Analysis Of Roy Lichtenstein's Contribution To The Development Of Pop Art Movements

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Within art, in order to develop new art movements, techniques, materials and forms, artists must be innovative in representing their ideas and visions to their audience. This is seen in Roy Lichtenstein’s contributions to the development of Pop Art. Lichtenstein's innovative artmaking technique, often involved the use of stencils, which he used to bring the aesthetic of commercial printing processes into his painting and prints. This artmaking technique can be seen in Lichtenstein’s works, ‘Crying Girl’ (1963) and ‘In the Car’ (1963). Lichtenstein used basic, primary colors, bold outlines and Benday dots to make his hand-made art look as if it was made commercially through a machine. Conceptually, Lichtenstein was innovative in his representation …show more content…

Lichtenstein’s mixture of styles can be seen in his works, ‘The Couple’ (1980) and ‘Blonde’ (1978), which together reflect how Lichtenstein worked within Surrealism, Futurism, Cubism and Expressionism. This mix of art styles, alongside Lichtenstein’s use of the primary colours, Benday dots and bold outlines, led to him becoming a major figure within the Pop Art movement. It wasn’t common for an artist to work within so many styles, adding to Lichtenstein’s innovative nature as an artist. Curator Harry Cooper said that Liechtenstein used innovative techniques, materials and forms to bring Pop Art into the realm of design and into a larger culture, and proved that Pop art “wasn’t just a gimmick, (or) just a …show more content…

Stop-action had never before been used in the unexpected, whimsical and creative ways that Halsman employed it. Halsman’s works were innovative within their resolved form because they allowed Halsman to document history and famous figures, whilst managing to freeze motion and provide an aesthetically and conceptually fascinating image for his audience. Philippe Halsman stated on his artmaking practice that, “A true portrait should, today and a hundred years from today, be a testimony of how this person looked and what kind of human being he was”. Halsman’s connection to these famous figures through his innovative art allowed him to develop vital connections which allowed for the continuation of his artmaking practice. Halsman was apart of the great wave of artists and intellectuals who fled the German Nazis. Halsman arrived in the United States in the 1940’s with his family and only obtained an emergency visa due to the intervention of Albert Einstein, an intellect who Halsman had photographed. Halsman depicts Einstein in his infamous photograph, ‘Albert Einstein’ (1947) which is still used in today’s time to document what Einstein looked like and what his personality was like, allowing Halsman to achieve his aims within his works. Halsman went on to have a successful career in America for over 30

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