Analysis Of Ang Lee's Eat Drink Man Woman

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As part of Ang lee’s filmic oeuvre, the award-winning trilogy, Pushing hands (1992), Wedding Banquet (1993), and Eat Drink Man Woman (1994), endeavors to reveal a unique and startling array of approaches and genres to the theme of cultural identity in the world which is fueled by globalization (2009). Moving back and forth between the Chinese culture and American culture, Ang Lee employs special narrative techniques to present its global audience the representational family ethics and cultural values specific to the Chinese people. As the concluding epilogue of the Chinese language trilogy, Eat Drink Man Woman (in 1994, the film received the Asia Pacific Film Festival Award for Best Film; in 1995, it received an Academy Award Nomination for Best Foreign Language Film; the box office was estimated to reach up to $7.2 million) has been considered to be one of the most successful films directed by Lee. Seven years later, in 2001, Tortilla Soup, an adapted English language version of the …show more content…

The audience might feel confused at the very first sight, but they would understand the elaborate design behind the name after knowing the storyline. However, the American adaptation, Tortilla Soup, employs a typical Mexican dish in naming the film, which impresses Latinidad or Mexicanness for the audience.
According to Dilley, the most striking instance of the transfer of signs between West and East is in Eat Drink Man Woman. As a literal translation of a Chinese idiom (Yin-Shi-Nan-Yu, referring to the bare physiological necessities of sustaining human life), the title suggests pidgin language, conjuring up a history of Asian migrants in a western context. The title stands alone awkwardly, impressing native English speakers (or even some non-native English speakers) with “otherness” or

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