In this brief poem by Martin Espada titled “Latin Night at the Pawnshop,” sacrifice is a harsh reality met by many people who come to America searching for the ultimate American dream. This unpleasant portrait of America represents the tension between societies that unify a mixture of cultures versus a society that requires people to renounce part of their cultural characteristics to assimilate into their new community. The complete set of instruments of a salsa band is for sale in a pawnshop window. Therefore, the discarded items describe the unfortunate failure of a salsa band. Why did the salsa band fail? Did the musicians simply lose interest with the hobby? Was it that the public didn’t accept and support salsa bands in the area? Was it merely the fact that the treasured cultural tradition of salsa music was gradually dwindling? The poem doesn't give a specific resolution, however, it leaves the reader with a gloomy feeling that indicates the death, sorrow, and loss of something extremely precious: objects in a pawnshop hanging motionless like tickets on a corpse.
The po...
Gloria Anzaldúa writes of a Utopic frame of mind, the borderlands created in and lived in by the new mestiza. She describes the preexisting natures of the Anglos, Mexicanos, and Chicanos as seen around the southwest U.S. / Mexican border, indicative of the nations at large. She also probes the borders of language, sexuality, psychology and spirituality. Anzaldúa presents this information in various identifiable ways including the autobiography, historical/informative essay, and poetry. What is unique to Anzaldúa is her ability to weave a ‘perfect’ kind of compromised state of mind that melds together the preexisting cultures while simultaneously formulating a fusion of genres that stretches previously constructed borders, proving both problematic and a step in the right extremely ideal direction.
In essence, the corrido genre is legendary for its hard-bitten lyrics of drug traffickers plus gunfights, and moreover functions as a genus of musical tabloid, singing of regime dishonesty, the lives of émigrés in the United States, in addition to the scuffles of the Zapatista insurgency in Chiapas. Although principally anonymous to English speakers, narco corridos top the leading Latin charts and govern radio playlists equally in the United States as well as points south. Examining diverse recent studies, the authors present in-depth examinations at the songwriters who have changed groups like the trendy Tigres del Norte into permanent celebrities, as well as the upcoming artists who are hauling the narco corrido into the 21st. In proving for the poetry as well as social demonstration at the back the ornate lyrics of in...
In his essay "Selena’s Good Buy: Texas Mexicans, History, and Selena Meet Transnational Capitalism,” Coronado (2001) argues that Selena embodies displaced desires that need to be situated in their historical content. By looking at how Texans and marketers reacted to Selena’s death, Coronado was able to show us how Selena’s death can be looked at form a psychoanalytic lens. The working class’ obsession with Selena can be seen as a fetish of sorts. A fetish is caused by trauma and can be applied socially to a irritable social construct. In other words, Selena could be a social fetish; the Latinx working class abruptly lost someone who was representing them in mainstream media, leading to the trauma. In this theory, Selena is no longer seen as a person who contributed hugely to the rise of colored people in mainstream media, but as
In this short story Sandra uncover the tension between Mexican heritage and demands of the American culture. Cleofilas life consisted of never ending chorus, no good brothers, and a complaining father. She is so excited when the day come for her to become married so she can move away from her town where she grew up, were there isn’t much to do except accompany the aunts and godmothers to the house of one or the other to play cards. She was excited to be far away, all she could think about was to have a lovely house and to wear outfits like the women on the tele. Her picture of the ideal Mexican wife soon became a nightmare when she finally arrived to Texas, where she
...cept of model Mexican Americans being traded, bartered, bought and sold for a price, as depicted in the play, is an accurate portrayal of what has taken place in Mexican American history. Mexican Americans have been accustomed to such inhumane acts and they continue to be looked upon as "Mexican" though their rights as citizens just as valid as the rights of any immigrant to this country. "Los Vendidos," or the sell-outs, had to familiarize themselves with the notion of selling short their heritage in order to establish a new heritage in this new land.
Another way in which this play explores the social and political history of the Mexican-American is through the analysis of the set. For instance, in the window "Honest Sanchos Used Mexicans" indicates that the stereotypical Mexicans "sold" in the store are accurate representations of all Mexicans.
The Statue of Liberty is an American icon because it symbolizes freedom, success, and the power of this nation. This image is what the U.S stands for to the outside world. Foreigners strive to move to America because of its wealth and acceptance towards all races and ethnicity. “How the Garcia Girls Lost Their Accents” recounts the story of how Carlos Garcia, Laura Garcia, and their four girls move from the Dominican Republic to the United States to escape a dictatorship, and establish a new life in flourishing New York City. Many unexpected culture shocks await them in their new country. Although the girls find it difficult to adapt at first, they soon begin to assimilate and Americanize. On the other hand, “The Struggle to Be an All-American Girl” by Elizabeth Wong illustrates the life of an Asian American having to embrace two entirely different cultural identities. Both the Garcia family and Elizabeth Wong's family have to deal with two opposing cultures without losing too much of their heritage. The book and the essay are similar in that characters in each story lose much of their original tradition. However, they are different in that the families move to the states for distinctive reasons, and the cultural preference of “The Struggle to Be an All-American Girl” is more evident than that of “How the Garcia Girls Lost Their Accents”.
In this sense, the film tests the resiliency of good human nature. The modern world is becoming increasingly set in its extremes, as the lifestyle of the poor vastly contrasts that of the wealthy. The implementation of NAFTA reflects this movement toward separation, despite the fact that it was intended to boost trade between regions and create more prosperity on both sides of the United States-Mexico border. The Mexican elites saw it as their salvation. Others saw it as “ a death sentence.” The Chiapas region itself exemplifies this gap, as well. The region was split between the relatively prosperous west, which was fertile and characterized by commercial development, and the poor, subsistence-oriented east. It was not by accident that the Zapatista movement began in Chiapas as the struggle between ranchers, landowners, and subsistence farmers was intensified by NAFTA.
The struggle to find a place inside an un-welcoming America has forced the Latino to recreate one. The Latino feels out of place, torn from the womb inside of America's reality because she would rather use it than know it (Paz 226-227). In response, the Mexican women planted the seeds of home inside the corral*. These tended and potted plants became her burrow of solace and place of acceptance. In the comfort of the suns slices and underneath the orange scents, the women were free. Still the questions pounded in the rhythm of street side whispers. The outside stare thundered in pulses, you are different it said. Instead of listening she tried to instill within her children the pride of language, song, and culture. Her roots weave soul into the stubborn soil and strength grew with each blossom of the fig tree (Goldsmith).
Have you ever disobeyed your families culture? Or ever wanted to forget about something in your past culture? It’s not always easy, to follow traditions, sometimes you want to create or change your lifestyle.In the poem ‘’El Olvido’’ by Judith Ortiz Cofer and ‘’Life In The Age Of The Mimis’’ by Domingo Martinez. The authors of these texts indicate the idea that trying to hide your cultures identity is defiance against your heritage.
In the short story “Ashes for the Wind”, written by Hernando Tellez, he applies the use of symbolism and theme to elevate his writing to a greater degree. Through various symbols providing profound overtones concealed throughout the story, Tellez’s continuous references to these symbols help to establish and reinforce the theme; the theme depicted in the story is corruption and reveals that the government will not tolerate those who have conflicting political views. One of the most prominent symbols that underlines the theme is the oil dripping from the black drum in Don Rómulo Linares’ store, which illustrates the continuation of life. When Juan Martinez is denied from purchasing oil, he is denied of his life; the oil is in clear sight across
Norma Elia Cantu’s novel “Canícula: Imágenes de una Niñez Fronteriza” (“Canícula: Snapshots of a Girlhood en la Frontera”), which chronicles of the forthcoming of age of a chicana on the U.S.- Mexico border in the town of Laredo and Nuevo Laredo in the 1940s-60s. Norma Elia Cantú brings together narrative and the images from the family album to tell the story of her family. It blends authentic snapshots with recreated memoirs from 1880 to 1950 in the town between Monterrey, Mexico, and San Antonio, Texas. Narratives present ethnographic information concerning the nationally distributed mass media in the border region. Also they study controversial discourse that challenges the manner in which the border and its populations have been portrayed in the U.S. and Mexico. The canícula in the title symbolizes “The dog days of 1993,” an intense part of summer when the cotton is harvested in South Texas. The canícula also represents summer and fall; also important seasons and concepts of that bridge between child and adulthood. She describes imaginative autobioethnography life growing up on ...
In a story of identity and empowerment, Juan Felipe Herrera’s poem “Borderbus” revolves around two Honduran women grappling with their fate regarding a detention center in the United States after crawling up the spine of Mexico from Honduras. While one grapples with their survival, fixated on the notion that their identities are the ultimate determinant for their future, the other remains fixated on maintaining their humanity by insisting instead of coming from nothingness they are everything. Herrera’s poem consists entirely of the dialogue between the two women, utilizing diction and imagery to emphasize one’s sense of isolation and empowerment in the face of adversity and what it takes to survive in America.
The poem “Exile” by Julia Alvarez dramatizes the conflicts of a young girl’s family’s escape from an oppressive dictatorship in the Dominican Republic to the freedom of the United States. The setting of this poem starts in the city of Trujillo in the Dominican Republic, which was renamed for the brutal dictator Rafael Trujillo; however, it eventually changes to New York when the family succeeds to escape. The speaker is a young girl who is unsophisticated to the world; therefore, she does not know what is happening to her family, even though she surmises that something is wrong. The author uses an extended metaphor throughout the poem to compare “swimming” and escaping the Dominican Republic. Through the line “A hurried bag, allowing one toy a piece,” (13) it feels as if the family were exiled or forced to leave its country. The title of the poem “Exile,” informs the reader that there was no choice for the family but to leave the Dominican Republic, but certain words and phrases reiterate the title. In this poem, the speaker expresser her feeling about fleeing her home and how isolated she feels in the United States.
Pablo Neruda is from Chile and gives a voice to Latin America in his poetry (Bleiker 1129). “The United Fruit Co.,” the poem by Pablo Neruda that will be analyzed in this essay, is enriched with symbolism, metaphors, and allusions. These allusions have great emphasis to the Christian religion, but some allusions are used to evoke negative emotions towards the United States (Fernandez 1; Hawkins 42). Personification and imagery along with onomatopoeia and metonymy are also found in “The United Fruit Co.” Neruda’s use of these literary devices makes his messages of imperialism, Marxism, and consumerism understandable (Fernandez 4). In this essay each of these literary devices with its proper meaning will be further analyzed in the hope of achieving a more complex understanding of Neruda’s message.