Complex Character:
Definition: A character with traits that indicate complexity. Traits that might create unexpected depth. These traits that might contradict and create conflict. It might create unexpected action.
Example: Mary Shelly’s compelling novel, Frankenstein, Victor Frankenstein is a perfect example of a complex character.
Explanation: Victor Frankenstein is considered a complex character because he battle with the moral and immoral of science and societal beliefs. Shelly uses Frankenstein’s personal battle of moral and freedom after creating the monster. Frankenstein, throughout the book, looses his mother, and his wife, and his father while experimenting with science. He recreates life by using old body parts. He is conflicted
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The character of the wicked step mother does not change as the story progresses. She continues to show displacement even at the end of the story. She helps the story progress by forcing to stay home, Cinderella to make her own decision of going to the ball. By doing that, Cinderella gets her happy ending. The step mother shows displacement for Cinderella even at the end of the novel.
Dynamic Character:
Definition: The character posses a certain attitude at the start but changes throughout the story.
Example: Queen Elsa from Disney’s “Frozen” would be a great example.
Explanation: Queen Elsa exemplifies a dynamic character, because she is ashamed of her magical powers and shuns herself from her family; by the end of the move, Elsa became open with her powers. Elsa does not like herself for having magical powers. She is also seen as disowning her sister because of the choice she has made. By the end of the story, Elsa changes her mind and is more receptive to her powers.
Static Character:
Definition: The character does not change traits but help the story progress.
Example: Anna from Disney’s Frozen is an excellent
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The background story.
Example: Shonda Rimes, Emmy award winning show, “How to Get Away With Murder” is a perfect example.
Explanation: Each episode of “How To Get Away With Murder” is built on flashbacks to show how the past events of the show impacted the beginning. Each episode opens using in media res, as the show progresses the show uses flashbacks that shows how the law students became heavily involved in the case concerning a death of a professor. Flashbacks are used to give more insight in the development of the plot. The flashback gives each law students backstory while connecting them to future events that are later seen throughout the show.
In Media Res:
Definition: Starting a story in the middle, and filling in the plot details that predate it late.
Example: Shonda Rime, Emmy award winning show, “How to Get Away With Murder” is a wonderful
...are more complex such as the monster, some such as the old man are put in to make a point, and some such as Elizabeth are created in a way that augments the imperfections of others. Each of the characters in Frankenstein has a role or purpose in the story and is created in a way that adds to the story line and the novel in general. By creating each character and shaping them to a specific likeness, Shelley has creates a complex story and one of English literature's greatest classics.
A story from the murder mystery genre is a narrative about a murder and how the murder is discovered. The following things usually happen, or are present in a murder mystery: investigation, red herrings, tension, detection, solutions, resolution and justice. They have a very gradual introduction in the context of storyline and the characters, it then slowly builds up to the piercing plot, with a conspiratorial twist, when finished, everything is more likely to fall in place or you could even let it go as cliff-hanger.
...ent kind of awareness gained from the reader, makes the reader pay attention to the attitudes of each character, and what each of them could mean to the story.
In many works of literature, authors place morally ambiguous characters in their work to allow the readers to decide on the character’s true morality. In Mary Shelley’s, Frankenstein, Shelley inputs a morally ambiguous character, which takes on an extreme significance to the work, allowing the reader to understand the emotional journey that occurs throughout the novel. The morally ambiguous character in Frankenstein is Victor Frankenstein, which is displayed through the way he treats his creation, his arrogant personality, and his obsession with natural philosophy.
With the stories written these days, it is hard to tell who a complex character is because the stories in itself are so complex. A complex or dynamic character is a character in a story who changes. Some change throughout the course of the story, while other character change continuously. In order to create a complex character, an author must use contradiction. Contradiction between how the character feels and their actions. The character may appear a certain way, but may act opposite. In the novel The Road by Cormac McCarthy, the protagonist is the complex character. Although his name is not known, a reader can determine how he is so complex.
In recent years, there has been a gender shift in crime dramas on television. In the 70s, 80s, and early 90s, the viewer saw the lead characters to be heavily male dominated with a woman thrown in for mostly sex appeal. Nowadays, most crime dramas are either gender balanced or even female dominated. As this shift has occurred, many new issues began to spawn. Having female lead characters in these types of dramas allow younger female viewers to see that females are capable of working in a usually heavily male dominated workplace and hold positions of power and leadership. However, women in these roles seem to be giving an unrealistic image of women in this type of work environment. While crime dramas can provide young female viewers with strong female role models, the unrealistic image portrayed by these female leads often undermines the realities of motherhood and being a woman in the workplace.
Mary Shelley’s Frankenstein, as the name implies, centers on the character of Victor Frankenstein. Over the course of the novel, the point of view switches across a cast of several characters, all of which have interacted with Victor, some more than others. Victor’s pursuit to find the source of life, and the events thereafter, show him making countless questionable decisions, hurting the people close to him, and getting away wit hit all because of the society he lives in. These points unequivocally prove that Victor Frankenstein is a sociopath.
A more recent show that has been able to gain this success is "The Hughley's". It is said to be "probably one of the best things that's happened this year" according to WB Entertainment President Garth Ancier. This show is said to have "wide spread appeal", and it also helps that it follows right after "Home Improvement"(Hall 12). Although following such a well known show helps out with the viewers, the show is getting more and more popular, and will hopefully cause a change in the way networks associate black television with failure.
Authors develop characters’ personalities in order to add depth to their story and allow readers to feel more connected to the characters. Beyond this, characterization also allows authors to develop the themes of their stories in a more clear manner. A prime example of this would be in the poem Judith, where the author contrasts Judith and Holofernes’ personalities in order to develop the major themes of heroism and having faith in God.
Whether it’s through its overly upbeat and positive conflict resolving themes or inclusivity of customary morals and values, each show has seen its fair share of critique in terms of it’s realism to society.
Frankenstein by Mary Shelly is an old classic that has been enjoyed by many generations. Despite the fact that the novel was written over a hundred years ago, it is not only beautifully written but also enthralling and well composed. At the young age of eighteen, Mary Shelly raises questions about education and knowledge to which are answered through the well written characters in the novel. The Monster, who is a creation of another character, is highlighted as an individual who goes through an intellectual change.
In Frankenstein, Mary Shelley highlights on the experiences her characters undergo through the internal war of passion and responsibility. Victor Frankenstein lets his eagerness of knowledge and creating life get so out of hand that he fails to realize what the outcome of such a creature would affect humankind. Mary Shelley’s novel, Frankenstein, highlights on how Frankenstein’s passion of knowledge is what ultimately causes the decline of his health and the death of him and his loved ones.
Virtually all literature contain instinctive trends in the human consciousness to represent certain themes or motifs, these are defined as archetypes. Archetypes can be thought as blueprints or as bundles of psychic energy that influence the manner in which we understand and react to life. There are two different categories of archetypes, the plot archetype and the character archetype. The orphan, martyr, wanderer, warrior, magician, villain, wise child, temptress, rebel, underdog, fool, saint, virgin, wise, old man or woman are all considered to be character archetypes. Call to adventure, isolation, quest and monster that turns against its creator are all considered to be plot archetypes. The novel, Mary Shelley’s Frankenstein, contains archetypes.
Mary Shelley's Frankenstein explores the downfall of certain human characteristics, set to the backdrop of creation, destruction, and preservation. The subtitle denoted by Shelly herself supports this idea, by relating the fact that the title can be viewed as either Frankenstein or The Modern Prometheus. One scholar, Marilyn Butler, also maintains this by noting, "It can be a late version of the Faust Myth"(302). Shelly uses the story of the main character, Victor Frankenstein, to produce the concept of a dooming human characteristic of which Frankenstein states, "I have . . . been blasted in these hopes"(Shelley, 152). The reader finds, as a result of his thirst for knowledge and infatuation with science, Victor creates a living being by whom he has "suffered great and unparalleled misfortunes"(Shelley, 17). Eventually, Victor realizes this self-destructive trait, but he is not able to save himself stating, "I have lost everything, and cannot begin life anew"(Shelley, 16). Although everything in his life that is dear has been lost, Victor is able to convince one in his same position--Robert Walton--to not "lead [his crew] unwillingly to danger"(Shelley, 151). While addressing the concept of characteristic and self-discovery, it is possible to realize that the monster also possesses the characteristics held by both Victor and Walton; except in his learning, the monster is driven to continue to cause destruction. Most important about the thirst for knowledge is that, as a form of human characteristic or downfall, it leads to large, critical pieces of self-discovery. In obtaining these critical pieces, Frankenstein finds satisfaction in j...
The novel “Frankenstein” by Mary Shelley involves the complex issues with the creation of life through an inanimate life. Shelley uses these character archetypes to develop a deeper meaning of the characters intentions. Shelley does an excellent job at allowing the reader to have a peak at the characters inner thoughts and feelings. The archetypes presented in Frankenstein allow readers to identify with the character's role and purpose.