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analysis of out ot poem
analysis of out ot poem
analysis of out ot poem
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Carolyn Kizer mentions at the end that his friends are “well-groomed pets” unlike the speaker. Plath dehumanizes the speaker by comparing herself to a cat that had nine lives. The poem also contains internal monologue between the speaker and her inner bitch while there is external dialogue from her and her ex-lover. These components are major when discussing the meanings of each poem.
The tone of the poems have a similar negative connotation but in “Bitch” the speaker changes the tone from angry then to depressed back to angry. On the other hand, “Lady Lazarus” has a complex tone that includes pride, self-loathing, and critical of others by taking morbid pleasure in the “show” she created. When the speaker in “Bitch” first notices her ex-lover,
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Sylvia Plath created her title from her “long standing interest in the biblical story of Lazarus that peaked after her first attempt of suicide in 1953” and she felt like she “had been on the other side of life like Lazarus"(Plath’s LADY LAZARUS). Unlike the story “Lazarus” which uses the power for good, “Lady Lazarus” struggles to rise up over the cruel deity. Just like in “Lazarus” when Jesus has risen him from the dead, a similar belief is shown in “Lady Lazarus” after she was able to survive her near-death suicide attempts. In the poem “Bitch”, the title holds the meaning of a female dog and the male use of the word. It also shows in the title a “truly felt sense of belittlement confronts demeaning male name-calling.”(Masterplots II: Poetry, Revised Ed.) Often times, males use this generalized term to describe an overbearing or unpleasant women. Since Kizer is a feminist, she included this definition to associate the male-dominant world of the 1950’s that she wanted to put an end to. The speaker refers to her inner-self as a bitch using both denotations to describe the dog-like overbearing emotions that she receives from the conversation with her
Throughout the poem, the speaker is trying to alleviate the “Bitch” from within by persuading herself that the man no longer poses a threat, but as the memories come rushing back to her, it becomes more challenging. She starts reminiscing about her past relationship in lines 19-27. The dog is no...
It has been almost 50 years since the American literary community lost one of its greatest treasures, Sylvia Plath. Even in recent days, numerous scholars are still studying many admirable qualities in Plath’s collection of work. She has developed a unique writing style and performed thoroughly at an early age. Over the years, the events of her life highly affect the focus of her work. This transition is evident in her use of colors, object, and most importantly, her purpose for producing each poem. Plath’s development is presented clearly in her juvenilia poem “Female Author” to some of her later pieces, for instance “A Life”.
There is no shortage of media encouraging adolescents to ‘be themselves’, promoting self-worth regardless as to what others think. While many may be fed this message throughout music and film, rarely ever is it conveyed to actually have a lasting effect on one’s personal views quite like Sylvia Plath’s “Initiation”. Although formulaic, Plath’s uniquely optimistic short story warns against an obsession with belonging, and explores the importance of individuality through the protagonist Millicent Arnold’s gradual character development, from a self-conscious teenage girl to a stronger and more confident individual.
The narrator is trapped by their past, and the poem describes it affecting their daily life. They have a black cat they are envious of, because the cat is carefree and does not make the same mistakes that the narrator does. “He refuses to be snared by a single love the way I did” (319). The narrator had gotten trapped by a love that went badly, and left them being broken from it. Their cat does not make this mistake, and is also carefree, “He leaps from the rooftop . . . doesn't dread crossing bridges or dark alleyways” (318). He just lives his life out and is not concerned about any sort of danger, and because of this the narrator is envious of the cat. They cannot act the same way as the cat does, they are too concerned about their life and what happens with it, “He doesn't cling to life as I do” (318). The narrator seems to be trapped by their past, and because of this, it affects the way they live now. They have shut themselves off purposefully, they let their past affect them this much, they corrupted themselves. They know this, and they wish they had not let it happen, this is why they envy their
The theme of this poem is perspective, how the woman sees herself and how she is actually portrayed. In other words this poem is bashing the idea of vanity and replacing it with reality. Plath uses different types of figures of speech to try to make the intended theme clear. In the first nine line of the poem, personification is used to promote the theme. The second section of the poem lines 10-14 Plath uses metaphors, paradox and a jealous tone to relate to the theme of the poem. The final section of the poem lines 15-18 Plath uses a simile and a very serious tone to show exactly what the main theme of the poem is.
instead of starting with plath's poetry I decided to start off with her only novel, the bel jar. "the bell jar is a novel about the events of sylvia plath's twentieth year; about how she tried to die, and how they stuck her together with glue. it is a fine novel, as bitter and remorseless as her last poems--the kind of book salinger's franny might have written about herself ten years later, if she had spent those ten years in hell" (scholes). i want to explain the imagery in the title of plath's autobiography. i stated the definition earlier. a bell jar is basically like a regular jar that has been turned upside down. it is glass and transparent. unlike a jar, a bell jar is often used to display something fragile. in her novel, plath was fragile and her bell jar was her environment. in her novel she spent five weeks in a mental institution. there, she was on display to many counselors, nurses, physicians, psychiatrists, and psychologists. they watched Pplath regain stability from the day of her arrival to the day of her dismissal. also, "controlled atmosphere" can be seen as the environment of the institute. now on to the poetry of sylvia plath. just a little note... before i read her work i thought poetry sucked. anyway, in the poem "lady lazarus" plath speaks of her own suicide and she even takes some pride in her knowledge of death. in a reading prepared for bbc radio, plath introduced this poem: "the speaker is a woman who has the great and terrible gift of being reborn. the only trouble is, she has to die first. she is the phoenix, the libertarian spirit, what you will. she is also just a good, plain, very resourceful woman" (Plath 294).
"Ode to the Death of a Favorite Cat" can be a poem that represents a sexist view of women while identifying the three psychological entities; the id, ego, and superego.
Plath's background is significant in her literature. "Lady Lazarus" for instance, is one of her publications that illustrate her ill motive of craving to commit suicide (Curley 214). The poem is often interpreted as an expression of her attempt to commit suicide and the impulses. The tone of "Lady Lazarus" ranges between scathing and menacing, and the extensive use
Overall, the imagery that Plath creates is framed by her diction and is used to convey her emotions toward all relationships and probably even her own marriage to Ted Hughes, who had rude, disorderly habits. Even the structure of the poem is strict in appearance as each stanza ends with a period and consists of exactly six lines. In addition, the persona of the poem is very detached and realistic, so much that it is hard to distinguish between her and Plath, herself. However, Plath insinuates that the woman actually wants love deep down, but finds the complexity and unpredictability of love to be frightening. As a result, she settles for solitude as a defense against her underlying fear.
In the New Testament of the Bible, Lazarus is a man who rises from the dead at the command of Jesus Christ (John 11:38). The title of this poem, "Lady Lazarus"(the "Lady" without a doubt referring to Plath herself, as this is an example of confessional poetry; the "Lazarus" being an allusion to the biblical figure) is an accurate indicator of the content of the poem. "Lady Lazarus" is about Plath's third attempt at suicide, and her subsequent 'resurrection'. In lines 65-79, Plath develops the speaker's contempt for the doctors who brought her back to life. Through this, Plath develops the character's paranoia.
Plath explores Lady Lazarus' nontraditional view of suicide in her poem; (since Plath does not give the speaker of the poem a name, I will refer to her as Lady Lazarus). Lady Lazarus reveals her first suicide was accidental, but she reveals that her two subsequent deaths have been deliberate. This is significant as she is not speaking of attempts, but actual suicides; also, she establishes her intention. In describing the woman's attitude, Plath varies between using metaphors, such as "It's the theatrical/Comeback in broad day" (51-52), and similes: "my skin/Bright as Nazi lampshade" (4-5); "I rocked shut/As a seashell" (38-39). Plath's indifferent and almost positive connotations suggest Lady Lazarus embraces death as indicative of her ability to survive. Also, the poem's structure of three-line stanzas is symbolic of this being Lady Lazarus' third suicide. After her suicide, Lady Lazarus declares she is only "Ash," "Flesh, bone,"(75) "A cake of soap/A wedding ring,/A gold filling" (76-78): she does not reminisce about who she was, but rather, literally what she now is. Plath's repetition of "ash" indicates Lady Lazarus' preoccupation: "I turn and burn" (71); Lady Lazarus does not express resentment towards this death, likely symbolic, as she does not articulate the exact method. Furthermore, Lady...
Sylvia Plath’s poem “Mirror” is about a women maturing with time and her mirror is witness to her aging and her journey to finding herself. The mirror serves as a vivid portrayal of women’s life and stride through a very reliable persona, the mirror. Along her required journey she is faced with obstacles, such as herself and time ticking. All through life’s inconsistencies the mirror is the only one that does not hide her truth but reveals it to her even though she may not want to face reality. This poem is a representation of the idea that beauty lies in the hands of the beholder. The mirror only reflects the image to the woman, but it is the woman herself who is judging.
The poetry of Sylvia Plath can be interpreted psychoanalytically. Sigmund Freud believed that the majority of all art was a controlled expression of the unconscious. However, this does not mean that the creation of art is effortless; on the contrary it requires a high degree of sophistication. Works of art like dreams have both a manifest content (what is on the surface) and latent content (the true meaning). Both dreams and art use symbolism and metaphor and thus need to be interpreted to understand the latent content. It is important to maintain that analyzing Plaths poetry is not the same as analyzing Plath; her works stand by themselves and create their own fictional world. In the poems Lady Lazarus, Daddy and Electra on Azalea Path the psychoanalytic motifs of sadomasochism, regression and oral fixation, reperesnet the desire to return to the incestuous love object.
Plath conveys her mother as an image that readily accepts her husband's death, "[dreaming him] face down in the sea" and attempting to comfort Sylvia by telling her that "he died like any man." Plath alludes to the nature of her father's death, "the gangrene (that) ate [him] to the bone", in the last stanza. Otto Plath actually ignored an infection, and it eventually turned to gangrene, and then death. Suicidal images can also be seen in the last stanza, where Plath describes her "own blue razor rusting at [her] throat", and dubs herself "the ghost of an infamous suicide". Plath reveals a kaleidoscoped relationship between herself and her father as she bitterly refers to herself as her father's "hound-bitch, daughter, friend".
According to Plath, the narrator of "Lady Lazarus" has "the great and terrible gift of being reborn . . . she is the Phoenix, the libertarian spirit" (Wagner 71). In compact three-line stanzas, the speaker sardonically comments on her unique ability and its implications. Her tone demonstrates her boredom towards the attention paid to her by "the peanut-crunching crowd." Unlike the Biblical Lazarus who is called forth from the grave by Jesus, Lady Lazarus is able to resurrect herself and so avoids the polarities of God and Lucifer. Neither of these figures is able to exact punishment for the atrocities that man heaps on man, so the speaker transfigures herself by reducing her body to ashes and reviving her life through flame. As Leonard Sanazaro points out, "This willfulness to arise and devour humankind in the form of a self-fulfilled deity points up the impotence of the traditional concepts of good and evil" (Wagner 90) Lady Lazarus transcends these boundaries.