The video ‘Get Busy’ by 50 cent can be analysed in relation to a culture of confession. Much of his work is confessional, with a focus on his life and upbringing, as well as his success. Confession no longer only occurs in private: it is public. Verbalisation has become the main method people make themselves noticeable to others. Many avenues of popular culture encourage confession and the chance to talk about their dreams and faults. The need to confess is related to the need to show emotion, which is also seen as necessary in our society (Couldry, 2014)
Gilroy (2010) argues that this video can be seen in a historical context as African Americans were once slaves, which means that they themselves were bought and sold. It was not until the 1930s that products started to be specifically marketed to African Americans. Therefore many any African Americans developed and showed their cohesion through objects. There is a strong focus on material in the 50 cent video particularly on cars. This may be because historically there had been rules around selling to African Americans, particularly around ownership and insurance, which prohibited African Americans from owning a car.
This changed around the 1930s, cars were essential to the civil rights movement such as the Montgomery bus boycott and Rosa Park’s refusal to sit at the back of the bus. Having
…show more content…
It is argued that he has no problem moving between the image of “gangsta”, and “businessman”, holding on to the image of a dangerous gangster while emphasising his background and history to give authenticity to this for example talking about when he got shot, while he also looks at and develops business opportunities and goes on mainstream talk shows such as Graham Norton. hooks (1997) also argues that through his music and videos such as get buy he sells commodified blackness s for white audiences to consume so that they can experience transgression for
The Black Power Mixtape 1967-1975 (2011) is a 1 hour and 40 minute documentary that observes the black power movement in American history. This film is directed by Swedish director Goran Hugo Olson and has detailed footage that was shot during the 1960s and 1970s by Swedish journalists. The footage largely focuses on the black power movements. The film allows viewers to not only grasp a better understanding of this movement but allows us to understand why this movement appealed to Swedish journalists. The Black Power Mixtape: 1967-1975 includes vintage interviews with Stokely Carmichael, Bobby Seale, Angela Davis, Huey P. Newton, and other prominent leaders during the Black Power Movement. The documentary also contains contemporary audio interviews and commentaries from various entertainers, artists, activists, and scholars, including but not limited to: Harry Belafonte, Talib Kweli, Melvin Van Peebles, Erykah Badu, Abiodun Oyewele, and Questlove from The Roots.
Hip-Hop became characterized by an aggressive tone marked by graphic descriptions of the harshness and diversity of inner-city life. Primarily a medium of popular entertainment, hip-hop also conveys the more serious voices of youth in the black community. Though the approaches of rappers became more varied in the latter half of the 1980s, message hip-hop remained a viable form for addressing the problems faced by the black community and means to solve those problems. The voices of "message" hip...
“You Was Right” by Lil Uzi Vert is fairly easy to understand lyrically. The essence of the song deals with unfaithfulness in a relationship as well as the aftermath. Lil Uzi Vert spends a large portion of the song admitting his mistakes to his presumed girlfriend in hopes of making things right between them. The song starts off with the hook, which rests upon the premise of how Lil Uzi Vert should have stayed loyal rather than taking another girl home with him. For example, he says, “You was right, I was wrong” (6) in an attempt to console his girlfriend and apologize. Following the hook, the first verse centers on Lil Uzi Vert’s riches due to his success as a rapper. He ties that in to his relationship by expressing how he wants to share his wealth with his girlfriend. At this stage in the song, Lil Uzi Vert is attempting to win his girlfriend back with his money and general success as a rapper. The hook then repeats itself to indicate that the argument between Lil Uzi Vert and his girlfriend is still continuing. The second verse signifies an escalation in their conflict, as he says, “You just locked the door, so I gotta text you” (42). His girlfriend is refusing to even listen
Vanilla Ice is a prime example of a young man who became part of the hip hop community. The clothing he wore and the songs he wrote may have reflected an insult to the black hip hop community. However, the white community became happy and excited to see a thriving white rapper. Many members of the black society were offended and disgusted by the clothes worn by Vanilla Ice. They were not used to seeing another race expressing his emotion through rap lyrics. The change in the state of mind for black and white members of the hip hop community were beginning to alter. It was remarkable to learn about the different perspectives black and white members, however to learn about the acceptance of one another was outstanding.
A race issue that occurs within the rap and hip-hop musical genre is the racial stereotypes associated with the musical form. According to Brandt, and Viki rap music and hip- hop music are known for fomenting crime violence, and the continuing formation of negative perceptions revolving around the African-American race (p.362). Many individuals believe that rap and hip-hop music and the culture that forms it is the particular reason for the degradation of the African-American community and the stereotypes that surround that specific ethnic group. An example is a two thousand and seven song produced by artist Nas entitled the N-word. The particular title of the song sparked major debates within not only the African-American community thus the Caucasian communities as well. Debates included topics such as the significance and worth of freedom of speech compared with the need to take a stand against messages that denigrate African-Americans. This specific label turned into an outrage and came to the point where conservative white individuals stood in front of the record label expressing their feelings. These individuals made a point that it is because artists like Nas that there is an increase in gang and street violence within communities. Rap and hip-hop music only depicts a simple-minded image of black men as sex crazed, criminals, or “gangsters”. As said above, community concerns have arisen over time over the use of the N-word, or the fact that many rappers vocalize about white superiority and privilege. Of course rap music did not develop these specific stereotypes, however these stereotypes are being used; and quite successfully in rap and hip-hop which spreads them and keeps the idea that people of color are lazy, all crimin...
The second article, “Commercialization of the Rap Music Youth Subculture” by M. Elizabeth Blair, expresses the point of the use of rap music to sell a product even though advertisers know nothing of the subculture....
Watts, Eric K. "An Exploration of Spectacular Consumption: Gangsta Rap as Cultural Commodity." Rpt. in That’s the Joint!: The Hip-Hop Studies Reader. Ed. Murray Forman and Mark Anthony Neal. New York, NY: Routledge, 2004. 593-609. Print.
Do you like hip-hop? Do you think hip-hop brings people’s attention to an advertisement or commercial? In “Selling Down: The Marketing of the Hip-op Nation” which was adapted from Other People 's Property: A Shadow History of Hip-Hop in White America” (2007), author and senior editor Jason Tanz argues that hip-hip is a useful source to get the attention of the people; therefore, marketers and salesmen should keep using hip-hop in advertisements and commercials no matter what or who opposes. He also argues the idea that youth see themselves as being members of a higher status by wearing brand name clothing that is advertised by hip-hop.
Both movements use “rhythm and poetry” (Gladney 291) to address social issues affecting the black man, including racism, education and drug use. These movement can both be linked to extreme examples of frustration and rage felt be a large part of the black community, like “the Los Angeles riots of 1992 and the riots that followed the assassination of Dr. Martin Luther King in 1968” (Gladney 292). However, Gladney observed that the Hip-Hop genre has developed more of a focus on commercialism and only in the underground rap world do we still see the idealist who is in touch with the pulse of the black communities. Many rappers in the mainstream lack the political, racial, and social tone of the black community. The notable exception being the groups who use shock and a sold ghetto theme to crossover to the commercial market but maintain their artistic
After reflecting more on my experiences and knowledge of popular culture, I have come to focus on specific questions and concerns that open up and explore a methodological path into my own viewing, listening, dancing and other creative encounters with hip-hop culture. Specifically, I engage the following questions:
Some of my earliest memories of listening to Michael Jackson include his number 1 hit 'Beat It'. I can remember that when I was younger, Michael Jackson’s 'Beat It' was one of his first songs that I ever listened to. Between the driving rock guitar, the soaring vocals, and the overall story that the song delivers, the song has easily become one of my favorite Michael Jackson tracks to this day.
In Total Chaos, Jeff Chang references Harry Allen, a hip hop critic and self-proclaimed hip hop activist. Harry Allen compares the hip hop movement to the Big Bang and poses this complex question: “whether hip-hop is, in fact a closed universe-bound to recollapse, ultimately, in a fireball akin to its birth-or an open one, destined to expand forever, until it is cold, dark, and dead” (9). An often heard phase, “hip hop is dead,” refers to the high occurrence of gangster rap in mainstream hip hop. Today’s hip hop regularly features black youths posturing as rich thugs and indulging in expensive merchandise. The “hip hop is dead” perspective is based on the belief that hip hop was destined to become the model of youth resistance and social change. However, its political ambitions have yet to emerge, thus giving rise to hip hops’ criticisms. This essay will examine the past and present of hip hop in o...
However, just this year a song by Miley Cyrus sparked a “twerking” outbreak, and there simply is no denying the impact it had on teenagers throughout the entire country. The problem, though, is that hip-hop music promotes things far worse than the provocative dancing that was advocated in Cyrus’s song. Others argue that culture is not actually being affected by the music, and it is actually the opposite. They claim that the lyrics in hip-hop music are poetry of the streets, and it embodies black victimhood in the ghetto. However, if we accept this, we are accepting the fact that the “ghetto life” is so hopeless that an explosion of violence is justified. By encouraging rappers that promote this type of behavior we are deeming the behavior acceptable just because the “ghetto life” is tough. However, rape and murder should never be seen as acceptable, and nor should the advocacy of it
During the 1950’s a struggle for African American rights were under way. Prior to this many means were taken to protect the Black traveler across the nation. African Americans were often treated as second rate humans and this inferiority would promote the civil rights movement. For traveling African Americas different books were printed up with one intention, to protect the negro traveler. “Your cooperation will enable us to reach the summit or our goal and further our efforts in giving “ASSURED PROTECTION FOR THE NEGRO TRAVELER (Alston, 1956.)” These measure along with years of being denied civil rights demanded that a time for change to come. Starting in the southern states civil right activists began fighting to earn their constitutional rights. People such as Rosa Parks, who refused to give up her seat after working so that a white man could sit down, was arrested for her public display of disobedience. This would begin the most notable and effective movement in the entire Civil Rights Movement. Dr....
Rap music has given me personally something to look up to. Not a role model but hope of continuing my dreams because rappers successfully made it. “For what’s money without happiness, or hard times without the people you love” is from a song called “Love Yourz” by J. Cole. He clearly understands how there is “beauty in the struggle and ugliness in the success” because he’s lived that life. Other songs such as “2Face” or “The Autograph” were instantly relatable to me because he has been through several struggles from the beginning of his childhood. Cole’s father left when he was six leaving his mother and younger brother alone. Cole became “the man of the house” but becoming a rapper is not as easy as it seems. Cole’s messages in these two songs are relative because I too, have had several issues with my mother and father creating a sense of lonesome. Hearing music like Coles helped me overcome my