by the corrupt Judge
High-key lighting is typical in use with musicals, and Oz is no exception. The technique of brightly lighting the set to rid the film of dark shadows injects a happier feel, a lighter tone to the movie. Excellent use of low-key lighting in the film can be seen when the characters meet the wizard for the first time. The use of low-key lighting and the play of shadows here creates a sense of suspense in the viewer. The tone is dark, and the controlling color is
When you first enter the theater, you are immediately in awe of the strongest aspect of this production: the set. The stage features a life-sized enchanted forest with “tress” as tall as the ceiling and a lit-up backdrop of a twilight sky. The tress would move around throughout the performance to make way for different scenes. In front of your very eyes, an enchanted forest would turn into the outside of a charming house with a lit porch and a well. The twilight sky would turn to a starlit sky and a soft spotlight simulating moonlight would compliment the faint sound of crickets. Suddenly the house and tress move around and you’re in a town with a little cart selling baguettes, or a lush dining room with Victorian wallpaper, a chandelier, and china displayed on the walls. The world shakes once again and now you’re in, inevitably, a ballroom. A white Victorian gate opens up to become the walls of the ballroom, and a white marble bridge and staircase appear for the outside of the castle. Adults and children alike were in awe of the craftsmanship and technology.
The lighting was also very effectively used to show the coming and going of cars on the set. The reflection of lights on the front door of the house were used resemble those of an automobile. Even the final scene had just enough absence of light that the shadows of the characters could be seen sitting around the dinner table and praying by candlelight. At the very end of the performance the candles were extinguished consuming the set in blackness in turn signifying the end of the production.
The three colors that are most widely used during the movie to show symbolism and imagery are black, white, and red. While there are some references to color in the written text of Titus Andronicus, Taymor’s use of color allows the viewer to see a more clear representation of mood, tone, and character. Colors may be used in costume or in setting. Regardless of how they are used, each color plays a large role in distinguishing the tone that is being set for a scene or character. The first color that is widely used is black.
To the color red can be attributed diverse meanings that accurately portray the mood of the movie. Red signifies passion and desire. We see these allusions represented in different objects: the flower in Irene's desk, the curtains in her office, and the lamp in Benjamin's room. Most of Benjamin and Irene's scenes together, in fact, include the slight appearance of that color. The purpose for this setup, is to allow the viewer to use it as context clues; to interpret, from the beginning, the passion that both have for each other. This passion remain...