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characteristics of the western genre film
characteristics of the western genre film
violence on film
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Django: Unchained
Film poster advertisements are meant to attract an audience, but no one actually pays attention to every single detail that is on a poster. Every detail that is put on a poster could give an idea on what type of movie it is and who is the main character, but some movie posters fail to do so and could also convey the wrong idea. Django: Unchained was released in 2013 and directed by Quentin Tarantino. The top billed Jamie Foxx, Christoph Waltz, Leonardo DiCaprio, Kerry Washington, and Samuel L. Jackson. Django was a slave who has recently been freed to help a bounty hunter find three dangerous men, who are known as the Brittle brothers. In exchange for his help, the bounty hunter will help Django save his wife, Broomhilda, from a dangerous plantation. The two following posters should reflect that the movie is a part of the action genre, show that there is some violence, and give ideas on what the characters are like, for instance who is the good and bad guy.
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Jamie Foxx is front and center which means he is Django, the main character. Leonardo DiCaprio looks like he is the actual bad guy by the way he is positioned and his facial expression. One of the pictorial elements that can be seen are the guns. The guns may hint out that there will be some violence and action in the movie. The red splatters represent blood, which could also hint out the fact that the movie is Rated R. The cowboy hats and outfits could point out the fact that this movie takes place back in the day or during western
In this trailer it shows lots of different camera angles such as over head shots zoom in shots etc. their lighting is very bright and colourful, although when something bad is happening like when the dragon tries to burn them at the beginning it was dark and gloomy. The sound effects included screaming and the dragon roaring. The music was very cheery and groovy once you got to the middle of the trailer but at the beginning it was slow. They used slow motion to attract the audience.
The opening scene (0:45 – 12:30) starts with sinister looking claw hands creating a doll that looks exactly like Coraline; insinuating that control will play a large role in the film. The film then progresses to the establishing shot; of the
Quentin Tarantino has proven time and time again to be one of the most confusing directors to understand when attempting to unravel the personal ideologies in his films. Each of his films deals with race, sexuality, and gender to some extent, and it is often difficult to know whether or not Tarantino is making a commentary on these things or if he truly believes much of the problematic discourse found in his films. Kill Bill Vol. 1 and 2 are a testament to this understanding of Tarantino’s films, as they appear to be extremely feminist films at surface level yet, upon deeper inspection, have some very problematic qualities. Looking at Kill Bill Vol.’s 1 and 2 through both a feminist and anti feminist lens can allow the audience to better
The Lego movie is the story of a simpleton turned knight-in-shining-armor and co on their journey to the top as they brave life on the run from a benevolent dictator in order to foil his devious plot to freeze the world in his image for all eternity. To make matters worse, pretty much each and every citizen is completely oblivious to the full extent of the chaos that is ensuing. At first glance, life seems all but perfect, but in reality, this could not be further from the truth. Even if this is as obvious as the sky is blue, Lord Fussiness has managed to keep resistance at bay through means of manipulating the minds of his citizens into believing a false sense of safety and freedom under his every watch.
Django Unchained, directed by Quentin Tarantino’s is what you would call a spaghetti western. The name ‘spaghetti western’ originally was a term used to reduce the value of something. American westerns were considered to be on a higher scale than spaghetti westerns. Django Unchained is set in the American South, two years before the civil war, telling the story of the freed slave Django who goes on a killing spree in the name of revenge to rescue his wife Brunhilda from the cruel plantation master that owns her. I thought it was interesting how this movie made the freed slave one of the protagonist seeking revenge. The character, who allows Django to take revenge, is Dr. King Schultz a German-American dentist/bounty hunter. Through Django’s heroism and portrayal of masculinity, we are reminded of the traditional hero traits from the western movies of past. The movie Django Unchained conforms to these traditional standards of masculinity and heroism.
In the opening scenes of the trailer, already the audience is exposed to the dystopian atmosphere of chaos, social anarchy and oppression. This is promoted by short fast paced montages and high angle shots of the swarmed streets, close angle shots of people in terror and military forces. This also conveys the magnitude of chaos this “dilemma” has caused. A short scene of the main protagonist Robert struggling through the crowd has also been visually constructed to enforce to the audience that he is the main character of this movie. The visual construction of this scene is utilised by a close up slow motion focused shot on Will Smith with the background blurred to completely draw the audience onto him. What is more unique is that this combination of effects acts as an inference that Will Smith is the solution or only hope in settling this anarchy as he swiftly makes his way through the congested street. The explosion of the bridge also informs the audience the narrative is set in New York implied by being a landmark of the city. Already in the exposition, the visual conventions have provided an engaging and well informed construction of dystopian qualities and information about the plot itself.
The primary theme of the works of Tarantino is the rubicon, and eventually the defining characteristic, of
In the film, there were various scenes that accurately depicts what slavery was like back in the 1800’s. In one of the scenes, a women slave is seen being whipped because she broke an egg. Just like how this lady was being whipped as punishment, the most common punishment for slaves back in the 1800’s was whipping. In another scene, Jamie Foxx’s wife is seen being branded as punishment which was another popular method of punishment for slaves back in the early 1800’s. In the film, there was also a scene where Jamie Foxx entered a bar and was ask to leave. Although Jamie Foxx didn’t leave, this scene accurately displays the discrimination slaves endured during the 1800’s even if they were set free. Lastly, in another scene, Jamie Foxx’s’ wife is seen trapped in a hot box for attempting to run away. Just like how Jamie Foxx’s’ wife try to run away many slaves back in the early 1800’s did the same and many failed. Although the movie, Django Unchained, fairly depicts the horrendous life of a slave during the early 1800’s, it still shouldn’t be considered a move to be watch to gain historical knowledge because it contains numerous historical
Ben Affleck, director, does an excellent job with the movie Argo. Being able to find the fear and suspension in every scene is difficult to do, yet Affleck does so seamlessly. Based off a true historical event that happened in 1979, Affleck choses to pick the Iranian Hostage Crisis. He starts out the movie with some background information, so that viewers are able to have some understanding of what has happened and why this is happening. He then merges into a heartbreaking scene, where a mob of Iranians have bombarded their way into the American Embassy. Screaming and shouting at the top of their lungs, the actions happening outside are horrific. Showing the fear in every American’s eyes in the building pulls at every heart
Quentin Taratinos’ Django Unchained (2012), is a bloody, eccentric, and revenge filled western, which exploits the abdominal chapters in American history. A pre-civil war western that explores what slavery might have been like during the mid-1800. The movie is partially based on the films Django (1966) and Mandingo (1975). But Taratino incorporates his own style, with excruciating gore, action, wit, cinematography and eccentric characters. Incorporating it all into a solid plot makes the movie believable and makes it the most unique western every made.
are blue and black. This introduces the film as if it is a horror, but
The Lego Movie is an animated film written and directed by Phil Lord and Christopher Miller. This movie is about an ordinary Lego mini-figure named Emmet, who is mistaken for an extraordinary master builder and expected to save the world. Everything changes when Emmet finds the Piece of Resistance which makes him the chosen one called “The Special.” Lord Business who is also the President plans to use the Kragle to freeze the universe perfectly in place so that the individual actions and machinations of society no longer go against his plan. Emmet teams up with his teammates to take down Lord Business plan and to save the world. At the end of the movie, Emmet convinces Lord Business that he does not have to be the bad guy and he could also
The first character introduced by Leone to the audience is Colonel Douglas Mortimer (Lee Van Cleef), “a retired soldier and bounty hunter motivated not only by profit but also the thirst for revenge” (Bondanella, 257) of his sister’s rape and death. He is a professional, who stalks his target from a distance with an assortment of rifles rolled up in his saddlebags; but to contrast with this cold delusion, Mortimer dresses in his black preacher’s costume and is a habitual reader of the Bible. He represents the older, wiser generation, which is destined to be extinct. Next, Leone introduces Mortimer’s competition and opposite, Manco (Clint Eastwood), a young stranger with his cigars and poncho, who blends with his surroundings. He is a bounty hunter who kills purely for profit and approaches his victims directly. Finally, the audience is introduced to a doped-up Mexican killer, Indio (Gian Maria Volonté), whose degenerate pleasure in violence is linked to the moment, years before, when the death of Mortimer’s sister traumatized him sexually, and is constantly reminded of the incident by the chiming of the musical watch he carries, which matches Mortimer’s. (Bondanella, 257)
Cinema Du Parc is a reportery theatre that showcases independent films, whether it be arthouse or international cinema. It is located on Parc Avenue in Downtown Montreal, specifically inside a plaza filled with institutions such as cofee shops, grocery and clothing stores...
Moana (2016) is visually breathtaking film with a magnificent storyline as well. It keeps with traditional Disney warmth while creating a whole new feel. The music is gorgeous and unlike any other film. The film even incorporates multiple visual styles throughout without losing continuity. This much anticipate film definitely lived up to its expectations. The characters are strongly portrayed and lovable. There is an individuality to each of them. And the theme rings clear throughout the film: remember who you are. It is instilled into every part and expressed with great emotion. Through brilliant use of linear narrative, design, and sound and music, the theme is clear to all who watch.