Throughout changing times of Caillebotte in Haussmann’s Paris, and Susan Glaspell in 1920’s America, men displayed a condescending and controlling attitude toward women. Caillebotte, through a side by side viewing of Interior and Man at His Window, demonstrates how men are more free and in control of their surroundings than the women they are near. Glaspell illustrates the condescending attitudes of men towards the “trifles” women fuss about, even though these trifles make the women more attentive to the evidence the men cannot understand. Both Caillebotte and Glaspell portray condescending attitudes towards women through their works, and demonstrate in different manners the ways men control the women around them. The controlling attitude of …show more content…
The title in and of itself is a sign of a condescending attitude, as it alludes to the line of “women are used to worrying over trifles” (Glaspell, page 3). The men imply, through that line, the women are simple minded even in the times of great importance, such as the time of a murder investigation. However, this notion is ironic since the “trifles” the women speak of aid in them encountering the evidence that would lead to the discovering of Minnie’s alibi. Minnie was quilting, and the two women notice a few pieces where the stitching was “all over the place,” a circumstance resulting from nervousness (Glaspell, page 6). However, this is a “trifle” that the men would most likely never have noticed, since they consider sewing something the women should worry over. Soon after, they come across an empty birdcage with a broken door. Minnie “loved the bird,” and they knew, without having to explicitly state it, that the dead bird would be an alibi for Minnie killing her husband (Glaspell, page 9). The broken birdcage is symbolic of Minnie’s life, and the dead bird portrays how Mr. Wright killed Minnie inside. She used to sing and be happy, and he “killed that, too” (Glaspell, page …show more content…
Caillebotte illustrates the standards women are put under, through them constantly being under surveillance and being isolated from the world around them. Glaspell portrays the condescending attitude of men towards women through the degrading comments and actions regarding the “trifles” the women worry themselves over. While it may be a speculative claim, in these changing times, men do not see women as anything more than beings to copulate with, as seen through the constant brushing off of women and their thoughts and
At the start of the play, all of the characters enter the abandoned farmhouse of John Wright, who was recently hanged by an unknown killer. The Sheriff and County Attorney start scanning the house for clues as to who killed Mr. Wright, but make a major error when they search the kitchen poorly, claiming that there is nothing there ?but kitchen things.? This illustrates the men?s incorrect belief that a kitchen is a place of trivial matters, a place where nothing of any importance may be found. Mrs. Peters then notices that Mrs. Wright?s fruit froze in the cold weather, and the men mock her and reveal their stereotype of females by saying ?women are used to worrying over trifles.? The men then venture to the upstairs of the house to look for clues, while the women remain downstairs in the kitchen where they discuss the frozen fruit and the Wrights. Mrs. Hale explains that Mrs. Wright, whose maiden name was Minnie Foster, used to be a lively woman who sang in the choir. She suggests that the reason Mrs. Wright stopped being cheerful and active because of her irritable husband.
The play portrays women as inferior to men and stuck with household work while men have absolute control over them. The opening scene description “The kitchen is the now abandoned farmhouse of John Wright, a gloomy kitchen, and left without having been put in order […] other signs of in completed work.” (Trifles, 1) gives a first impression to the reader of how isolated the place is, thereby symbolizing the loneliness of Minnie Wright and her duty towards the household. Such a carefully crafted description in the very first sentence of the text tends to set off a really strong image and perception in the mind of the reader even before they are introduced to the plot. This is a really clever tactic by Susan Glaspell which she uses to emphasize her message from the
In Trifles, the use of the canary bird symbolizes Minnie’s state of being, and the freedom that her husband takes away from her. The fact that the bird’s neck was snapped, shows the demeaning relationship that...
To begin, in both plays the men dismiss the women as trivial. In Trifles, when Mrs. Wright is being held in jail for the alleged murder of her husband, she worries about the cold weather and whether it will cause her fruit to freeze which will burst the jars. After the women come across a shattered jar of canned fruit, they converse about Mrs. Wright’s concern about the matter. Mrs. Peters states, “She said the fire’d go out and her jars would break” (Glaspell 918). The women here identify with Mrs. Wright’s concern, because they understand the hard work that goes into canning as part of the demanding responsibilities women endure as housewives. The Sheriff’s reply is “Held for murder and worryin’ about her preserves” (Glaspell 918). In other words, the men perceive the event as insignificant; they clearly see women as a subservient group whose concerns hold little importance. Likewise, the reader can relate to this treatment in A Dollhouse, when Torvald complains to Nora about spending Christmas time the previous year making frivolous ornaments instead of devoting it to family. Torvald says, “It was the dullest three weeks that I ever spent!” (Ibsen 1207). He believes her role i...
Charlotte Perkin’s Gilman and Simone de Beauvoir is both forward thinking authors who through their writing captured the concept of women being represented within society as a secondary sub species of man. Gilman through her literary work “The Man-Made World: Our Androcentric Culture”, and de Beauvoir in her work “The Second Sex”. Both of these women presented strong arguments that explored the dehumanization of women throughout history, and explored how language and thought processes during their times continued the process of women being viewed as an “other” in reference to men.
Well, women are used to worrying over trifles. " They are not taken seriously. They are women and are not intelligent enough to understand the concept of murder. The men forgot, it's the little things that bother people the most and for Mrs. Wright, it must have been the death of her canary. I think the canary symbolized Mrs. Wright.
Minnie Wright, John’s wife, is the main suspect. This time, Sheriff Peters asked to bring his wife Mrs. Peters, the county attorney George Henderson, and his neighbors Martha and Lewis Hale to the crime scene. He intended for Lewis Hale, Mr. Henderson and him to solve the case. While Lewis Hale tells the group the details of how John Wright was found, Mrs. Peters and Martha Hale begin looking around the house to judge the state of the crime scene. Before even looking for evidence, Lewis Hale says “Oh, well, women are used to worrying over trifles” (160) to the dismay of Martha Hale and Mrs. Peters. Martha Hale notices that the Wrights’ house was unkempt and sad-looking, which was strange because Minnie Wright used to be a cheerful and meticulous homemaker. Again, Lewis Hale dismisses this as an inconsequential detail, stating that Minnie was just not a good homemaker, even though his wife Martha already told Mr. Henderson that “farmers’ wives have their hands full” (160). A few moments later, the men explore the house, but not before Mr. Hale ironically questions “But would the women know a clue if they did come upon it?” (161). The women began to
Susan Glaspell’s play, Trifles, was written in 1916, reflects the author’s concern with stereotypical concepts of gender and sex roles of that time period. As the title of the play implies, the concerns of women are often considered to be nothing more than unimportant issues that have little or no value to the true work of society, which is being performed by men. The men who are in charge of investigating the crime are unable to solve the mystery through their supposed superior knowledge. Instead, two women are able decipher evidence that the men overlook because all of the clues are entrenched in household items that are familiar mainly to women during this era. Glaspell expertly uses gender characterization, setting, a great deal of symbolism and both dramatic and verbal irony, to expose social divisions created by strict gender roles, specifically, that women were limited to the household and that their contributions went disregarded and underappreciated.
Mrs. Hale describes Minnie as formerly singing “real pretty herself” (Glaspell p666). The connection between Minnie and the canary is established here, and in the bird’s physical death parallels Minnie’s emotional death (Russell). Mrs. Hale’s keen wit and patience contributes to her embodiment of The Fate sister named Clotho the Spinner, which even more evident in her correcting of Minnie Wright’s improper stitching (Russell). Mrs. Peters begins the process of investigation deeply devoted to keeping the law. She doesn 't want any disruption in the house saying, “I don 't think we ought to touch things” (Glaspell p 666) when Mrs. Hale began searching for clues. Upon finding the dead canary, Mrs. Peters view on the situation changes drastically, and she decides with Mrs. Hale to hide the tiny dead bird from the men. They both figure that if the dead canary was discovered, Mrs. Wright would be thought to be a mad woman, though it was likely Mr. Wright who killed it. Mrs. Peters sympathizes with Minnie remembering back to an old memory of her childhood, where a menacing boy killed her small kitten with a hatchet (Russell). Mrs. Peters then realizes that the justice to be served is to conceal evidence and find the answers for themselves. These
Society continually places restrictive standards on the female gender not only fifty years ago, but in today’s society as well. While many women have overcome many unfair prejudices and oppressions in the last fifty or so years, late nineteenth and early twentieth century women were forced to deal with a less understanding culture. In its various formulations, patriarchy posits men's traits and/or intentions as the cause of women's oppression. This way of thinking diverts attention from theorizing the social relations that place women in a disadvantageous position in every sphere of life and channels it towards men as the cause of women's oppression (Gimenez). Different people had many ways of voicing their opinions concerning gender inequalities amound women, including expressing their voices and opinions through their literature. By writing stories such as Daisy Miller and The Yellow Wallpaper, Charlotte Perkins Gilman and Henry James let readers understand and develop their own ideas on such a serious topic that took a major toll in American History. In this essay, I am going to compare Gilman’s “The Yellow Wallpaper” to James’ “Daisy Miller” as portraits of American women in peril and also the men that had a great influence.
Susan Glaspell’s play, Trifles, seems to describe the ultimate women’s suffrage story. No longer will men have an upper hand against women after reading this story. Cleverness will be the key to retaining power from the men in this story. The one thing that woman are criticized for, the idea that women tend to look at the ‘little picture’ instead of the ‘whole picture’, will be there path to victory. Two stories of revenge are told in this story, the revenge of suppression and revenge of being portrayed as ‘unsophisticated, unintelligent’ women. First we have the story of Mrs. Wright and the struggles with her husband, John. Married women throughout history have been portrayed and played the role as being inferior to the husband in marriage. This seems to be the case with Mrs. Wright. Even though John’s public image was somewhat respectable, it was obvious that behind close doors the story was different. There is evidence of abuse in this marriage. First, the discovery of the broken door leads me to conclude that John was very physical and anguished. Second, it is assumed that Mrs. Wrights husband had broke her canary’s neck. The canary, which of course had to be caged, was represented as the old Minnie Foster herself. The canary is a beautiful, free spirited bird that had a sweet voice, as Minnie had at one time. This was the end of the line and ‘Minnie Foster’ was about to be reborn. She would stand up for all those abused and suppressed house wives across the world and makes the first ‘final’ decision she had ever been allowed to make. The bird’s cage was her jail. The bird’s death was her freedom for the fate of the bird was the fate of her husband. John was discovered with a rope tied around his neck, the freedom of a women who could no longer be held down. This was the first implementation of women’s power in the story. The women at Mrs. Wright’s home played an important role in the story as well. The ‘professional’ detectives were busy about the house finding clues to indict Mrs. Wright in the murder case. They ridiculed the women in the house by ‘putting them in their place’ as typical ladies, so worried about small things and useless ordeals. Mrs. Hale noted the stitches in the quilt to be erratically stitched as if something were wrong.
The title of this drama "Trifles" demonstrates how men have the assumption that women and their respective actions are seemingly unimportant. Trifles can be used in two forms in the English language. In verb form, trifle means to treat someone or something as unimportant or non-essential. The word trifle in noun form means something of little value or importance. Both definitions of this word yield an idea in this story that women are seen as trivial and are not worthy of respect by men. This idea is conveyed throughout the entire story by the belittling assumptions and attitude the men use toward the women. For example Hale says, " Well, women are used to worrying over trifles" (1003). Typically, a kitchen represents women's work and the idea of domesticity. In Glaspell's eyes, men tend to assume that nothing of importance occurs in the kitchen and this can be related to the idea that women are insignificant. As Glaspell writes,
In the play titled Trifles, by Susan Glaspell, Minnie Foster Wright is being accused of murdering her husband, John. In this production, Mrs. Wright is consistently referenced, and although she is not witnessed, she is very recognizable. There are important symbols in this play that signifies Mrs. Wright and her existence as it once was and as it currently exists to be. Particularly the canary, this symbolizes Mrs. Wright's long forgotten past. Additionally, the birdcage, this symbolizes her life as it currently exists. Certainly the quilt is a symbol, which is an important clue on how Mr. Wright was killed. In addition, the rocking chair, this symbolizes her life as it has diminished throughout the duration of her most recently survived years. Lastly, but not least, the containers of cherry preserves that seem to be a symbol of the warmth and compassion that she has yet to discover in her life. Every one of these symbolizes and characterizes Mrs. Wright?s character and her existence in the play.
...spect differently and side with their respective sexes. Glaspell intends these men and women to be representatives of their sexes. She shows the differences between men and women and their pros and cons. Most importantly, Glaspell shows the reader that the differences between men and women are definitely not "trifles".
As previously mentioned, inferiority perceptions and obstacles for women remain prevalent in the twenty-first century. Although substantial progress has been made with regards to the educational opportunities for women, as well as educating both men and women to view women with equal regard, we have yet to achieve parity among genders. In particular, “Contemporary feminists, such as Catherine MacKinnon, argue that the law and society’s political institutions are based on male assumptions, such that women can never achieve equality within them” (Tannenbaum, 2012, p. 220). Additionally, the recent focus on gender socialization directly relates to Wollstonecraft’s writings. In fact, she may be one of the first philosophers to establish the foundation for studying gender socialization through her assertions from two hundred years ago, “the character of women was artificial, and a consequence of the roles society defines for them” (p. 213a). Tannenbaum’s summary of Wollstonecraft’s A Vindication of the Rights of Women, reads as though it’s from a current Sociology course in gender equality and diversity. “Women are fond of dress and gossip; are helpless, emotional, weak; and act like children, not because it is there nature, but because they are educated or trained this way” (p. 213b). Wollstonecraft’s assertions were revolutionary when taking into account the historical context of her vision. Hence, both genders can benefit from studying her feminist perspective, then contemplating how her vision has evolved over time in society, as well as advocating for its continued