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Womens status in the 19th century england
Women in britain gender roles during the 1800s
Women in britain gender roles during the 1800s
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Clasp a Padlock on Their Minds
The eighteenth century was teeming with ideas about marriage and the role of men and women in this institution. Literature at the time also served as a commentary on these issues as well. Isaac Bickerstaff explores many of the eighteenth century ideals concerning marriage in his play The Padlock. His play details the account of a young woman, Leonora, in the captivity of Don Diego, a rich old man. Don Diego, eager to marry Leonora, padlocks her in his house while he goes to make wedding arrangements. A much younger Leander gets into Don Diego’s house to win Leonora’s affections. This strategy of male dominance and coerced love, while today may seem outlandish, was not an uncommon practice at the time. While the plot was originally borrowed from Don Quixote, the play does a good job of detailing customs and traditions in place during the mid to late 1700’s. The Padlock itself, and the relationship that transpires between Don Diego and Leonora, serves as a commentary on the institution of marriage, dominance of the male figure, as well as asserts that love cannot be coerced, but must be won.
The author of the play, Bickerstaff, was originally born in Dublin on September 26, 1733, where he heavily benefitted from the cultured city’s musical and theatrical offerings. The city poured forth both local and imported talent including George Frideric Handel. His father supervised Dublin’s bowling greens and tennis courts, but his office was abolished in both an unfortunate and fortunate turn of events. While his father lost his job, Bickerstaff was appointed as a page. At the age of twelve, he received army commission and held rank of second lieutenant for ten years. A small inheritance allowed him to resi...
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...arsh criticism and rebellion. Literary works were a way of reflecting these rebellions and expressing emotions over social issues. Since plays were widely performed, they were able to reach a large number of people. One of the downsides of a performance includes more room for criticism. Playwrights had to make sure that their subject matter would not cause riots and they were enjoyable for their audience. This is where the character Mungo came in handy in the performance of The Padlock. The actors and actresses who played roles in plays often drew the crowds and this was how messages were conveyed. While there were many different messages conveyed in this particular play, there are strong ideas concerning the institution of marriage, male dominance, as well as conceptions about love being won incorporated into the love-triangle of Don Diego, Leonora, and Leander.
Fundamental to our understanding of El Médico de su Honra, and of any other play is the notion that it was for performance and not intended for reading. Therefore, the action, text and spectacle all work together in producing an overall effect upon the audience. Calderón is described as a `craftsman' of drama and is famous for the dramatic devices which appeal to the various senses in order to convey the play's message with greater profundity. However, the seventeenth century playwright was limited by the facilities available to him. The rudimentary nature of their theatres affected the way in which a play was staged and therefore its interpretation. Public theatres were situated in courtyards, or `corrales', surrounded on three sides by private dwellings. A basic, but nevertheless important point is that theatres were generally exposed to the elements. By necessity, plays were performed during daylight hours and inevitably this would affect the presentation of the play. Atmosphere and mood were of paramount importance in a play, and this is of particular significance in El Médico de su Honra, where darkness is crucial both to the plot and the underlying themes.
In Tartuffe, Moliere creates a play that is interesting in so many ways. His comedy reflects a lot on the role of men and women within a family. During this time, it was common for the man to be the head of the household and women to be submissive to the men. Men held the power in the family and made all the decisions. In this play, a man's point of view is the only view that matters. All else do not serve an importance. His lack of trust and awareness for other people's feelings and needs has caused great conflict in his family. The actions taken by Orgon and his family members express how this play views marriage and relations between men and women. It is a extremely different view (in some cases) of marriage today in average American family.
Marriage is an important theme in the plays, ‘A Doll’s House’ written by Henrik Ibsen, and ‘The House of Bernarda Alba’ written by Federico Garcia Lorca. Though the concept of marriage is two people living together through love and companionship, it revolves around the duties and principals put up by the society. Both of these books share anachronistic views of marriage where marriage is not an emotional attachment between two entities but a social engagement between two entities of similar wealth and power.
Many readers feel the tendency to compare Aphra Behn's Oroonoko to William Shakespeare's Othello. Indeed they have many features in common, such as wives executed by husbands, conflicts between white and black characters, deceived heroes, the absolute vulnerability of women, etc. Both works stage male characters at both ends of their conflicts. In Othello, the tragic hero is Othello, and the villain is Iago. In Oroonoko, the hero is Oroonoko, the vice of the first part is the old king, and the second part white men in the colony. In contrast to their husbands, both heroines—Desdemona and Imoinda—seem more like "function characters" who are merely trapped in their husband's fates, occasionally becoming some motivation of their husbands (like Desdemona is Othello's motivation to rage, Imoinda's pregnancy drives Oroonoko restless to escape). While Shakespeare and Behn put much effort in moulding them, to many readers they are merely "perfect wives". This paper aims to argue that, Desdemona and Imoinda's perfect wifehood may be the product of compliance to male-dominated societies, where women are
The movement for female right is one of the important social issue and it is ongoing reaction against the traditional male definition of woman. In most civilizations there was very unequal treatment between women and men with the expectation being that women should simply stay in the house and let the men support them. A Doll's House by Henrik Ibsen, and Trifles, by Susan Glaspell, are two well-known plays that give rise to discussions over male-female relationships. In both stories, they illustrate the similar perspectives on how men repress women in their marriages; men consider that women should obey them and their respective on their wives is oppressed showing the problems in two marriages that described in two plays. Therefore, in this essay, I will compare two similar but contrast stories; A Doll's House and Trifles, focusing on how they describe the problems in marriage related to women as victims of suppressed right.
The play is set in the 1920s when women started to receive clerical jobs and were expected to complete certain milestones in life. For example, in the scene labeled “at home” young woman – the main character – tells her mom that she is going to get married, because everybody does it, but then says she will not because she does not love Mr. Jones (Machinal). Ultimately her choice was to not get married, but in the end she does because her mom needs and wants her to get married for financial stability and the young woman feels that her destiny was to care for her mother. However, in the scene titled “prohibited”, the young woman starts deciding her destiny and chooses to cheat on her husband, Mr. Jones (Machinal). This is the moment when she realizes she can control her own destiny. That she does not have to be the happy housewife that society says her fate has to be. But there was still one problem, society still appeared to be in control of her destiny because she hasn’t decided on what her exact destiny would
In the 1800’s, women were considered a prize to be won, an object to show off to society. They were raised to be respectable women whose purpose was to marry into a higher social class in order to provide for their family. These women were stuck in a social system which seemed impossible to escape. Henrik Ibsen, a Norwegian playwright, saw these barriers and wrote one of the most controversial plays of his time, “A Dolls House”. In his play, Ibsen argues the importance of opposite sex equality in marriage by using his character, Nora Helmer, to bring to light how degrading the roles of women were in the 1800’s.
As the story begins, the narrator's compliance with her role as a submissive woman is easily seen. She states, "John laughs at me, but one expects that in marriage" (Gilman 577). These words clearly illustrate the male's position of power in a marriage t...
In the 19th Century, women had different roles and treated differently compared to today’s women in American society. In the past, men expected women to carry out the duties of a homemaker, which consisted of cleaning and cooking. In earlier years, men did not allow women to have opinions or carry on a job outside of the household. As today’s societies, women leave the house to carry on jobs that allow them to speak their minds and carry on roles that men carried out in earlier years. In the 19th Century, men stereotyped women to be insignificant, not think with their minds about issues outside of the kitchen or home. In the play Trifles, written by Susan Glaspell, the writer portrays how women in earlier years have no rights and men treat women like dirt. Trifles is based on real life events of a murder that Susan Glaspell covered during her work as a newspaper reporter in Des Moines and the play is based off of Susan Glaspell’s earlier writing, “A Jury of Her Peers”. The play is about a wife of a farmer that appears to be cold and filled with silence. After many years of the husband treating the wife terrible, the farmer’s wife snaps and murders her husband. In addition, the play portrays how men and women may stick together in same sex roles in certain situations. The men in the play are busy looking for evidence of proof to show Mrs. Wright murdered her husband. As for the women in the play, they stick together by hiding evidence to prove Mrs. Wright murdered her husband. Although men felt they were smarter than women in the earlier days, the play describes how women are expected of too much in their roles, which could cause a woman to emotionally snap, but leads to women banding together to prove that women can be...
Centuries ago in Elizabethan England there were many traditions about marriage and the treatment of women. One strong tradition of these times was the practice of marriage between races. Interracial marriages were considered extremely taboo. (High Beam). In this era marriages were arranged by the parents with strong help from the local church. The individuals had little choice as to who they would marry. (Elizabethan England Life). Yet another example of these traditions was the respectable treatment of women. While the husband was in charge of his wife, as was the father, the husband were expected to treat the women right (Elizbethi). In spurning all of these traditions, Shakespeare demonstrates a view of marriage far different from that of Elizabethan England, in doing this he is trying to plant new ideas in the people who read or view the play.
The spectacle of this play is limited which is why there is such weight put on the actors themselves. Their scene and ensembles never show signs of change yet they develop and grow. There is a huge stress on the statue, which whom the Learned Ladies bow
Marriage is a powerful union between two people who vow under oath to love each other for better, for worse, for richer, for poorer, in sickness and in health. This sacred bond is a complicated union; one that can culminate in absolute joy or in utter disarray. One factor that can differentiate between a journey of harmony or calamity is one’s motives. Jane Austen’s Pride and Prejudice is a novel of manners, where Elizabeth Bennet and her aristocratic suitor Mr. Darcy’s love unfolds as her prejudice and his pride abate. Anton Chekhov’s “Anna on the Neck” explores class distinction, as an impecunious young woman marries a wealthy man. Both Jane Austen’s Pride and Prejudice and Anton Chekhov’s “Anna on the Neck” utilize
The portrayal of gender roles in William Shakespeare’s play Othello, demonstrates the inferior treatment of women and the certain stereotypes of men placed on them by society. Both the male and female characters in the play have these certain gender expectations placed on them. In a society dominated by men, it is understood that the women are to be seen rather than heard. The women are referred to and treated much like property. If indeed they do speak up, they are quickly silenced. One woman’s attempt to be the perfect wife is what ultimately led to her demise. The expectations of men are equally stereotypical. Men are to be leaders and to be in control and dominant especially over the women. The male characters compete for position and use the female characters in the play as leverage to manipulate each other. Shakespeare provides insight in understanding the outcomes of the men and women who are faced with the pressures of trying to live up to society’s expectations, not only in the workplace, but also in the home. The pressure creates jealousy issues amongst the men and they become blind to the voice of reason and are overtaken by jealous rage, leads to the death of many of the characters.
In William Shakespeare’s “Twelfth Night,” a unnatural love triangle unfolds as the leading heroine, Viola, disguises herself as a male to obscure her social class in society in order to find herself without being bound by her gender. While many of Shakespeare’s works elaborate on the traditional and religious understanding of marriage during the 1600s, “Twelfth Night” obscures these traditional motifs by creating a humanistic portrayal of love that blurs not only social class but gender as well. The determinism throughout the play demonstrates how nature imposes limitations on the characters through cause and affect. For the characters
Lady Bracknell represents the typical aristocrat who focuses the idea of marriage on social and economic status. She believes that if the men trying to marry these girls are not of proper background, there is no engagement. Through this major exaggeration, Wilde satirically reveals the irrational and insignificant matters that the upper class society uses to view marriage.