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Essays about the woman warrior setting
The evolution by natural selection of humans
Essays about the woman warrior setting
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“Our opponents are gone now… But that doesn’t mean that we’ve won. There are misguided women out there who will attempt to remake the world exactly as it once was,” said Victoria, leader of the amazons (Vaughan). In Brian K. Vaughan’s graphic novel, Y The Last Man: Book One, something of the unknown has wiped out all of the males of the various species, leaving only Yorick, our main character and seemingly sole male survivor of the human race and his helper monkey, Ampersand. With Yorick’s only talent of being an escape artist, he and Ampersand escape many life threatening and near death encounters with the various groups and cliques of strong-willed women. Our author sought to rouse the reader from seemingly misogynist social norms and
One possible factor can be male-specific diseases, such as prostate and testicular cancer. Studies show, “About 1 man in 7 will be diagnosed with prostate cancer during his lifetime… [and] more than 2.9 million men in the United States who have been diagnosed with prostate cancer at some point are still alive today,” (ACS). “…About 1 of every 263 males will develop testicular cancer at some point during his life… Because testicular cancer usually can be treated successfully, a man’s lifetime risk of dying from this cancer is very low: about 1 in 5,000,” (ACS). Though these two forms of cancer have a tendency to be non-aggressive and treatable, they are still, nonetheless, specific to men and can cause death. If a risk factor of the two were to become a catalyst of some sort, then the diseases would become aggressive, thus leading to male extinction. The latter theory, in fact, does explain a possibility, but in turn is a merely a theory as previously indicated. Yet, men are diminishing before our very eyes. Our sex chromosomes tell a lot of the inevitable male extinction to come. The human sex chromosomes are made up of genes. “The female, or X, chromosome contains a healthy 1,000 or so genes,” (Macrae). Whereas males once had the same amount of genes in their Y-chromosomes hundreds of millions of years ago, their gene counts have diminished significantly. In fact, their Y-chromosomes contain a
Vaughan does a great job of showing understanding of what would happen with women, if the demise of men were to come about, in his graphic novel. In the book, our author shows the various problematic scenarios women may run into or create without men. He paints many of the female characters with savage-like, warmongering, and overbearingly strong attributes. Though fictional, these characteristics would surely evoke within women given the circumstances. However, the women’s qualities depicted in the book are no different from the characteristics our male figureheads in today’s society. In fact, it almost seems as if women, being the adaptable creatures that we are, would have taken on the previously referred “male” traits as a means of adjustment to the unexpected change. Women, often seen as the nurturing, sensitive, and at times, protective gender embodied the vengeful, emotionally contained, yet explosive, mannerisms we usually associate with their male counterparts. As opposed to intentionally painting women as villains, Vaughan attempted to show the reader that traits, characteristics, and qualities were not gender specific as implied by society, but rather, human nature and necessary as a means of
While Darwin left the qualities associated with maternity as a given, Gamble describes the results of natural selection in detail. By juxtaposing the “extreme egoism” (86) of males and the “altruism” (86) of females with “the unequal struggle for liberty and justice” (87), Gamble alters the connotations of the qualities of each sex. No longer are men envisioned as physically and mentally superior hunters that provided for families, but instead as tyrannical oppressors in the classic struggle for liberty. Gamble furthers her explanation of male oppression through sexual selection. With this, Gamble turns the connotation of male superiority on its head, suggesting that this supremacy is in fact a societal artifact, not a biological
Women aren’t represented as incompetent, but rather as limited. In “The Woman Precedent Female (Super) Heroism on Trial”, Julie O’Reilly analyzes the distinctions between the ways male and female superheroes are “put to the test” in narratives. She also describes how male superheroes are the ones who are accepted into the world of fighting and protecting against evil; while the females have to go through much more than males in order to be recognized for their efforts. “What really is on trial, then, is a female superhero’s ability to be a fully recognized subject” (O’Reilly 452). The “heroine in her own right” should be acknowledged just like how male superheroes are recognized. Female superheroes deserve the right of being able to do just as much, and possibly even more, than a male superhero can and they should be given the appreciation as well as the acknowledgment that they rightfully deserve. For example, one book written by Stieg Larsson called “The Girl with the Dragon Tattoo” depicts the life of a very strong female protagonist. The literature illustrates two people who are trying to solve the mystery of the disappearance of a young girl in the 1940’s but the woman isn't getting much credit or motivation as the other characters.
...r is much more difficult and requires extensive analysis. Female characters in American detective novels, stereotypically, exude the same blatant sexuality, helplessness and naivete and are therefore forced to exploit the only strengths they have in order to not be overwhelmed by the more forceful male characters. As can be seen in The Maltese Falcon the three female characters strive to maintain their power by any means necessary. Ironically, the character that exhibits the most masculine qualities and is the least sexual is the most successful. This proves that masculinity is equivalent to power and therefore women are powerless on many levels. The role of women is fairly constant in hard-boiled novels, and the struggle for power and control is an ever present theme.
Out from the kitchen and into the world, women are making a better name for themselves. Although humankind tends to be male dominated, men are not the only species that inhabit the world that they live on. In Julia Alvarez's novel In the Time of the Butterflies, the women of the Dominican Republic are expected to grow up to be housewives and lacking a formal education. Women may be cherished like national treasures, but they are not expected to fulfill their truest potentials as human beings.
Men are looked at as brave, selfless people and are perceived as heroes all throughout society. Johnson addresses this point saying, “The idea of heroism, for example, has been appropriated almost entirely by patriarchal manhood. From movies and television to literature to the nightly news, our ideas of who and what is heroic focus almost entirely on men and what they do” (548). Since men have power in this world, they have generated a society that pleases them. Superhero movies are a huge money maker in today’s world. But, the most popular superheroes are exclusively men such as Batman, Superman, Captain America, The Flash and The Hulk. This media only feeds into the ideology that men are the heroes in the world and they are the ones making sacrifices for others. They see a world that appeals to them and do not see a reason to mess with the system. Kilbourne writes, “When power is unequal, when one group is oppressed and discriminated against as a group, when there is a context of systematic and historical oppression, stereotypes and prejudice have different weight and meaning” (499). Men now see patriarchy as natural and how life should be. They can look back at previous generations and see that they succeeded with patriarchy and feel they should do the same. Men see absolutely no reason as to why they should relinquish their position of
Since the beginning of time, women have been seen as different from men. Their beauty and charms have been interpreted as both endearing and deadly to men. In the Bible, it was Eve’s mistake that led to humanity’s exile from the Garden of Eden. However, unlike in the Bible, in today’s world, women who drive men to ruin do not do so through simple mistakes and misunderstandings, they do so while fully aware of what effects their sexuality can cause. One thing remains constant through these portrayals of women, and that is that they are portrayed as flawed creations and therefore monstrous. It is a woman’s sex drive and sexuality that can lead to her monstrosity. The femme fatale is an enticing, exquisitely beautiful, erotic character who plays the ultimate trick of nature: she displays her beauty, captures the man and goes in for the kill. Films such as Adrian Lyne’s Fatal Attraction and stories such as Geoffrey Chaucer’s The Wife of Bath’s Tale, and Sir Gawain the Green Knight use the femme fatale as a means of making a woman into a monster; the femme fatale can never win in the battle of the sexes. But what is it that makes the femme fatale such a dangerously character for the hero as well as the readers or viewers?
When William M. Marston, creator of fictional heroine Wonder Woman, asked a girl which female superhero she aspired to be, the girl retorted, “Aw, that’s girls stuff! Who wants to be a girl?” And that is the point; just as the young comic enthusiast suggested, our world has become a dominantly patriarchal society, ranking men over women in the social hierarchy. While some might argue that there is more gender equality in our world now than in any other moment in American history, we still find nonetheless in our culture these continually degrading attitudes towards women. Women today are still only represented as icons of male sexual desire and are only viewed as valuable insofar as they can satisfy that sexual desires. This value is often tied to their attractiveness through their physical qualities, and superhero films offer the medium to accentuate the representation of these qualities. More specifically, superhero movies have become subjected to the male gaze, which proposes that movies are filmed specifically for the heterosexual male audience. This has continued to lead to the falsely characterized perception of women, intriguing the viewer through her hypersexualized style of clothing. Some may claim that superheroes do not relate to actual society and teach us nothing about human nature because they are too fantastical; however, I would suggest that these narratives imply, though indirectly, some theory of human nature. By examining female superhero icons such as Wonder Woman, we can investigate the ways the creators of superhero characters thought both about human nature and the nature of sexual difference. In essence, the portrayal of women is superhero film perpetuate...
In order for us to deal with how a consideration of femininity can effect our understanding of a literary text, we must also be able to grasp the notion of `feminism' and `Feminist Literary Theory'. A dictionary definition of `feminism' is: `the advocacy of women's rights on the grounds of the equality of the sexes.' Although this leans towards feminism in the historical sense of the word, it still provides the grounds, or foundations, from which feminist literary theories were created. Feminists argue against the stereotyping and social construction of female norms, seeing them as created by men in order to establish their own sense of power. It is thought that while males suggest that gender is sex and not actually a construct, the female role will become much more passive, stereotyped and controlled.
When one thinks about women, the same basic thoughts always cross through men's mind. Too many men fit women into the same standard roles of cooking, cleaning, and catering to men. Historically throughout time the role of a woman has been lesser than that of man. Those thoughts have progressively changed with time, but have yet to reach the equality sought out by every woman. Thoughts such as those mentioned above are prevalent in literature, with most female characters following the same mold of traits and intelligence in every novel. Women historically have had to conform to specific stereotypical roles, which are often reflected in literature.
One of the most fascinating elements that female authors bring to light is their use of perspective—something that’s most commonly illustrated through the eyes of a man, a male author, or, more often than not, both. Women writers offer a different voice than their male counterparts, even if it’s simply by the subtle inclusion of their own experiences within the narrative of the central character. With that in mind, the question must be asked—how do these female authors present their male characters? It’s common for male authors to stick to stereotypes and caricatures of the women they include in their works; but do female authors choose to follow this style as well? How do they represent the “modern man” within their texts? Through Woolf’s
Tough women are always attractive, scantily dressed, with plunging necklines, and extremely tight leather and spandex. Such is shown in marvel’s Avengers, Black widow is among all male counterparts, she is a russian assassin with a troubled past. She wears a black skin-tight jumpsuit with a low neckline, her physical capabilities and prowess isn’t enough she has to appeal to the male view. Black Widows strength and performance as a strong fearless woman, cannot be seen as progress. Such performance portrays a deep doubt towards female struggle for equality. “The tough woman is testament to a still male-dominant society’s own contradictory responses to women’s demands for equal treatment, equal pay, and equal status. The tough girl is nearly always stripped down (often literally) to what lies at her core, her essential, biological womanliness, her essential subordinate position to man.” (Byerly, Carolyn, Ross
A number of popular television shows and films filling mainstream media today have taken a spin to promote women to main character roles of power and command. The traits of these female characters, however, become illusionary as plots thicken to reveal their status to be subordinate to leading male character roles; of which are typically controlling or manipulative over gender stereotypic female traits within the script. While media is being blindly applauded for their newfound glorification of women in power, there remains an underlying message of male supremacy in more than many broadcasted portrayals. Today’s mainstream television media delivers a notion that only a man can pave way for the merit of a woman.
The films message to viewers about gender and power is that women are meant to take care of the home and play the supportive role, while men go out to their jobs and provide. Men are strong and burly and women are naïve and domesticated. Women need men and men always come to the rescue to save women and give them a happy ending. Power is portrayed in the film both visually and through the film’s script and dialogue. The common idea that women are inferior to men is placed subtly in this movie throughout the plot and how these charac...
The article expounds upon the characters: Harley Quinn, Catwoman, and Poison Ivy. The author discusses how these female fatales were seen as a threat because of their power and authority. They are objectified because they used their sexuality in order to achieve their goals. For example, Batman recounts to Albert, his butler how Harley Quinn used her sexuality in order to advance her goals to become a psychiatrist during graduate school. In the franchise, the characters exhibit a defiance of societal norms. As a result, the women are portrayed as dangerous and monstrous. However in order to survive in society, they each rely on their displays of sexuality and seduction to advance their motives. For example, Poison Ivy uses her feminine symbols such as kisses and flowers for destructive purposes. The author adds how there are differences between male and female villains, especially when it comes to verbal connotations of labeling. They are often underestimated, especially when fighting men, who are hindrances in the women’s path. However, they are also punished when they are seen as “too powerful”. For example, the Joker punishes Harley Quinn when she comes closer than hi to defeating Batman. These female fatales exemplify what
The differences between women and men are not solely biological. Our society’s culture has established a set of unwritten cultural laws of how each gender should act, or in other words society has ascribed a stereotype. Men’s gender identity has been one of masculinity, and masculinity is defined as referring to a man or things described as manly. What does manly mean though? Is a male manly if he is “Mr. Fix-it”, or the jock, or if he sits on the couch on Sunday watching football? This latter statement is a stereotype of men, that has been around for decades, and is current as well, but starting with the 1960’s a man’s role started to change, despite the stereotype not changing to accommodate it. For the past 40 years one can see how men have taken on roles stereotypically ascribed to women, such roles including being the “stay-at-home mom”, which we can find an excellent example of in the 1980’s film “Mr.