Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Analyzing song essay
Pop song analysis essay
Pop song analysis essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Analyzing song essay
In the article, “In Defense of Cover Songs,” Cusic feels that artists who don’t write their own songs should be given a fair shot at a record deal because the world could be missing out on a good history lesson that cover songs present. Don Cusic is an innovator in the Music Business education. Cusic has taught courses in the music business since 1982. Cusic is a very well known scholar and writer. Cusic is also one of the foremost historians of country music. Since Cusic has begun writing he has published over 500 articles. Cusic was the editor for Record World and Cashbox. He was the columnist for Music City News and also an album reviewer and special correspondent for Billboard and book reviewer for Music Row Magazine. Cusic has …show more content…
The readers may not be familiar with the music business so it makes the paragraph harder to understand because the reader doesn’t understand any of the background. Cusic has a bias standpoint on the subject because of his experience in the music business. If Cusic had given a fans view on why they don’t except covers songs it would have made the paper less bias. I agree with Cusic when he states that cover songs are a history lesson for a new audience. When new artists do cover songs of old artists it brings a fresh new look to the song and you are able to experience something you otherwise might not have had the opportunity to. Cover songs help reach out to different genres that otherwise wouldn’t listen to the songs. Cover songs help listeners experience new interpretations. I disagree with Cusic when he states in paragraph 5 that singers who do cover songs are bad for recording labels. Cover songs bring a new outlook and songs and helps new generations discover old songs. Cover songs are a big part of this generation’s culture. It is fun to experience different singers out takes on the songs because you get hear a new version of the
As a co-writer and producer, Brown has worked to develop many of the artists we have come to know today. Performers such as, Rick Barry, Status Green, Corey Wagar, Jerzy Jung, Natalie Stovall, Alex Brumel, and Andrew Holtz have all come to know his commitment to songwriting quite well, with some gaining major momentum because of it. His long career has seen him go thru several major label recording deals and at least three distinct publishing deals. He has achieved song placements in TV and film, and working with great producers and mentors like Danny Kortchmar (Don Henley, James Taylor, Rod Stewart), Peter Collins (Jewel, Rush, Indigo Girls), Monty Powell (Keith Urban, Lady A, Diamond Rio) and others that he’s no doubt picked up a few tricks from over the years.
For almost 90 years, The Grand Ole Opry has withstood the test of time to become one of the tried and true traditions in country music. From the show's humble beginnings as an obscure radio program, to it's renowned place today as one of the premiere stages for music, The Grand Ole Opry has had an extremely colorful and interesting existence. Over the 88 years that have passed since the show's inception, The Grand Ole Opry has featured many talented performers. Those performers, along with social changes and economics, have all contributed to the growth and success of The Grand Ole Opry.
The movie, “Twenty Feet From Stardom,” was released in 2013. It focuses on the careers of backup singers, who have shared their voices to support some of the greatest artists of the past several decades. The film is an interview-based documentary. From the film, we meet a serious of amazing and talented vocalists, such as Darlene Love, the first black backup singer; Merry Clayton, a lead backup singer; Lisa Fisher, Tata Vega, and Judith Hill. They all share their stories of enjoyment, happiness, or even struggles in making music with others. There is no doubt on the fact that backup singers take very low credit, sometimes even no credit at all. They often just go there and make the thing sound great, and then go home quickly. It is even worse that sometimes people do not want to pay
The article “Rap Lyrics on Trial” written by Erik Nielson and Charis E. Kubrin was about Vonte Skinner, a man who was convicted for attempted murder for 30 years based on the evidence of rap lyrics written before the crime. The court case didn’t have sufficient evidence to convict Skinner because the witness changed their stories many times to be considered consistent, but the jury felt convinced Skinner was guilty when they heard Skinner’s lyrics: “In the hood, I am a threat / It’s written on my arm and signed in blood on my Tech” and “I’m in love with you, death”. Neilson and Kubrin argued whether rap lyrics should be presented as a piece of evidence after Skinner’s conviction is overturned. They claimed that when rap lyrics are
Each singer wanted to their voice to heard and change the way things were, to have a better lif...
Pecknold, Diane. 2007. The Selling Sound: The Rise of the Country Music Industry. Durham: Duke University Press.
The debate whether commercialism has stripped country music of its authenticity is one that requires further examination into who ultimately holds the power. The sometimes-drastic changes made in music leaves people questioning the tastes of consumers when in fact they are the bystanders of an overpowering industry. Fans are people who buy the albums, go to concerts, and request songs on the radio, not the execs that market the music, and yet their opinions/tastes aren’t taken into consideration. Fans carry a lot of clout in regards to what they define as commercialism gone wrong and acceptable country music. Despite what may seem fair, those who are financially invested in its success drive the commercialization of music.
was her choice for one; and for two, it’s not just black women he’s degrading on the cover. hooks is just placing blame on Snoop’s cover, but she doesn’t say much about his music, this is where the music of the gangsta culture comes to play.
Through Elvis Presley, rock ‘n’ roll changed the face of American music, and influenced a whole generation’s political philosophy. Composer Leonard Berstein once said, “He introduced the beat to everything and changed everything-music, language, clothes; it’s a whole new social revolution-the 60s come from it” (Wattenberg 6B). To his credit, Elvis embraced rhythm and blues not as a from to be imitated, but as a form to honored and interprete... ...
The lyrics of country music reflect people’s lives as times changed. According to "Poetry For The People: Country Music And American Social Change", published by Southern Quarterly in Ebsco Host, country music depicted “the white, Protestant and working-class Southerner”, “addressed their pain, their dreams struggles, beliefs and moral dilemma”.
The music industry’s history is a convoluted mess. There is no real consensus on what the music industry IS and what paths it has taken. Were the Beatles the greatest band to ever exist? Maybe. Is there a hyper objectification of women throughout the “men’s club” that is the music industry? Probably. It’s this hard to define, frankly confusing business that is worth roughly $130 billion dollars today. With it’s flimsy and opaque edges, can the music industry ever be called into question on its wrongdoings? The racist undertone throughout its history may force it to. With the music industry as an ever growing business that seems to change almost every decade, the one thing that has not changed throughout time is an undercurrent of racism that
The 'Standard' of the 11 November 2006 http://www.worldbookonline.com/wb/Article?id=ar525600>. Wells, Paul F. "Country music." World Book Online Reference Center. 2006.
I strongly disagree with this statement because music artists have the right to express what ever subject they wish. Musicians do have to serve as role models to our youth through their actions, if that is their target market, but they do not have to take any responsibility what so ever for what teenagers choose to listen to or the actions they choose to take because of artists lyrics.
Music Business Music Business Exam Number One Question 1 - What is The music publishing industry at a glance would seem to be those who print sheet music, method books, lead sheets, and all of the texts or notated music that musicians (and those aspiring to be musicians) use. Years ago, this was what most music publishers did, but as the industry has evolved, the process has become much more complex. Music is not just ink and paper, intellectual material and property to the individual who writes it. Therefore, the song does not become "a song" when it is written down. This is not an easy concept to grasp because the song itself has no physical makeup.
In order for this problem to adjust over time, much work will be necessary. I believe that our country as a whole should focus not so much on the content of the lyrics, but who the musical artists themselves are. Just because lyrics are profound doesn’t mean that the artist believes in them, they could be relating to previous acts that have occurred in their lives, or speaking freely on the problems our society is faced with. It would be beneficial for our country if a sensor council or committee was founded to screen all songs and albums before they’re released, in order to identify them with a warning label or not