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The impact of cultural stereotypes
The impact of cultural stereotypes
The impact of cultural stereotypes
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Mr. Sub is a Canadian restaurant, originally called Mr. Submarine before the 1990s has over 300 locations all over Canada as well as internationally as of last year. Their first store was opened in 1968 in Toronto’s 130 Yorkville avenue, which was then known as the ‘hippie’ area. Later in 1972, Mr. Submarine officially became Mr. Sub and then was bought by the MTY Food Group Inc. in 2011 (Mr. Sub). This commercial “Truly Canadian” produced by Mr. Sub TV mobilizes many ideas surrounding Canadian identity. These ideas include using Canadian national identity (nationalism) to sell their products creating many stereotypes of Canada all around the world. In purpose of developing their company, Mr. Sub being a small company compared …show more content…
‘Roots Nationalism’ was a product of the globalizing world economy, of the growing emphasis on branded clothing and lifestyles, and of the particularities of the national crisis in Canada” (Carstairs 2012). This statement clearly argues that the brand ‘Roots’ created Canadian identity and used it as a mechanism to sell their product. Carstairs also mentioned that “over the past two decades, Roots, along with other companies such as Molson (a beer company whose leading brand, Canadian, features a maple leaf) and Tim Hortons (a chain of coffee and doughnut shops created by Canadian hockey great Tim Horton that capitalizes on Canadians’ love of doughnuts and coffee) has created a new type of branded nationalism in Canada” as this can be called stereotypes of Canadian lifestyle and using Canadian symbols to promote and sell products (Carstairs 2012). Furthermore, in 1983, “Roots was declared a good example of how a very human-orientated business can be carried on in the 80’s through integrity, quality and honestly” as this just shows how beneficial it is for people to have Roots merchandise through the manipulation of branding using nationalism (Patricia
2 Robertson Davies, “Canadian Nationalism in Arts and Science”, Transactions of the Royal Society of Canada (Series IV, Volume XlII, 1975), p. 35
Much has been written about the ways in which Canada's state as a nation is, as Peter Harcourt writes, "described" and hence, "imagined" (Harcourt, "The Canadian Nation -- An Unfinished Text", 6) through the cultural products that it produces. Harcourt's terms are justifiably elusive. The familiar concept of "Canadian culture", and hence Canadian cinema, within critical terminology is essentially based on the principle that the ideology of a national identity, supposedly limited by such tangible parameters as lines on a map, emerges from a common geographical and mythological experience among its people. The concept that cultural products produced in Canada will be somehow innately "Canadian" in form and content first presupposes the existence of such things as inherently Canadian qualities that can be observed. Second, it presupposes a certain commonality to all Canadian artists and posits them as vessels through which these said "inherently Canadian qualities" can naturally flow. Third, it also assumes the loosely Lacanian principle that Canadian consumers of culture are predisposed to identify and enjoy the semiotic and mythological systems of their nation, and further connotes that Canadians have fair access to their own cultural products. Since these assumptions are indeed flawed but not altogether false, this paper will deal with the general relationship between the concept of Canada, its cultural texts, and its mythological and critical discourse as an unresolved problematic that should be left "open" in order to maximize the "meaning potential" of films as cultural texts within the context of "national identity," an ideological construct that remains constantly in flux.
One could still see the path of this transition by assessing the path dependency of the oldest corporation in Canada. Hudson’s Bay Company (HBC) was founded in the late 17th century. It was largely a fur trading operation through the idea of monopoly. HBC was founded upon the principles of Mercantilism with the guidance of British ideologies. As Canada transitioned towards an independent and self-sustaining state, companies such as HBC transitioned their company’s ideologies accordingly. This paper will focus on how HBC has fit into a mercantilist framework and how over time it has developed into a so...
Is Canada a nation or has its control just switched empirical hands? As Professor Hutcheson asked, did Canada go from "Colony to Nation or Empire to Empire?" This question has greatly influenced Canada's changing identity since her birth as a British colony with Confederation in 1867 to the present day. The purpose of this essay is to critically analyse the shifting Canadian identities between the years 1890 to 1960. The objective is to illustrate Canada's transforming identity by using the novels The Imperialist by Sara Jeanette Duncan, Barometer Rising by Hugh MacLennan, and Fifth Business by Robertson Davies and to connect the stories of each of these works of fiction to the varying political, economic, and social issues of their times. Each book is written by a prominent author, and portrays an accurate reflection of the demanding political, economic, and social concerns throughout the late nineteen and first half of the twentieth century of Canadian history. All of the novels reflect Canada's peripheral view of the world, as opposed to a central point of view, because throughout its history Canada has always been perceived as a secondary player. As George Grant says in his literary piece Lament for a Nation, Canada is "a branch plant society" , meaning Canada is controlled by another power. The essential question is where has Canada's loyalties traditionally lay and how has this shaped the Canadian identity. The Imperialist by Sara Jeanette Duncan, written in 1904 reflects a very British influenced Canada. At this time, Canada is still a British colony under British rule, and the people of Canada are very content to consider themselves British. The novel predominately ill...
Lister Sinclair’s pamphlet Change Comes to Canada was distributed at the Canadian Government Pavilion during Expo 67. Sinclair looks at the meaning of the name Canada. She analyses common points in people’s daily lives such as the meaning of ‘our home and native land,’ Canadian history, Canadian resources, transportation, climate and culture that tie each Canadian together. She claims that “every Canadian who thinks about Canada has his own idea about the meaning of that dream.” She argues that there is no actual national identity but individual identities that made up our national identity. She challenges the questions related to a national identity. It is interesting that something that questions the national identity would be distributed at Expo 67; but, it provides in...
During the 1950’s, Canada experienced numerous scenarios which sparked its citizens to be proud. These events included the teenage outbreak, a rise in consumerism and the sudden growth in population. The teenagers were a huge deal in the development of Canada. Teenagers wanted to differentiate themselves from adults and the rest of society (Armstrong et al. 134). Teenagers dressed themselves different along with acting different as well. (Armstrong et al. 135). The new products were being created and sold through the process of consumerism. The new technologies helped shape the look of the new Canadian culture (Bain et al. 219).Lastly, the sudden growth in population was the “baby boom”. The baby boom was a period after WW2 in which babies
Tim Horton's is a typical Canadian coffee shop. By observing and interpreting this setting, we can understand Canadian culture as it's expressed in that setting. Understanding this small part of Canadian culture can then be applied, in a broader way, to the culture of Canadian society. A certain language that is special to customers of Tim Horton's serves a purpose that most are not aware of, big business is changing and confusing our traditional culture with a new culture that is run and concerned with money by large corporations. Canadians are generally friendly and polite to one another but are not community oriented, they are more individualistic.
Tolvanen, A. (1992). The rise of Native Self-determination and the crisis of the Canadian Political Regime. Culture, Volume XII (No. 1), 63-77.
By 1974, 16 submarine sandwich stores were opened and run by the two partners throughout Connecticut. They understood that they won’t reach their goal of 32 stores in time. So they began franchising, launching the SUBWAY brand into a period of remarkable growth which continues to ...
Newman, Garfield et al. Canada A Nation Unfolding. Toronto: Mc Graw – Hill Ryerson Limited, 2000.
Canada holds a very unique place around the world with exclusive characteristics, symbols and signs that sets Canada apart from other cultures and countries. In this Mr. Sub advertisement, Canadianness is produced in various ways throughout. Moreover, Mounties, lumberjacks, dog sleds, the color red,
Many people across the globe argue that nationalism within Canada is simply not feasible. It is said that we as a people, differ so greatly with our diverse cultures, religions, and backgrounds that we cannot come together and exist together as a strong, united nation. In his book, Lament for a Nation, George Grant tells the reader that “…as Canadians we attempted a ridiculous task in trying to build a conservative nation in the age of progress, on a continent we share with the most dynamic nation on earth. The current history is against us.” (1965) Originally directed towards the Bomarc Missile Crisis, the book argues that whatever nationalism Canada had was destroyed by globalization as well as the powerful American sphere of influence. Although it is true that the book was initially written as a response to the events that took place in the late 1950s, many of the points are still valid today.
In the last 20 years the penetration of the Canadian market by American cultural industries is still extremely strong. The United States is still the main source of culture products. American products represent 81% of all culture commodity imports. Canadians watch American TV shows, listen to American music, love American sports teams, drive American cars and buy American goods at American stores like Walmart. They eat American food, drink American beer (sometimes).
Finally, if the comparison were ever made a survey, it would really show the full scale of Americanization in Canada. But until now we can only see from the daily life, how American culture is inviting Canada. Today more then ever, Canadians are in real danger of loosing their national identity. It is unfortunate that if the study of this cultural influence will be done few years later, it might be too late to save Canadian culture and identity.
The culture of Canada refers to the shared values, attitudes, standards, and beliefs that are a representative of Canada and Canadians. Throughout Canada's history, its culture has been influenced by American culture because of a shared language, proximity, television and migration between the two countries. Over time, Canadian-American relations have helped develop Canada’s identity during the years 1945-1982; thus introducing changing social norms, media and entertainment. In support of this, due to the United States being approximately 9.25 times larger in population and having the dominant cultural and economic influence, it played a vital role in establishing Canada’s identity. With Canada being its neighbour, naturally, the United States would influence their way of life upon Canada.