The Wilderness of Wilde
Oscar Wilde’s The Picture of Dorian Gray introduced cultural taboo, the means of art and beauty, and the internal pain of man into the literary world of the 19th century. Wilde himself went through these phases of life and wanted to push views of his reality onto his audience. He portrays several characters through the means of moral corruption over aestheticism while pushing his own controversial ideas and the limits of social normality, such as living indefinitely and homosexuality, over the audience of his era.
In Wilde’s era he created literature that corrupted the audiences ideas of purity. In the beginning of the novel, Basil Howland, the artist of a controversial painting, is particularly proud of his new muse
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In the 19th century, the taboo was all about speaking of ridiculously imaginative things such as living indefinitely or homosexuality, “but his story is also a vivid, though carefully considered, exposure of the corruption of a soul, with a very plain moral, pushed home, to the effect that vice and crime make people coarse and ugly” (Pater). Wilde expresses his ideas through this passage particularly because Basil gushes over Dorian and his beauty in the scene before he reveals the painting to Lord Henry. Many researchers suggest Wilde pushes his ideals over an audience who was not ready for these types of notions suggesting that “The Picture of Dorian Gray is not a novel for the optimist” (Aubrey). The novel is composed of several detrimental qualities to the characters. For instance, Lord Henry’s use of psychological games to manipulate Dorian’s thoughts and actions verifies that there is no hope to be had for the outcome of the novel. Oscar Wilde’s purpose of writing the book was to put aside social normality of the time and push the limits of “sanity”. His book does not hold proper etiquette in the sense that it does not provide the reader with the cushion of hope for a better future for the characters. Instead, Wilde reveals …show more content…
To illustrate this, Aubrey suggests that “To remain a spectator of life and at the same time to fulfill every desire of one 's sensual nature is a paradox; it suggests the co-existence of opposite values. It is the art of feeling life without feeling it, the art of touching whilst remaining untouched. Paradoxes such as these lead often to the sphere of mysticism” (Aubrey). The paradox between art and life is portrayed through sensory images throughout the novel, particularly in the beginning when introduced to Basil’s study where he paints Dorian and other subjects. The pampered style of home Basil Howland lives in illustrates the specific way of living of which Basil and his companions are accustomed. Understanding the means of living is important to the moral corruption that takes place through out the novel: “If it was only the other way! If it was I who were to be always young, and the picture that were to grow old" (Wilde 205). The corruption that takes place here is substantiated by Lord Henry’s psychological games he plays with Dorian. While Dorian is still youthful and innocent Henry imposes the idea of remaining with his aesthetic beauty his whole life instead of aging as God intended. Corruption oozes through Henry’s words as they influence Dorian’s young mind and transform him into and egotistical, numb character. Though embracing
Dorian Gray shows how much he gave up to pursue his obsession when he said that his fiancé’s suicide was melodramatic and unnecessary (Wide 88-89). Obsession causes Dorian to indulge all forms of self-pleasure, whether moral or immoral, and to disregard the value of his own soul to preserve his transient beauty. The portrait that Basil Hallward painted acted as a mirror to his soul’s state and grows revolting each time he indulges in immoral acts, which inhibit him from focusing on what is truly important. It was only until the end when he kills himself does his soul reverts back to his inner beauty as shown in his portrait (Wilde 197). Wilde shows us how conformity can push us to obsess something that we don’t truly believe and ignore all other aspects that actually lead to our good lives. Through Dorian Gray, we are taught that we need to stand by our beliefs and not lose ourselves in other people’s beliefs. Wilde teaches the audience that we need to hold onto some core beliefs and elements that we hold near and dear to
Ruddick, Nicholas. "'The Peculiar Quality of My Genius': Degeneration, Decadence, and Dorian Gray in 1890-91." Oscar Wilde: The Man, His Writings, and His World. New York: AMS, 2003. 125-37. Rpt. in Nineteenth-Century Literature Criticism. Ed. Jessica Bomarito and Russel Whitaker. Vol. 164. Detroit: Gale, 2006. Artemis Literary Sources. Web. 27 Apr. 2014.
...This essay discusses enough of The Picture of Dorian Gray to explain how floral imagery impacted the novel’s meaning. The use of floral imagery and symbolism has earned Wilde a place as one of the greatest and most influential writers of all time.
In "The Picture of Dorian Gray" by Oscar Wilde, we see a beautiful young man who makes tremendous efforts to transform the actual world into the idealistic world of art, dreams and sensations. Dorian's quest, however, culminates in his ultimate tragic destruction. Given that Dorian lives a corrupt life, one is likely to focus on the negative aspects of his character. In spite of his significant character flaws, Dorian Gray may still be considered a hero. This essay will examine Dorian's degradation from the innocent world to the vicious, sensation-oriented world. The elements contributing to Dorian’s status of tragic hero will then be discussed.
In many ways, The Picture of Dorian Gray is a retelling of the Faust story. A temptation is placed before Dorian, as with Faust, and he falls for it--offering up his soul to get it. In fact, one of Faust's principal wishes is also to remain young. Faust and Dorian also each seduce a young woman, then lead her to her death, as well as leading the woman's brother (Valentine in Faust and James Vale in Dorian Gray to die in attempting revenge for his sister.
Oscar Wilde`s novel The Picture of Dorian Gray is written primarily out of the aesthetic movement of the Nineteenth Century. Therefore, the text contains a profuse amount of imagery which reflects the concepts of beauty and sensory experiences. By taking the aesthetic approach, Wilde was able to revive the gothic style through grotesque imagery of the portrait and the character whose soul it represents. Wilde is not using gothic elements to shock his audiences; rather he uses the gothic to capture the hideousness of Gray`s corruptness which leaks out of the painting and into the tone of the entire text.
Wilde, Oscar. The Picture of Dorian Gray. Michael Patrick Gillespie, Editor. Norton Critical Edition. New York: W.W. Norton & Company, Inc., 2007.
In this novel, Oscar Wilde displays Dorian’s moral corrosion negatively in order to convince his audience of the detrimental effects of aestheticism. As Dorian descends deeper into the depths of his depravity, the audience loses faith in him. His innocent, childlike and charitable qualities, seen in his philanthropy and petulance when he is first introduced, are lost, and he acts cruelly and selfishly. For example, when his lover, Sibyl Vane, performs on stage and fails to meet Dorian’s expectations, Wilde fashions Dorian’s reaction to be callous and bitter to her so that the reader sympathizes with Sibyl.
In The Picture of Dorian Gray by Oscar Wilde, Dorian Gray slowly becomes more influenced by things and people around him. Eventually, Lord Henry gifts him with a book describing a wealthy man’s pursuit of aesthetically and sensually pleasing items. “The yellow book” has a much stronger effect on Dorian Gray’s perception of beauty than Lord Henry Wotton does. Although it can be argued that Lord Henry introduced Dorian to the idea of aestheticism, the “yellow book” drives Dorian to live a life full of it, and changes his focus. Dorian shows the fact that he is not strongly influenced by Lord Henry through his interactions with Sibyl. Contrary to this, Oscar Wilde illustrates the substantial influence the yellow book has on Dorian by one, the
Although Wilde halts short of stating that Basil and Lord Henry have sexual feelings for Dorian , the language he uses to describe their devotion for Dorian is unmistakably the language of deep, romantic intimacy. “Tell me more about Mr. Dorian Gray. How often do you see him?”. “Every day. I couldn’t be happy if I didn’t see him everyday. He is absolutely necessary to me”. This common motif of homoerotic bonds between men plays a large role in structuring the novel. Basils painting is born from his adoration of Dorians beauty , comparatively Lord Henry is overcome with desire to seduce Dorian. This sense of camaraderie between men fits into Wildes aesthetic values, for it returns him to his past where the philosophy of beauty was not only the basis of society but fundamental to culture. As a homosexual living in an intolerant society, Wilde asserted this philosophy in order to justify his own lifestyle.
In the novel The Picture of Dorian Gray written by Oscar Wilde readers are presented with a vast depiction of the art of immorality in the face of ignorant innocence portrayed by the character Dorian Gray. In the beginning it seems to be a quaint novel on artistry and the paradoxical relationship between two lifelong friends by the name of Basil Hallward and Lord Henry. The plot takes a surprising twist when introduced to the real center of attention, the character of the seemingly innocent Dorian Gray. Upon this introduction Wilde then begins to tell the tale of what a life of secrecy and deception will lead to without the consciousness of a moral threshold and the inescapable burden of Dorians horrid accumulation of sins. The deception begins with a simple shout out to the heavens for the impossible to be granted. This then flourishes into unspeakable acts caused by an Egyptian statue, bringing misfortune to Dorian Gray by giving him exactly what he so desperately desires, thus teaching the world a lesson. Not everything we so strongly desire the world to provide is good for the soul.
Wilde, Oscar, and Michael Patrick. Gillespie. The Picture of Dorian Gray: Authoritative Texts, Backgrounds, Reviews and Reactions, Criticism. New York: W. W. Norton &, 2007. Print.
In Oscar Wilde's novel, The Picture of Dorian Gray, beauty is depicted as the driving force in the lives of the three main characters, Dorian, Basil and Lord Henry. Dorian, the main character, believes in seizing the day. Basil, the artist, admires all that is beautiful in life. Lord Henry, accredited ones physical appearance to the ability of achieving accomplishments in life. Beauty ordains the fate of Dorian, Basil, and Lord Henry. The novel embodies the relationship of beauty and morality. Beauty is not based on how attractive an object is to everyone, but how attractive it is to one.
Set in the late 19th Century, Oscar Wilde wrote his only novel The Picture of Dorian Gray, which is a story about debauchery and corruption of innocence and well known as a "Gothic melodrama." Violent twists and a sneaky plot make this novel a distinct reflection of human pride and corrupt nature.
Wilde, O. (1945). The picture of Dorian Gray. The Electronic Classics Series, The Pennsylvania State University. p. 3/ Retrieved January 3, 2014 from http://www2.hn.psu.edu/faculty/jmanis/oscar-wilde/dorian-gray.pdf