Niyi Osundare “Our Earth Will Not Die” starts off as a sober and painful description of the earth due to human’s constant pollution. In this modern poem, Osundare shadows the environmental awareness of earth deterioration by humans. He emphasizes the fact that although earth going through this crisis It can still endeavor. Osundare voiced his opinion on an important matter that although was written in 1986, still pertains to the way the earth is treated in today's society. Osundare poem showed a great outlook on his knowledge of the environmental and industrial background. In my opinion, I strongly agree with his visual description of the way the earth is treated. On the other hand, Osundare still has this great hope that earth will strive …show more content…
As the earth is still being personified as a human he connects pollution to a human having a bladder infection. “A lake being killed by arsenic urine from the bladder for profit factories... parting waters.” Throughout this stanza, Osundare creates lifelike imagery of the harmful waste productions from factories spreading like poison in our lakes and streams. Eventually ending up in our seas and just like a sickness, oceans will figuratively start to cough and become sick filled with the toxic waste products. The end product of this event would be acid rain according to the poem. In lines 22-25, Osundare shows an illustration of acid rain so strong it taints the clouds and storms down so sharp it cuts branches in half and killing all animals in sight. He uses various amounts of visual images and figurative language to point out the environmental suffering through human-like and environmental activities.
As the poem continues, it has a complete change in tone. For what was once a depressing poem, turned around into a reassurance and more optimistic outlook for the earth. As seen in lines 35-49, it portrays celebrations of renewal of the earth. “the westering sun will rise again” symbolizes hope that earth will soon like a natural cycle will overcome its current troubles. Osundare continues to re-affirms that
...otter, disturbing high pitched sounf of the oystercatcher, the cormorant, and the heron all connote the idea of an overwhelming chaotic nature of the world. The first two lines of the second stanza justify this view because we find that the speaker has gone through a personal experience of facing death. However, in the majority of the second stanza, the speaker finds a more peaceful underlying order in the next few images he sees. The butterfly, a couple quietly speaking, and the soothing warmth of nature all appeal to an underlying order, filled with peacefulness and serenity. From the different perspectives of a single experience of the speaker, the author is able to create a world where although chaos can be present through personal experience, the underlying order is still intact, as long as one is able to look at it from a more calm and peaceful vantage point.
In the stanzas of Elizabeth Bishop’s poem, the speaker very honestly observes the scenes from outside her apartment. From her point of view, she sees a both a bird and a dog in the process of sleeping. The speaker views these animals as having simple lives unbothered by endless questions or worries. Instead, the two live peaceful, uninterrupted existences, rising every morning knowing that “everything is answered” (ln. 22). However, the speaker lives in contrast to this statement instead anxiously awaiting the next day where uncertainty is a likely possibility. Unlike the dog and the bird, the speaker cannot sit passively by as the world continues in its cycle and she carries a variety of emotions, such as a sense of shame. It is evident here that the speaker has gone through or is currently undergoing some sort of struggle. When she states that “Yesterday brought to today so lightly!” she does so in longing for the world to recognize her for her issues by viewing the earth’s graces as so light of actions, and in doing so, she fails to recognize that she can no longer comprehend the beauty of nature that it offers her. In viewing the light hitting the trees as “gray light streaking each bare branch” (ln. 11), she only sees the monotony of the morning and condescends it to merely “another tree” (ln. 13.) To her, the morning is something
The sun has been an endless source of inspiration, both physical and spiritual, throughout the ages. For its light, warmth, and the essential role it has played in the maintenance of the fragile balance of life on earth, the sun has been honored and celebrated in most of the world's religions. While the regeneration of light is constant, the relative length of time between the rising and setting of the sun is affected by the changing of the seasons. Hippocrates postulated centuries ago that these changing patterns of light and dark might cause mood changes (9). Seasonal downward mood changes of late fall and winter have been the subject of many sorrowful turn-of-the-century poems of lost love and empty souls. For some, however, “the relationship between darkness and despair is more than metaphoric (6).
Within the second stanza the clouds in the sky are compared to the “earth’s decaying leaves” (16) and the “Angels of rain and lightning” (18) are a fusion of both a guardian and a killer. The third stanza extends the power and presence of the West Wind allowing it to penetrate the depths of the Atlantic Ocean which causes the “sea-blooms” and “oozy woods” (39) to shed their “sapless foliage of the ocean” and to “despoil themselves.” (40, 42) This compares the sea-leaves to the earthbou...
While Rachel Carson’s “The Obligation to Endure”, Christopher Kemp’s "Medieval Planet", and Jared Diamond’s “The Ends of the World as We Know Them” all cover subjects relating to environmental issues, each author goes about purveying his or her message in a different manner. Kemp’s New Scientist article explains humanity’s environmental effects by imagining a world in which we never existed and hypothesizing how it would look and function with our absence. Carson’s essay depicts a frightening reality about the current state of humanity and the environment. She warns readers about how we are the only species who possess the capability to disrupt and even destroy Earth’s natural patterns. Diamond articulates his work with an unusual spin, using examples of historical civilizations that have snuffed themselves out by their own progress or poor relationship with the environment. The main message conveyed in Diamond's essay is that we are just as capable of choking ourselves out by our own doing today as were the historical civilizations that suffered the same fate. Despite their differing focuses, each article agrees that humans are outgrowing the finite amount of resources that the Earth can provide. A delicate symbiotic relationship between life and the environment has been maintained throughout time. Life on Earth was shaped by the constantly changing climate and surroundings. However, humans have gained the capacity to transcend this relationship. Through our ingenuity and industrialism, we have separated ourselves from natural restrictions. Because of this progress, we have been destroying the natural cycles of Earth’s environment and continue to do so at an alarming rate. Humanity has become Earth’s infection, ravaging the worl...
In the first two lines of the poem the speaker established his or her tone, and justifies why poet 's write in such gloomy manner. The first two lines of the poem asks, "Isn 't the moon dark too, most of the time?" (line 1-2). This question prepares the readers to expect an argument to come from
A consistent imagery in “Notes” that has a political implication is the sun. Universally, the sun represents warmth and the energy that gives life; however in this poem, the sun represents Mao Zedong. According to McDougall, the sun was commonly used to “signify Mao Zedon...
In The Good Earth, by Pearl S. Buck, the symbol of land is so dominant that it permeates and ties together the entire story. O-lan acts as a representation of the land. The novel goes beyond her superficial features which resemble that of the earth. O-lan is described as having a brown hue, a simple, intent disposition, and an abounding inner life. O-lan’s practicality, perseverance, and fertility all embody the giving facets of the land. Just like O-lan, the earth is constantly supporting life and showing its resourceful nature. The pivotal role O-lan and the land play both seem to taper in Wang Lung’s view, and is put aside until they each reach a point of declination. Wang Lung views both O-lan and the land as important entities in his life, however he constantly values his land over his wife.
This portrayal of Earth as a natural force can be read in two ways. On one hand, the Earth can be viewed as a natural source that produces the life of a human. But one cannot ignore the fact that Masters deliberately placed the words your and you in these lines. With these words Masters sets up a dialogue between the reader and the speaker of the poem. This dialogue that Master’s puts forth further contributes to the poem’s intent to capture the value of perspective because the purpose of dialogue is to promote a convers...
The tone in the first 11 stanzas of the poem seems very resigned; the speaker has accepted that the world is moving on without them. They says things like “I don’t reproach the spring for starting up again” and “I don’t resent the view for its vista of a sun-dazzled bay”. By using words like “resent” and “reproach”, the author indirectly implies that the speaker has a reason to dislike beautiful things. The grief that has affected the speaker so much hasn’t affected life itself and they has come to accept that. The author chooses to use phrases like ‘it doesn’t pain me to see” and “I respect their right” which show how the speaker has completely detached themself from the word around them. While everything outside is starting to come back to life, the speaker is anything but lively. “I expect nothing from the depths near the woods.” They don’t expect anything from the world and want the world to do the same thing in return. This detachment proves that the speaker feels resigned about themself and the world around
As students, we should live in the spirit of peace for the good of all human beings and for the care of creation. At this moment in history, we are saddened to see the daily suffering of a great number of people from never-ending wars, starvation, poverty, and disease. We are also concerned about the negative consequences for humanity and for all creation resulting from the degradation of some basic natural resources such as water, air and land, brought about by an economic and technological progress which does not recognize and take into account its limits.
The sunrise has provoked the speaker to speak. The sun is symbolic of an intruder. Although the speaker acts extremely conceded in parts of the poem, perhaps he is actually insecure and fears that another man will steal the heart of his lover. Maybe the sun is symbolic of another man, which may be the reason that the speaker is really upset. It is also a possibility that the speaker realizes that he is getting old and is worried that his "time" is soon going to run out. He seems to worry a lot about "time." In the first stanza, he is saying how love is eternal and should not be measured by apprentices, seasons, hours, days, or months. On a more realistic level, I think that the speaker is trying to make the point that love is a reality, and that you cannot put a time constraint on love.
In his poem, "The Sun Rising," Donne immerses the reader into his transmuted reality with an apostrophe to the "busy old fool, unruly sun" that "through curtains" calls upon him, seizing him from the bliss which "no season knows." This bliss, a passionate love, stimulates him to reinvent reality within the confines of his own mind, a wishful thinking from which he does not readily depart, much like a sleepy child clings to the consequences of a dream.
...wledge that current human activities are destroying the earth. Humans taking responsibility toward sustainability is urgent because much of the injury inflicted on earth is irreversible. Drastic, comprehensive changes in all levels of society have to be made before long because the effects of environmental damage are permanent.
The natural yet chaotic process of destruction is vividly depicted with contrasting images of destruction and purity throughout the poem, beginning with Pan entering the river in a disorderly