Malgudi is, and will always be a land of imagination, in which sustains, its own set of problems and dynamics. The set of recurring characters is a reassuring and comforting thought. While embarking on a new Narayan novel, the readers get a feeling of familiarity with the place and the people.Right from his first chapter in ‘Swami And Friends’ to the last chapter he wrote in ‘Grandmother’s Tale’, he strives to show a world of conflict that is Malgudi. This is where, the beauty of his writing lies. Narayan managed to retain an average reader’s interest in Malgudi over a period of six decades.
Malgudi was created and written about, by R.K. Narayan, keeping in mind his hometown of Mysore. Seen as place which is more or less stagnated, the same set of characters and places help the reader get a continuous reading experience. Moreover it has helped in creating a unique identity to this place.
Saying that Malgudi remains the same over the course of Narayan’s career as a writer, would be unfair. For one could see signs of development in the latter books;which could have been inspired by p...
Hurd, Mary. “Siddhartha.” Cyclopedia of Literary Places (2003): 1. Library Reference Center. Web. 14 Jan. 2014
Hesse, Hermann. Siddhartha. Ed. George Stade. Trans. Rika Lesser. 1922. N.p.: Fine Creative Media, 2007. Print.
When Sripathi and his family receive the news of Maya’s and her husband’s fatal road accident, they experience a dramatic up heaval. For Sripathi, this event functioned as the distressed that inaugurated his cultural and personal process of transformation and was played out on different levels. First, his daughter’s death required him to travel to Canada to arrange for his granddaughter’s reverse journey to India, a move that marked her as doubly diasporic sensibility. Sripathi called his “foreign trip” to Vancouver turned out to be an experience of deep psychic and cultural dislocation, for it completely “unmoors him from the earth after fifty-seven years of being tied to it” (140). Sripathi’s own emerging diasporic sensibility condition. Not only must he faced his own fear of a world that is no longer knowable to him, but, more importantly, he must face his granddaughter. Nandana has been literally silenced by the pain of her parent’s death, and her relocation from Canada to Tamil Nadu initially irritated her psychological condition. To Sripathi, however, Nandana’s presence actsed as a constant reminder of his regret of not having “known his daughter’s inner life” (147) as well as her life in Canada. He now recognizeed that in the past he denied his daughter his love in order to support his
Zanele muholi is a visual photographer and an activist of Black lesbian community. Using photography she addresses the challenges being faced by black lesbian, gay, bisexual, transgender and intersex people in both townships and communities. These people are vulnerable and they cannot speak for themselves but, through the pictures they are able to raise their concerns. Most of Zanele pictures are in black and white because according to her, one is able to concentrate in the message than the colour. This essay will therefore, discuss the significance of Zanele’s choice of photographic portraits as a medium to raise the concerns of LGBI community by using some of her images.
Against the backdrop of a brand-new liberalized world, Kapur sketches out Shagun’s boredom, Raman’s hurt and the confusion of their children, Roohi and Arjun, who are batted back and forth between parents and across chapters. The two new partners in the equation, boss man Ashok and divorcee Ishita, struggle to woo their step kids while supporting
The novel Siddhartha by Hermann Hesse is a timeless story about one man’s journey of finding peace in his way of life and thoughts. Siddharta is a young Brahmin’s son, who is dissatisfied with his worship and in turn sets out to find the lifestyle that is right for him. Siddhartha is faced with many external, physical conflicts, yet that is not the most prominent type of conflict in the story. Hesse builds excitement and suspense through Siddhartha’s internal journey to create an emotional response usually associated with external conflict.
Different angles and difficulties of movement and osmosis are investigated in The Namesake. Throughout the novel, Ashima (the mother) and Ashoke (the father) attempt to make their kids Bengali while the brother and the sister, Gogol and Sonia, demand that they are Americans. The conflicts must do with everything from giving the youngsters their names, to regardless of whether they ought to make intermittent visits to India.
...t the novel imparts a systematic, methodical tone to Siddhartha, and together with the consciously created form unifies the experiences of Siddhartha, permitting a feeling of closure and meditation on the thoughts and ideas presented therein. There is certainly a unique rhythm to Siddhartha which is skillfully communicated both consciously and subconsciously. One can appreciate the conscious craftmanship" of the novel's structure and style, while at the same time allowing the rhythm, feelings, and experiences to sift into one's mind on a deeper, more subconscious level.
Recent years have witnessed a large number of Indian English fiction writers who have stunned the literary world with their works. The topics dealt with are contemporary and populist and the English is functional, communicative and unpretentious. Novels have always served as a guide, a beacon in a conflicting, chaotic world and continue to do so. A careful study of Indian English fiction writers show that there are two kinds of writers who contribute to the genre of novels: The first group of writers include those who are global Indians, the diasporic writers, who are Indians by birth but have lived abroad, so they see Indian problems and reality objectively. The second group of writers are those born and brought up in India, exposed to the attitudes, morale and values of the society. Hence their works focus on the various social problems of India like the plight of women, unemployment, poverty, class discrimination, social dogmas, rigid religious norms, inter caste marriages, breakdown of relationships etc.
Mehta, Kamal. “Naipaul as a Short Story Writer”. V. S. Naipaul: Critical Essays Vol. 3. Edited by Ray, Mohit Kumar. New Delhi: Atlantic Publishers, 2005. Print.
Rohinton Mistry’s “Such A Long Journey” is the story of turbulent life of Gustad Noble and his family, who lives in Khodadad Building north of Bombay. The story portrays the series of events such as his son Sohrab’s refusal to attend Indian Institution of Technology, hardships faced by his friends and family, political turmoil and chaos caused by the war between India and Pakistan. Gustad transforms from a stubborn, materialistic and awful person to an open-minded and more adaptive to circumstantial changes in his life. Ultimately, Gustad Noble journeys to a greater understanding of his role as a father, friend and citizen of India.
The Guide, a novel by R.K. Narayan is rooted in everyday, down-to-earth characters in which he believes depicts the Indian way of life. This Bildungsroman novel is told in chronological manner with two stories in one plot. It reflects upon Raju’s life since he was a little boy to the present day. Set in Narayan’s fictional town, Malgudi, Raju tells the story of his past in the first person narration while his experience as a swami is told in the third person narration.
In all the stories and authors featured in "Global Tales", R.K. Narayan is the most respected and well-known author. From the short description of him at the end of the book, he created a space for himself called "Malgudi" and developed his own characters, like a puppet master making his own puppets from cloth and giving them life when he does the show. His stories are universal, probably because the themes and characters of the stories are easy to identify with. He should be ninety-seven this year (year 2000). From what I know, his other books include " Malgudi Days", where " An Astrologer’s Day" is taken from.
David Pryce Jones calls Naipaul a novelist with an over-hanging sense of loss. According to Jones, diminishing is a favorite word of his, narrow is another[1]. Naipaul’s concerns are fantasy and myth, homelessness and quest. He frequently uses worlds like dereliction, violation, loss, illusion, fraud, corruption, degradation and idle. Despite these overwhelming concerns and repetitions, each of Naipaul’s novels has a different texture and shape. The loosely connected stories of Miguel Street, the mock-history of Ganesh in the Mystic Masseur, the satiric political drama in The Suffrage Of Elvira, the brooding and expansive A House For Mr. Bishwas, the bitter sweet memoir of Ralph Singh in The Mimic Men, and the violent world of Guerillas and A Bend in the River are manifestations of different dimensions of the modern dilemmas that confront the global village that the world is coming to be. Overall a critical consensus has emerged that Nai...
Dalit literature represents an influential, rising trend in the Indian literary scene. Dalit writing is a post-independence literary phenomenon. The emergence of Dalit literature has a great historical significance. It has served the purpose of awakening the consciousness of the downtrodden for forging their identities. The recent surge in Dalit literature in India is an attempt to being to the forefront the experiences of discrimination, violence and poverty of the Dalits. The emergence of low-caste literature has taken place alongside a broader growth of consciousness and activism, particularly in urban India. As an individual a dalit cannot forget his past. The humiliation tries to remember his past.