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Shaping personal and cultural identity
Shaping personal and cultural identity
How culture influences development of self identity
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Judy Fong-Bates’ “The Gold Mountain Coat” discusses the childhood of the narrator who is a Chinese immigrant living in Canada. The narrator, even at a young age, possesses such admirable keen observation as she is able to notice the environment and even the situation of people around her. Living in a small town that is “typical of many small towns in Ontario” with only one Chinese family neighbor, the narrator is the only Chinese child. With the nearing day of arrival of John’s family, the narrator feels uneasy of her new responsibilities. Even with the familiarity of the two Chinese families with each other, the narrator is always “struck speechless” and feels “diminished and insignificant” in the presence of Sam Sing. When the brothers came
The Latehomecommer by Kao Kalia Yang is a beautifully crafted memoir. Yang’s distinct prose style is captivating combined with her powerful narrative about the Hmong immigrant experience in America creates an unforgettable and insightful piece. She masterfully captures not only her story as an immigrant, but that of her whole family and to some extent the entire culture. Yang’s use of voice, particularly her use of a distinctly different more child-like voice when depicting her younger self, is a large contributing factor to what makes this memoir so unique and engaging. In The Latehomecomer, Yang captures the voice of herself as a child in a way that is so effective that it inspired me to go back through my memoir and attempt to do the same.
Within these four years, Yu has worked typically by enforcing his critical writing style within the cultural and linguistic traditions of both Australia and China. He explores and questions the relationship between the two as a new generation of post-colonial writing and how this influences his distressing experiences on life and work. The former events between Australia and China provide a heavy leverage towards the poet’s fault-finding attitude. Australian-Chinese are known to be the single largest minority with significant immigration during the End of the White Australian Policy by 1965 and the Victorian Gold Rush in the mid-19 century. The Chinese were independently hard workers, sending money back to their motherland. Yet these ‘differences' between the two including language barriers, religion/beliefs and lifestyle choices lead to obvious xenophobia. Even though the poem itself is written years after and being a well-established ethnic group, these influences of casual racism and unjust have accumulated the poets bleak and homesick
Thru-out the centuries, regardless of race or age, there has been dilemmas that identify a family’s thru union. In “Hangzhou” (1925), author Lang Samantha Chang illustrates the story of a Japanese family whose mother is trapped in her believes. While Alice Walker in her story of “Everyday Use” (1944) presents the readers with an African American family whose dilemma is mainly rotating around Dee’s ego, the narrator’s daughter. Although differing ethnicity, both families commonly share the attachment of a legacy, a tradition and the adaptation to a new generation. In desperation of surviving as a united family there are changes that they must submit to.
A Pair of Tickets”, by Amy Tan, is a brief narrative about the conscience and reminiscence of a young Chinese American woman, Jing-Mei, who is on a trip to China to meet her two half-sisters for the first time in her life. Amy Tan is an author who uses the theme of Chinese-American life, converging primarily on mother-daughter relationships, where the mother is an emigrant from China and the daughter is fully Americanized --yellow on the surface and white underneath. In this story, the mother tries to communicate rich Chinese history and legacy to her daughter, but she is completely ignorant of their heritage. At the opening of the story "A Pair of Tickets" Jandale Woo and her father are on a train, the are destined for China. Their first stop will be Guangzhou, China where father will reunite with his long lost aunt. After visiting with her for a day they plan to take a plane to Shanghai, China where Jandale meets her two half-sisters for the first time. It is both a joyful time and yet a time of contrition, Jandale has come to China to find her Chinese roots that her mother told ...
He, Qiang Shan. "Chinese-American Literature." New Immigrant Literatures in the United States: A Sourcebook to Our Multicultural Literary Heritage. Ed. Alpana Sharma Knippling. WEstport, Connecticut: Greenwood Press, 1996. 44-65.
Gish Jen’s “Who’s Irish” tells the story of a sixty-eight-year-old Chinese immigrant and her struggle to accept other cultures different from her own. The protagonist has been living in the United States for a while but she is still critical of other cultures and ethnicities, such as her son-in-law’s Irish family and the American values in which her daughter insists on applying while raising the protagonist’s granddaughter. The main character finds it very hard to accept the American way of disciplining and decides to implement her own measures when babysitting her granddaughter Sophie. When the main character’s daughter finds out that she has been spanking Sophie she asks her mother to move out of the house and breaks any further contact between them by not taking Sophie to visit her grandmother in her new place. The central idea of the story is that being an outsider depends on one’s perspective and that perspective determines how one’s life will be.
Amy Tan’s ,“Mother Tongue” and Maxine Kingston’s essay, “No Name Woman” represent a balance in cultures when obtaining an identity in American culture. As first generation Chinese-Americans both Tan and Kingston faced many obstacles. Obstacles in language and appearance while balancing two cultures. Overcoming these obstacles that were faced and preserving heritage both women gained an identity as a successful American.
As the daughter mature, they begin to feel that their identities are incomplete and become interested in their Chinese heritage. One of Jing-mei’s greatest fears about her trip to China is not that others will recognize her as American, but that she herself will fail to recognize any Chinese elements within herself. Waverly speaks wishfully about blending in too well in China now that it’s in fashion, Waverly likes to think that being Chinese is part of her identity, and doesn’t appreciate it when her mom points out how American Waverly.
... a border be it physical or psychological. Examining both novels as well as doing secondary research into the Canadian border, will also help in understanding Canadian identity. A deep analysis of the two novels will also overcome the constellations of the symbolic imagery that is narration which will dramatize semantics of belonging, loss, and absence that is within the definite of the historically bound and personal context of Canadian experience.
Madeleine Thien’s “Simple Recipes” is a story of an immigrant family and their struggles to assimilate to a new culture. The story follows a father and daughter who prepare Malaysian food, with Malaysian customs in their Canadian home. While the father and daughter work at home, the mother and son do otherwise outside the home, assimilating themselves into Canadian culture. The story culminates in a violent beating to the son by his father with a bamboo stick, an Asian tool. The violent episode served as an attempt by the father to beat the culture back into him: “The bamboo drops silently. It rips the skin on my brothers back” (333) Violence plays a key role in the family dynamic and effects each and every character presented in the story
In analyzing these two stories, it is first notable to mention how differing their experiences truly are. Sammy is a late adolescent store clerk who, in his first job, is discontent with the normal workings of society and the bureaucratic nature of the store at which he works. He feels oppressed by the very fabric and nature of aging, out-of date rules, and, at the end of this story, climaxes with exposing his true feelings and quits his jobs in a display of nonconformity and rebellion. Jing-Mei, on the other hand, is a younger Asian American whose life and every waking moment is guided by the pressures of her mother, whose idealistic word-view aids in trying to mold her into something decent by both the double standards Asian society and their newly acquired American culture. In contrasting these two perspectives, we see that while ...
Oftentimes the children of immigrants to the United States lose the sense of cultural background in which their parents had tried so desperately to instill within them. According to Walter Shear, “It is an unseen terror that runs through both the distinct social spectrum experienced by the mothers in China and the lack of such social definition in the daughters’ lives.” This “unseen terror” is portrayed in Amy Tan’s The Joy Luck Club as four Chinese women and their American-born daughters struggle to understand one another’s culture and values. The second-generation women in The Joy Luck Club prove to lose their sense of Chinese values, becoming Americanized.
Immigrants' lives become very difficult when they move to a new country. They are often discriminated against due to their race and/ or nationality. This problem occurs many times throughout Dragonwings, a book by Laurence Yep. In his book, the Chinese characters who immigrate to America face many challenges in their new lives. They are thought of as inferior, have to endure many hardships, and become lonely due to the fact that they must leave the majority of their families in China. In this book, the immigrants face multiple difficulties and challenges in the new world they know as the Land of the Golden Mountain.
The family's personal encounters with the destructive nature of the traditional family have forced them to think in modern ways so they will not follow the same destructive path that they've seen so many before they get lost. In this new age struggle for happiness within the Kao family, a cultural barrier is constructed between the modern youth and the traditional adults, with Chueh-hsin teeter tottering on the edge, lost between them both. While the traditional family seems to be cracking and falling apart much like an iceberg in warm ocean waters, the bond between Chueh-min, Chueh-hui, Chin and their friends becomes as strong as the ocean itself. While traditional Confucianism plays a large role in the problems faced by the Kao family, it is the combination of both Confucianism and modernization that brings the family to its knees. Chueh-hsin is a huge factor in the novel for many reasons.
“Paper Menagerie,” by Ken Liu, is an emotional story of a selfish son and his interactions with his out-of-place mother, who had immigrated from Asia to be his father’s wife. Jack is a half-Chinese, half-American boy who lives in Connecticut. In the beginning of the story, he is very attached to his mother, but certain incidents with other kids make him want to be as distant as possible from his Chinese mom. He demands that his mom converts to being a “normal” white American mom and that he and his family should give up all Asian customs. This beautiful story shows that selfishly basing your actions on the need to fit in can harm yourself and others.