Analysis Of Another Side Of Bob Dylan

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After being labeled the king of folkie/protest, Dylan began to rebel against the rebellion. Dylan’s fourth album, Another Side of Bob Dylan, likely refers to his romantic and whimsical side, or anything that rebels from his folk label. This album is also unique in its experimentation with free form poetry in the lyrics. In February 1964, Dylan embarked on a trip across the U.S. to “find enough inspiration to step beyond the folk-song form, if not in the bars, or from the miners, then by peering deep into himself” (Another Side of Bob Dylan). He wrote the songs for this album in the back of the minivan, and recorded 14 of them in one night at the studio.
"To Ramona" is my favorite on the album. From the title, I assumed it would be just another …show more content…

Stating that the would-be lover is seeking, “Someone who will die for you and more,” and, “A lover for your life and nothing more,” Dylan’s reply is, “It ain’t me babe … It ain’t me you’re looking for”: a not so subtle way of saying goodbye, get lost, and that he is whoever he wants to be (“My Back Pages”). Once again, Dylan refuses to change, to be someone else to satisfy society’s wants. I also enjoyed the “No, No, No” refrain, which is either a satire of or a tribute to The Beatles “Yeah, Yeah, Yeah” chorus on “She Loves You”. Given the respect that he has long held for the band, Dylan was probably showing a sense of …show more content…

Although the subject matter was standard for folk music, the colorful and evocative language used to create this metaphor are an entirely new element within itself. “Chimes of Freedom” with its subtext of sympathy for the downtrodden was called by Paul Williams, a founding father of rock criticism, Dylan’s “Sermon on the Mount”, and I think that sums up the subtle power of this track (Rabinowitz

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