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History of stop frame animation
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Stop-frame animation (known alternatively as stop-motion or stop-action) is defined as “a special effect, carried out while shooting, in which the performers stop their motion and the camera is stopped while an object or performer is added to or removed from the scene” (Dictionary). It is possibly the oldest and most elementary sort of animation. There are many techniques used in stop-frame, including claymation, puppetry, pixilation, traditional media, and time lapse. Each method, of course, has its respective appeal to different artists and audiences. Stop-frame animation’s origin can be traced back to the 1890s and boasts several different branches, each home to its own techniques and artists.
Stephen Cavalier’s book, The World History of Animation thoroughly describes the rather long history of stop-motion animation. It begins with Alfred Clarke, an employee of Thomas Edison, who invented stop-frame cinematography in 1895. He invented a genre, and possibly the first special effect, in helping with the creation of Edison’s The Execution of Mary, Queen of Scots. At the time of the execution scene, Clarke stopped the camera to replace the actress playing Mary with a mannequin, and then continued to roll the camera. Another stop-action pioneer rose in 1896, by the name of Georges Méliès, a magician. He discovered stop-motion on accident. After having seen the Lumière Brothers’ Cinématographe in 1895, Méliès set up his own moving picture show. In the beginning, his work was much like that of the Lumières’, until he let his magician’s showmanship shine through. This enabled him to produce “some of the most imaginative and original works of his era” (Cavalier 42). His discovery of stop-frame occurred when his camera jammed, and whe...
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Cavalier, Stephen. The World History of Animation. Berkeley, Los Angeles. RotoVision, 2011. Print.
“Feed Your Head with Jan Svankmajer’s Food.” Ill Stills. n.p., 6 Sep. 2012. Web. 7 March 2014. .
Gunn, Karen. “Critical Viewings: Norman McLaren (1914-1987).” Teach Animation. Karen Gunn, n.d. Web. 7 March 2014. .
ThePropKing. “History of Stop Motion Animation Puppetry in Film.” Youtube. 8 May 2011. Web. 4 March 2014. .
“Neighbours: Plot Summary.” IMDb. IMDb, n.d. Web. 7 March 2014. .
“Stop Motion.” Princeton. Princeton. Web. 27 Feb. 2014. .
The Stories Behind Lotte Reiniger’s The Adventures of Prince Achmed The word “animation” defines as the technique of photographic successive drawings to create an illusion of movement, bringing a sense of life and vigor. Animation is usually associated with a sequence of drawings, bringing fluidity and character to a sketch. The same is said to miniature models, by the use of stop-motion; but what about cutouts?
The short film ‘Teddy’ Bears set in 1907, has features where you can clearly see Edwin S. Porter mixed solid techniques with different materials. It has an admirable sequence of stop-motion scenes that is as enjoyable to watch as it is impressive in its technique. The film can be considered part fairy tale, as well as part violent political satire and a puppet animation.
Before talking films were big people were fascinated with the idea of moving pictures in the
Stop motion animation is basically just a series of still photographs taken one after another. Objects are moved and filmed picture by picture to emphasise small movements that they make. Some examples of stop motion films are the original King Kong film and Star Wars. These were made using many small objects and puppets. In this time this was the only way that that could bring immovable objects to life on screen.
In the late 1800s until the 1920s there was only the cut and paste method for editing films. It was not until 1924, when a machine called the “Moviola” was invented by Iwan Serrurier (CityNet). Compared to the modern editing tools that are used now, this device was a lot more complex. The Moviola allowed the film to be played back while editing. A foot peddle was used to pause, play or even fast forward the film. On the Moviola, there was a viewing lens that was attached to a hinged door. The editor would be able to view a film closely and could open this do...
Eadweard Muybridge was a director who made the first movie in 1878, The Horse in Motion. He used multiple cameras and put the individual pictures into a movie. Muybridge’s movie was just pictures of a galloping horse. Muybridge also invented the Zoopraxiscope,the first ever movie projector that made short films and movies. It was able to quickly project images, creating what is known as motion photography and the first movie to ever exist. To use the Zoopraxiscope a disc is put on the device and is turned. As the disc turns, the images are projected onto the screen and the movie starts ...
Australian animators had adopted their animation techniques from America. Stop motion animation was first used by American J. Stuart Blackton in 1898. It was used to make a short animated film called The Humpty Dumpty Circus. At its
As time and people are continually changing, so is knowledge and information; and in the film industry there are inevitable technological advances necessary to keep the attraction of the public. It is through graphic effects, sounds and visual recordings that all individuals see how we have evolved to present day digital technology; and it is because of the efforts and ideas of the first and latest great innovators of the twentieth century that we have advanced in film and computers.
Spadoni, R. (1999). The Figure Seen from the Rear, Vitagraph, and the Development of Shot/Reverse Shot. Film History, 11, 319-341.
If any one has ever watched some of the really old animation such as Steamboat Willy done by Walt Disney Studios in the late 1920’s or some of the animations showing up on the Internet nowadays. They know that animation has come a long way and is still improving.
Bliss, John, Art that Moves: Animation Around the World. Chicago, Illinois: Heinemann Raintree, 2011. Print
On December 28, 1895 Georges was an audience member of the first seen movie or “moving picture” made in the world. This was a very short single reel, one shot film documenting a train pulling into the station. When the image of the train started approaching the audience, the audience screamed thinking they would actually get run over by the train. This revolutionary new type of “magic” was discovered by the Lumiere Brothers, who used their invention, the Cinematographe, to capture the first movie ever made. Melies soon after asked to purchase a camera from the Lumiere Brothers, but they refused. In desperate attempt to utilize this new entertainment tool, he set out to build his own camera.
In this chapter, it has shown a brief history of animation and how it started in the early days of animation. It also discussed about 2D in brief and 3D. Also the techniques applied in making of animation since early ages with the evolution of 2D to 3D animation.
Animation is a visual technique that creates the illusion of motion, rather than recording motion through live action. The technique is used mainly for motion pictures. Animation can be created by illustrators, filmmakers, video makers, and computer specialists. Animation is most popular in creating cartoon movies. Advertisers also employ animation to develop commercials for television. In addition, producers of instructional films may use animation to help explain a difficult idea or one that could not be shown in live action. Animation can also be combined with live action in a movie. Many animators continue to make many drawings by hand. Since the mid-1980's, however, computer assistance combined with hand-drawn animation has become standard in many movie studios. These methods created such feature-length animated films as The Lion King (1994) and The Prince of Egypt (1998).
Animators are people who create images such as drawings or computer generated things to come to life through graphics. This job is quite suitable for those who have creative artistic skills such as drawing or modeling, in addition to good computer skills in order to communicate with the audience with accurate detail of the images which contribute into the motion pictures. Work done by animators are everywhere; they are commonly found in films, shows, commercials, pop videos, computer games, websites and other sorts of media and entertainment. These works are done by obtaining images of each movement and, done in a certain way, it turns into some sort of amazing piece of the character’s or object’s actions. A standard animator is to be creative and artistic. Many artistic people go into the field of animation. Animation holds many advantages and opportunities. Multimedia artists and animators put their creative work on the Internet. If the images become popular, these artists can gain more recognition, which can lead to future employment or freelance work. With drawing and sculpting skills for stop frame animations, these artist should be patient to concentrate and passionate on what they ...