Shifting Representations of Women in 80's Hip-Hop Music

In the lyrics of male R&B/Hip-Hop artists in the early 1980’s, there is a noticeable shift in the language used to portray women and then themselves. The language shift is in choosing words that are filled with love and emotion to overbearing words that aim to separate men and women by social status. During the 1980’s, many of the popular songs by male hip-hop artist tend to focus on the relationship aspect of male and female interactions. This observation is similar to Frith’s (1986) finding, where most successful pop songs centers around being “happy in love”, “frustrated in love” as well as having sex interests. The “happy in love” factor that Frith notices in pop songs is seen in early R&B/Hip-Hop music. Instead of using derogatory terms

Today many of the songs by male hip-hop artists use derogatory terms to objectify women by placing themselves in a hierarchal and controlling positions. In the song “Broccoli”, D.R.A.M. labels women as “lil mama”, “bitch”, and “baby mama”. “Lil mama” is mostly used by young men who are trying to get a young woman’s attention. On the other hand, the negative connotation that has been placed on the label, “baby mama”, is used to categorize women who happen to be the mother of a man’s child and nothing more.The label, “Baby mama”, is used in several modern R&B/Hip-Hop songs to refer to women who happen to be the mother of a man’s child and nothing more. A woman is then stripped away from potentially being seen as anything more than a mother. After having the child, a woman‘s individuality, character custom values is soon neglected by society. As a result, she is only commonly seen as the “baby mama” of a man, which further reinforces the stereotype of a woman’s societal role. ”, is used to categorize women who happen to be the mother of a man’s child and nothing more. “Bitch” is one of the many over-used derogatory terms that have been defined by Adam and Fuller (2006) as “a woman who thinks of no one but herself and is willing to do anything to obtain material

In other words, through music, men are retaining the line that separates them from women by fortifying male supremacy. The inferior roles that were given to women have been internalized by adolescents, which studies have found to be affecting their interaction styles as well as their beliefs of gender limitations. According to the study conducted by Ter Bogt et al. (2010), women were more inclined to listen to R&B/Hip-Hop music which reinforces the idea that female adolescents are more often exposed to the normalized stereotypical gender roles in music lyrics. Although many of the modern R&B/Hip-Hop music by male artist stigmatize women, there were some that actually put forth the effort to uplift them. Wale, a well-known Nigerian-American rapper, used his lyrical creativity in “PYT” to change the standard course of hip-hop music. In the lines, “I just wanna see you shine/ nothing makes a man feel better than a woman/ Queen with the crown…” Wale talks about a woman who he labels as a Queen with her own spotlight. In this particular line, Wale goes against the norm of male-dominance and male-hierarchy as a step towards building gender equality. Within in R&B/Hip-Hop community, there seems to be an ongoing lyrical battle between actions towards retaining the norms and actions towards