Analysis Of Nipple Jesus By Nick Hornby

555 Words2 Pages

The story “Nipple Jesus” is a work of contemporary British fiction by Nick Hornby. This story presents many important themes such as religion and sexuality, illusion, and intolerance. However, perhaps the most intriguing aspect of the story is the character exploration and development of the narrator, Dave. The story begins with Dave telling the reader a little about himself and his old job as a bouncer at a nightclub. He appears to be your average 40-year-old; he talks about providing for his family, playing with his kids, drinking with his buddies, and watching Fraiser. However, throughout the story, the reader gets a more and more in depth look into the mind of Dave. Dave has a new job: working as a security guard at an art gallery. He is assigned to one exhibit in particular: a piece entitled “Nipple Jesus”. Upon first look, Dave believes it is a painting of Jesus on the cross. He describes it as “…ten feet high, five or six feet wide…” He thinks it is beautiful. However, when he gets a closer look, he realized that the picture is a mosaic-type piece, made up of entirely pictur...

Show More
Related

  • Critique Paper on Texas State University´s Wittliff Collection

    2306 Words  | 5 Pages

    I found the photography piece “From the Road to Tepeyac,” by Alinka Echeverria intriguing. This photography piece was a man kneeling down with a sculpture tied to his back. The woman in the statue had a green flag with multiple stars draped around her. This woman appeared to be the Virgin Mary. Underneath the Virgin Mary was an angel with green, white and red wings. The colors on the flag around the Virgin Mary and the angel’s wings represent Mexico. Also, the stars on the flag present the repetition constructed in this photography piece. There is no physical line for the foreground; however, this piece directs the eye from one point to another by implication. When I first saw this photography piece, I questioned why the statue of the Virgin Mary and an angel were on the man’s back. I realized the Virgin Mary and ...

    Read More

  • paper

    1208 Words  | 3 Pages

    The Merode Altarpiece is a triptych painting that represents the Annunciation of the Virgin Mary. This work displays the main characteristics of the Northern Late Gothic period. There is so much detail in this work of art. Campin utilizes many symbols in this altarpiec. The setting of the painting is in a Flemish middle class house. The Annunciation theme is being depicted in the central panel. A scene of Saint Joseph at work as a carpenter occupies the right-hand panel. The portraits of the donors are depicted in the left hand panel. Campin failed to understand the scientific perspective. To illustrate, there is no focal point in the painting and the table looks tilted. Campin used no aerial perspective. To illustrate, the background is still very crisp when seen from a distance. The most important aspect of the painting is the symbolism. For example, the lilies represent Mary's purity, the candle represents the Holy Spirit, even the mouse traps represent trapping evil. Campin also made use of bright, rich colors. In the central panel, the drapery of the figures are filled with colors of red and white. Campin has also made a good use of illusion of the space by making the town seem to be far away by distance by making them appear blurry. Furthermore, Campin has created figures that are not in proper proportion. To illustrate, the figure’s head is small and the bodies are big and it seems that if they get will hit their head if they get up. They look very unrealistic. Although they are not in proportion, the figures seem to have very sharp edges. The figures also look very stiff and rigid. In Merode Altarpiece, the light is arbitrary and the figures do not cast any...

    Read More

  • A Child Called 'It' by Dave Pezler

    1656 Words  | 4 Pages

    David is the author of this auto-biography. He lived the perfect life up until his mother took up drinking at the age of four. Dave enjoyed school and had a wide imagination. He lived a perfect life and was blessed with perfect parents. Everyday was a new adventure filled with fun. He loved his life and his family.

    Read More

  • Jean Hey’s Annunciation

    2188 Words  | 5 Pages

    ...t would help bring into understandable light the mystery of the Church’s teachings. Finally, achievements in re-creating human emotion would ensure the painting’s, and therefore the Church’s teachings would leave an indelible mark on all of its viewers.

    Read More

  • A Child Called It By Dave Pelzer

    581 Words  | 2 Pages

    When Dave was younger him and his brothers, Ronald and Stan were happy in a normal family with a loving mom and dad, but as years passed things started to change. Dave’s parents became alcoholics. His father never came home and his mother had lost her brightness and love of life, resorting to alcohol to get through the day. She became miserable to live with. Although she became mean to the kids she focused her anger on Dave. At first she would pit his brothers against him or make him do many chores, but soon her meanness turned to hatred towards Dave.

    Read More

  • breaking away

    751 Words  | 2 Pages

    Dave Stoller, the main character, is a young man completely obsessed with cycling and Italy. His fantasies are so well fabricated that he drives his family crazy by behaving and speaking as if he were an Italian cyclist. Dave aspires to be one of the best cyclists yet the best racers are Italian. He feels that in order to be the best, he must be Italian. Dave carries his fantasy one step too far when he pretends to be an Italian exchange student in order to impress an attractive female college student. When he discovers that he actually likes her and confesses his charade, she ends the romance. This single act reveals to the audience that Dave is ashamed and embarrassed to tell Kat that the truth about his background; he obviously did not like who he was – a cutter. Dave felt that in order to win Kat he needed to pretend to be someone who he

    Read More

  • The Man Who Was Almost a Man

    586 Words  | 2 Pages

    ending where he decides to leave his house when everyone is asleep. Dave is also mad how everyone is treating him, and how all he ever gets do is work all the time and has never been given anything in his life. Dave is even mad at his family, especially his mother for ratting him out. He did not want to sell the gun and give the money to Mr. Hawkins as his father instructed him to do. He wanted to keep the gun because he wanted to ow...

    Read More

  • Advertisement: Greek Statue and Perfume

    1461 Words  | 3 Pages

    While flipping through the pages of a fashion magazine, my fingers stop abruptly as my eyes catch an image of a nude man holding a clothed woman. The man has a muscular body and is effortlessly supporting the woman who's body is arched backwards, her arms hang in a swan-like manner. On the ground by her left foot lays a paint palette and her right hand is grasping a paint brush. The room that they are in appears to be a studio with press board floors, brick walls, and old unfinished wooden workbenches draped in cloth. The woman is painting a canvas with the image of the nude man. The foreground consists of the artist and the model, the painting and the easel, a stool, and a table with art supplies spread out on top. In the background, to the right of the canvas, stands a life-size statue of a woman facing the wall. The statue is a generic image of Greek statues from around 400 - 200 BC. In the right bottom corner of the page, a bottle of golden perfume called Tabu is superimposed on the page. The caption written in cursive reads, "Blame it on Tabu".

    Read More

  • Art Analysis

    965 Words  | 2 Pages

    Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.

    Read More

  • Philadelphia Art Museum

    636 Words  | 2 Pages

    As I walked into the first gallery, I saw a wood sculpture that stood in the center of the room. This carving depicted “the crucified Christ, flanked by the Virgin Mary and St. John the Evangelist with Angels holding instruments of the Passion”. It was painted oak and very appealing to the eye. It stood approximately 15 feet in the air. The origin of this sculpture is unknown, but it was found in a Belgium church. This kind of sculpture usually stood at the entrance or at the center of the alter in the church facing the congregation. This image of the suffering Christ relates to the Christian ideas of suffering and Christ’s salvation of all mankind.

    Read More

  • Art History Research Paper

    2690 Words  | 6 Pages

    Imagine pondering into a reconstruction of reality through only the visual sense. Without tasting, smelling, touching, or hearing, it may be hard to find oneself in an alternate universe through a piece of art work, which was the artist’s intended purpose. The eyes serve a much higher purpose than to view an object, the absorptions of electromagnetic waves allows for one to endeavor on a journey and enter a world of no limitation. During the 15th century, specifically the Early Renaissance, Flemish altarpieces swept Europe with their strong attention to details. Works of altarpieces were able to encompass significant details that the audience may typically only pay a cursory glance. The size of altarpieces was its most obvious feat but also its most important. Artists, such as Jan van Eyck, Melchior Broederlam, and Robert Campin, contributed to the vast growth of the Early Renaissance by enhancing visual effects with the use of pious symbols. Jan van Eyck embodied the “rebirth” later labeled as the Renaissance by employing his method of oils at such a level that he was once credited for being the inventor of oil painting. Although van Eyck, Broederlam, and Campin each contributed to the rise of the Early Renaissance, van Eyck’s altarpiece Adoration of the Mystic Lamb epitomized the artworks produced during this time period by vividly incorporating symbols to reconstruct the teachings of Christianity.

    Read More

  • Medieval Art Essay

    1327 Words  | 3 Pages

    Vinci’s painting of the Last Supper. This picture displays Jesus sitting at the table with

    Read More

  • The Betrayal of Christ Depicted in the Italian Paintings by Duccio and Giotto

    945 Words  | 2 Pages

    In the two different depictions of the scene Betrayal of Christ, Duccio and Giotto show their different styles on how they compose their paintings. The first decision into the composure of the painting would be the comparison of the size of surface they chose to paint on. Duccio in comparison to Giotto chooses to work on a wooden panel no wider than a foot, and Giotto went with a plaster surface with a width of ten feet. This detail alone lets the viewer know that Giotto’s artwork is embedded in detail and visual consumption. The size difference is the factor between who see’s it and what they see; the fine details and symbolism of the narrative will be better understood if the viewer can see every detail.

    Read More

  • Comparison Of Perugino And Caravaggio

    1317 Words  | 3 Pages

    painting even though the event represented in the painting took place long before the Roman Empire. The center temple that occupies the background has a vanishing point running through its doorway and if it weren’t for this illusionistic technique, the painting would be very two-dimensional.

    Read More

  • Ekphrasism In The Da Vinci Code

    863 Words  | 2 Pages

    Langdon and Sir Leigh Teabing use their ekphrastic interpretation of the work to convince Sophie that da Vinci was promoting the belief that Mary Magdalene and Jesus were married, thus making her the “Holy Grail” (Brown 243-245). First they convince Sophie that the disciple immediately to the right of Jesus is a woman (Brown 243). However, when studying the painting it is hard to determine this because many of the features have worn away overtime, making it impossible to know what the original image looked like. Teabing the points out “that Jesus and Magdalene are clothed as mirror images of one another” (Brown 244). While the image of Jesus and the disciple next to him are wearing inverted colors, viewers cannot be sure that the disciple is Mary Magdalene or that the use of colors were intentional on da Vinci’s part. A symbol of a chalice and the letter “M” are also discussed. However, as before, it is impossible to know if these were purposely created by da Vinci or happened as a natural part of his painting

    Read More

More about Analysis Of Nipple Jesus By Nick Hornby

Open Document