American McGee took the words of the Cheshire Cat seriously when he said “We’re all mad here” (Carrol 41). American McGee’s Alice is a videogame that was released in December of 2000, and then a sequel was released in 2011 titled Alice the Madness Returns. Both of Games follow a very similar plot, in which the player follows Alice as she copes with insanity though her distorted views of Wonderland with the second story as a continuation of the first. Her insanity is caused by the survivors guilt of an assumed accidental fire in which her family died. The use of categorical contamination and the gothic style within Alice’s mental world of Wonderland shows how American McGee turned the childhood fantasy tale into a satanic nightmare.
The Asylum
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In the story Alice was a little girl of seven with blond hair and a long blue dress with a white smock, she has been transformed into a monstrosity in the Wonderland. They changed her hair color to black representing her newfound dark nature that is exemplified in her brutal slashing and murdering of her foes. Her outfit transforms from a childish attire to a more Gothic attire, her heavy boots accompanying a blood splattered smock. Satanic symbols show the alterations of her attitude that is revealed by her rude comment to the Cheshire Cat about how “There is more than one way to skin a cat, if you don’t mind the expression” (Alice). The transformation of Alice shows the concept of categorical contamination or the blurring of lines between what the mind describes as two separate entities in that she is a representation of childhood innocence blurred with the adult sin. Her companion, The Chesire Cat, follows her …show more content…
Angus Bumby is a new character introduced into the Alice in Wonderland concept but he is the most monstrous of all of the characters. He exists outside of the wonderland as well as inside of it as the Dollmaker. Outside of wonderland Dr. Angus Bumby works for the mental Asylum as a psychiatrist, erasing Alice’s painful memories. He blurs the lines of help and hurt along with surface and depth, this categorical contamination is done through the surface appearance of helping Alice to a mentally stable life although his true motive is much darker. The player then finds out that he was in love with Elizabeth who refused him. He becomes obsessed, passing off her denials as her just playing hard to get, until he reaches the point of no return. On the night of the fire he breaks into the house, rapes and kills Elizabeth then sets the fires to cover up what he did. Alice’s survival causes an issue for him and he intends to wipe her memory and sell her as a slave or “Doll” which brings up cultural sensitivities adding to the monstrosity of the Doctor. The Dollmaker side of The Doctor represents the soulless, memoryless state that he plans to reduce Alice too. He is stitched together in a very Frankenstein manner, though his eyes are missing, depicting this change. After killing the Dollmaker Alice has the ability to return to London and avenge her sister and family with the death of Dr. Bumby and save Wonderland at least for the time
Alice’s failure to understand the “native” culture, and her insistence on imposing her own norms and values ultimately culminates in a life-threatening situation.” (Binova “Underground Alice:” the politics of wonderland). Alice is the colonised in the situation with the Queen of Hearts. When she is introduced to the Queen her evil nature is revealed as she orders “Off with her head!” (Carroll 96). However, she is contrasted to Alice’s good nature while she shouts “Nonsense!” ( Carrol 96). The theme of chaos and confusion is brought forward as they play croquet all at once with noises all around and even in the court where everyone is expected to be civil. Although the Queen, as a character reinforces adulthood, subversion emerges again by Alice standing up for herself at this time. Nearing the end of her dream, she stands up against the Queen at court but it dream ends without a resolution. Maria Lassen-Seger says in ( “Subversion of Authority”: In “Alice’s Adventures of Wonderland”), “the relationship between the child and the adult is an impossible power relation in which the child is marginalised and considered powerless, thus, the adults suggest in their books what a child ought to be, what values and images it should accept.” The Queen at this point in the dream would have been the
...ce films, the latest released in 2010, directed by Tim Burton. There were also two more sequels written by Dodgson and multiple comic books. There is even a statue in New York’s Central Park featuring Alice, the Mad Hatter, and the Mad March Hare. Alice continues to be a modern symbol of the bewildering and twisted side of today’s visual arts, literature, and entertainment.
His writing is easy enough for children to understand but the text itself holds a variety of different themes. Lewis Carroll’s writing style in Alice’s Adventures in Wonderland is detailed and humorous. He describes every event that Alice endures and the struggles she faces while still having a humorous tone that gives the novel dimension. For example, while describing Alice's entrance to Wonderland, Carroll gives a vivid image of what she saw such as the hallway lined with doors and the different people and animals she saw including the White Rabbit, the Caterpillar, and the chesire cat. Lewis Carroll also has a way of incorporating cleverness into this novel. His use of puns and confusing homophones such as the mouse in the story describing his “long and sad tale” which Alice assumes is about his physical tail and not a
To start Alice always felt that she was different, but realized it when she met the Mad Hatter. For instance, when he told her that there was no room at the table she sat anyway, she felt that she was very unwanted. Alice also feels that she is very different when the Mad Hatter refers to time as a person and not as a thing. When Alice was with the Mad Hatter she questioned his actions, but mostly when he stuffed a door mouse into a teapot. When the Mad Hatter had stuffed the mouse into the teapot is when Alice really started to questioning how people were acting in Wonderland. Therefore when Alice is with the Mad Hatter she feels like she is different from everyone else, along with when she is with the caterpillar and the pigeon.
The musical piece “Alice’s Theme” was composed in 2010 by composer Danny Elfman. This piece was written for Walt Disney Pictures’ “Alice in Wonderland”. Danny Elfman has represented Alice as lonely, questioning herself and anxious until the end of the film where she discovers her true purpose. Her journey is gradually revealed and represented through the different sections, instruments and lyrics. This is through the successful use of all the musical elements. These musical elements include duration, expressive devices, pitch, structure and texture.
The title character, Alice, is a young girl around pre-teen age. In the real world, the adult characters always look down on her because of her complete nonsense. She is considered the average everyday immature child, but when she is placed in the world of "Wonderland," the roles seem to switch. The adult characters within Wonderland are full of the nonsense and Alice is now the mature person. Thus creating the theme of growing up'. "...Alice, along with every other little girl is on an inevitable progress toward adulthood herself"(Heydt 62).
When she falls in the hole she is confronted with no exit except a tiny door to escape from. She, therefore, shrinks into pocket size only to find that the door was closed, constructing her to grow into an enormous size, larger than what Alice began. The idea was to drink to shrink, allowing her to proceed past the miniature door, however she had to eat a small cake to sprout again to gain access to a key placed on a table as it unlocks the door leading to the garden. At any rate, providing that she stop crying, she would realize what a substantial puddle of tears she’s created while being a colossal giant resulting in being stuck in the same place she’s been, therefore, can not escape into the magnificent garden. Alice, no matter how diligent she tried or wanted, was not capable of admission into the garden correlating that it was very slim. The representation of the garden can be looked upon as childhood during the time period, with this intention, lacking the ability to gain entry to the state of being a child. Thus, the reality of the Victorian era was the removal of entrance into childhood as they comforted an age of the Industrial Revolution. The passageway was infancy to young adulthood with no in between the stages, however that was the typical norm during those
Alice in wonderland has compelled many artists and writings to adapt, Lewis Carroll 's book into movies. The original animated movie of Alice in Wonderland came out in 1951; which was produced by Disney. There have been many remakes, but for the purpose of this essay the 2010, live action remake by Tim Burton can reveal the most change. Keeping these two versions in mind, it is possible to get a snapshot of some ways American culture has shifted over the 59 year period. There are five main changes of importance from the original and the remake of Alice in Wonderland. Those changes are: the age of Alice, the dynamic of characters in Wonderland, the Gender roles, the violence, and the agency of Alice throughout the movie. These key changes can be linked to many subliminal messages being conveyed about American
As Alice’s journey following the White Rabbit continues, she found her standing in his home. When Alice saw the strange drinks and cookies on the table, her desire to grow got the best of her and she began to taste them. Alice began to change size after drinking the mysterious liquid, “…she had drunk half the bottle, she found her head pressing against the ceiling and had to stoop to save her neck from being broken” (Carroll 44). This event relates to the theme of Alice growing up. Alice being small when entering the house symbolizes her being a child. Her yearning to become bigger is representative of her want to grow up and become an adult. Although, after drinking the bottle Alice becomes unsure if she really wanted to grow. The transitioning between sizes shows how Alice is torn between wanting to stay a child and wanting to become an
Lewis Carroll's Wonderland is a queer little universe where a not so ordinary girl is faced with the contradicting nature of the fantastic creatures who live there. Alice's Adventures in Wonderland is a child's struggle to survive in the condescending world of adults. The conflict between child and adult gives direction to Alice's adventures and controls all the outstanding features of the work- Alice's character, her relationship with other characters, and the dialogue. " Alice in Wonderland is on one hand so nonsensical that children sometimes feel ashamed to have been interested in anything so silly (Masslich 107)."
Lewis Carroll’s Alice in Wonderland follows the story of young Alice trapped in the world of Wonderland after falling down through a rabbit-hole. The rabbit-hole which is filled with bookshelves, maps, and other objects foreshadows the set of rules, the ones Alice is normally accustomed to, will be defied in Wonderland. This conflict between her world and Wonderland becomes evident shortly after her arrival as evinced by chaos in “Pool of Tears” and Alice brings up the main theme of the book “was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I am not the same, the next question is who am I?” (Carroll 18). After Alice fails to resolve her identity crisis using her friends, Alice says “Who am I, then? Tell me that first, and then, if I like being that person, I’ll come up: if not, I’ll stay down here til I’m somebody else” (Carroll 19). Hence in the beginning, Alice is showing her dependency on others to define her identity. Nevertheless when her name is called as a witness in chapter 12, Alice replies “HERE!” without any signs of hesitation (Carroll 103). Close examination of the plot in Alice in Wonderland reveals that experiential learning involving sizes leads Alice to think logically and rationally. Alice then attempts to explore Wonderland analytically and becomes more independent as the outcome. With these qualities, Alice resolves her identity crisis by recognizing Wonderland is nothing but a dream created by her mind.
Alice’s Adventures in Wonderland is a story about a little girl who comes into contact with unpredictable, illogical, basically mad world of Wonderland by following the White Rabbit into a huge rabbit – hole. Everything she experiences there challenges her perception and questions common sense. This extraordinary world is inhabited with peculiar, mystical and anthropomorphic creatures that constantly assault Alice which makes her to question her fundamental beliefs and suffer an identity crisis. Nevertheless, as she woke up from “such a curious dream” she could not help but think “as well she might, what a wonderful dream it had been ”.
Although the novel is notorious for its satire and parodies, Alice’s Adventures in Wonderland main theme is the transition between childhood and adulthood. Moreover, Alice’s adventures illustrate the perplexing struggle between child and adult mentalities as she explores the curious world of development know as Wonderland. From the beginning in the hallway of doors, Alice stands at an awkward disposition. The hallway contains dozens of doors that are all locked. Alice’s pre-adolescent stage parallels with her position in the hallway. Alice’s position in the hallway represents that she is at a stage stuck between being a child and a young woman. She posses a small golden key to ...
Many of us have read Alice’s Adventures In Wonderland and sympathized with the main character, Alice. The audience wonders why all of the characters in Wonderland are so strange and no one seems to notice but Alice herself. The tale brings a chilling feeling to it’s audience because we wonder what we would do if we were surrounded by nothing but odd circumstances and mad characters. However, if we truly think about the story, is the population of Wonderland mad? Or is it Alice that is different and strange? After all, Alice is in their world not vice versa. With these next few paragraphs we will take an in depth look at Wonderland, it’s population and Alice to determine who is really mad here.
Alice in Wonderland belongs to the nonsense genre, and even if most of what happens to Alice is quite illogical, the main character is not. “The Alice books are, above all, about growing up” (Kincaid, page 93); indeed, Alice starts her journey as a scared little girl, however, at the end of what we discover to be just a dream, she has entered the adolescence phase with a new way to approach the mentally exhausting and queer Wonderland. It is important to consider the whole story when analyzing the growth of the character, because the meaning of an event or a sentence is more likely to mean what it truly looks like rather than an explanation regarding subconscious and Freudian interpretations. Morton states “that the books should possess any unity of purpose seems on the surface unlikely” (Morton, page 509), but it’s better to consider the disconnected narrative and the main character separately, since the girl doesn’t belong to Wonderland, which is, as Morton says, with no intrinsic unity. Whereas, there are a few key turning points where it is possible to see how Alice is changing, something that is visible throughout her journey. Carroll wants to tell the story of a girl who has to become braver in order to contend with challenges like the pool made by her own tears, or assertive characters, like the Queen.