Analysis Of Drag Balls

2158 Words5 Pages

Desirée Fletcher
Professor Murray
THTR 1: Fashion, Politics, and Issues of Gender
12 March 2014
A Ball of Their Own
In the opening scenes of Paris is Burning Pepper Labeja, the mother of the house of Labeija states that his father told him as a child that “you have three strikes against you in this world…you’re black and you’re a male….and you’re gay….you’re going to have to be stronger than you ever imagined, (Paris is Burning).
Drag Balls can be traced back as far as the 1920s. With a finger set firmly on the proverbial pulse of the times, styles and influences changes over the years, always at the heart of popular culture and trends. Dorian Corey cites that the aesthetic of his time was “looking like Las Vegas show girls—back pieces, tail pieces, feathers, beads,” a style that Corey became famous for. When the balls started, they were apart of the so-called ‘pansy craze’, during which clubs and bars featured gay entertainers. These events were often attended by the heterosexual, middle, and upper-class, supported by city government and even put on in places such as the Hamilton Lodge, known for its repute and glamor. The format of the ball, found its roots in the idea of a debutante ball, “reframed as a public coming-out ceremony for effeminate and homosexual men,” and included a grand march, and contest for best outfit. New York especially formed a hub of these in Harlem and the mid 1980s

Historically, coming out as gay has been consistently dangerous, especially for youth. Many youth ended up on the streets, rejected and disowned by their families or runways in search of acceptance and understanding. In an article from The New York Times, the true impact of Houses is astutely captured in the depiction of the memoria...

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...ends of the ball scene died away, a new generation arose and with this new generation came a new wave of interest on the part of the American public, echoing that of the early 1900s. . Willi Ninja, as mentioned before, became famous for perfecting and promoting voguing as an art form worldwide. Ninja became known his mastery of the technique of voguing and his passion for the craft. He states in Paris is Burning that he wants to take it to the world stage and be at the forefront of its development. He is successful in this pursuit, going on to become a sucessful choreographer, his style of voguing cited as the sole influence and inspiration for Madonna’s 1990 hit “Vogue,” also appearing in Malcom McLaren’s music video for the song “Deep in Vogue.”

In an interview,
The ballroom became a place for them to live their dreams, in the ballroom, you could become whole

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