In the early years of America’s foundation, a powerful air of uncapped potential, the desire for expansion and individual identification enamored the American people. Progress was inevitable as was cultural definition. But as time progressed, the feeling of unlimited strength, time and space transformed into something that, for better or worse, was no longer shared by later poets. Those of the “New World” came to realize that their world never really managed to leave behind the faults of the “Old.” Societal tension rose as different poets and authors struggled to pin down the direction of American culture and its ideals. When no solid idea was able to capture American culture adequately, the concept of an ever-evolving American identity was adopted. It became apparent that the American identity could not concisely be defined because its description transformed into something greater than itself. Despite the notion of defining something so incredibly wide and vast, society has become increasingly pre-occupied with explaining exactly what the American identity means. Even when authors such as Walt Whitman, Ralph Waldo Emerson and Emily Dickinson navigate the American identity, their ideas, although similar in many respects, offer various nuances and perspectives on the topic. By investigating the various idiosyncrasies of their language and the focus each emphasizes, the complexities of the American identity can truly be highlighted.
In the case of linear movement, Whitman brings forth a distinct perspective of time as he disregards the traditional idea of external reality. This loss is set off by a heightened presence within the realm of consciousness. Therefore, Whitman’s nonlinear form of movement is accompanied by a destruct...
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... lets the world file past him and assigns each object by its name. It is in this way he rediscover the idiosyncrasies of the world around him, which have been too long camouflaged by conventional attitudes. Unlike Adam, however, he is not merely a giver of names, but Whitman feels at one with what he creates. Hence, Whitman’s attempt to establish a new relationship with reality and contribute to the fundamental ideals of the American identity rests on two premises. On one hand, he wants to experience and appreciate each individual in its particularity, just as Emerson’s “centrality of things” (Emerson, Circles) and in celebration of the “sacredness” (Whitman, Leaves of Grass) held within the individual; on the other, his urge to identify himself with the objects makes him demand that everything has reference to the foundation of the world, and particularly America.
...s a man of the world, the spiritual citizen of the universe.(Baudelaire 7) It is fundamentally a way of thought and thought process which artists, writers, and poets commonly have, Walt Whitman being one of them. He is a mirror as vast as the crowd itself who responds to each movement, then reproduces the multiplicity of life and the flickering grace of all elements of life. (9) Of course he is not a genuine flâneur like Monsieur G. but he continues to take in his city of Brooklyn, his nation of America, and himself as Walt Whitman: the poet and analyzes the world, soaking it in and not letting it pass him by like the many who keep their eyes glued to the never ending sidewalk.
Throughout the span of this semester, much of the literature discussed revolved around the so-called renaissance of American literature and its impact upon both the nation and its people. Of all the authors studied in this time period, Walt Whitman may well be known as the quintessential American author. Famous for breaking every rule known to poetry in the inimitable compilation, Song of Myself, Whitman provided a fresh and insightful commentary upon the dualistic nature of society, love, and life itself. Through defining these essential aspects of humanity, Whitman indeed composed one of the most accurate and enduring definitions of the individual self that literature, American or otherwise, has ever seen. Specifically, this was done through
American poetry, unlike other nations’ poetry, is still in the nascent stage because of the absence of a history in comparison to other nations’ poetry humming with matured voices. Nevertheless, in the past century, American poetry has received the recognition it deserves from the creative poetic compositions of Walt Whitman, who has been called “the father of American poetry.” His dynamic style and uncommon content is well exhibited in his famous poem “Song of Myself,” giving a direction to the American writers of posterity. In addition, his distinct use of the line and breath has had a huge impression on the compositions of a number of poets, especially on the works of the present-day poet Allen Ginsberg, whose debatable poem “Howl” reverberates with the traits of Whitman’s poetry. Nevertheless, while the form and content of “Howl” may have been impressed by “Song of Myself,” Ginsberg’s poem expresses a change from Whitman’s use of the line, his first-person recital, and his vision of America. As Whitman’s seamless lines are open-ended, speaking the voice of a universal speaker presenting a positive outlook of America, Ginsberg’s poem, on the contrary, uses long lines that end inward to present the uneasiness and madness that feature the vision of America that Ginsberg exhibits through the voice of a prophetic speaker.
The Extent of American Unity and Identity Since early colonization the English colonies had always felt closer to England than to each other. In fact, it took a British newspaper less time to reach Savannah than a letter from Massachusetts. However, after the French and Indian War a sense of unity began to permeate through the colonies as a result of British acts. For every British action there was an American reaction, which fed the spirit of a new identity as Americans, not English colonists. The American identity was being established in the years before the revolution, but it was not the majority as some colonists stayed loyal to the King.
Very few people will contest that Walt Whitman may be one of the most important and influential writers in American literary history and conceivably the single most influential poet. However many have claimed that Whitman’s writing is so free form as evident in his 1855 Preface to Leaves of Grass and Song of Myself that it has no style. The poetic structures he employs are unconventional but reflect his very democratic ideals towards America. Although Whitman’s writing does not include a structure that can be easily outlined, masterfully his writing conforms itself to no style, other then its own universal and unrestricted technique. Even though Whitman’s work does not lend itself to the conventional form of poetry in the way his contemporaries such as Longfellow and Whittier do, it holds a deliberate structure, despite its sprawling style of free association.
The nature of an ideology is completely personal; one’s interpretation may vary greatly from another’s interpretation. This is demonstrated in the two poems, “America” by Claude McKay and “Let America be America Again” by Langston Hughes. Both of these poems emerge from the Harlem Renaissance of the 1920s, and though these two poems each describe an ideological viewpoint of America as a place and a concept, the two speakers view the subject differently from one another. Both poets employ similar sound devices, yet the tones and themes vary between the two works.
This pattern continues today and is prevalent in more modern American writings as well. John Okada’s No-No Boy and Jack Kerouac’s “The Vanishing American Hobo,” two seemingly very different portraits of America, published within three years of each other in 1957 and 1960 respectively, both contain a thread of a confusion of self-identity as it relates to a larger American identity. These two works not only view the relationship between self-identity and country, but also delve into what happens when a country does not accept the identity that an individual has chosen for himself or herself. In No-No Boy, Ichiro and many other Japanese-American characters in the novel must create new American identities for themselves in the aftermath of Japan’s defeat in World War II. In...
To be an American has a big picture that can be described in many ways. Personally, to be an American is to achieve everything; however, the person next to may have a different opinion about it. History, America has been attracting immigrants from different parts of the world to live the full freedom and opportunity. To be an American means much more than living in the United States is to be able to expand the beliefs ones have. That is why people view the American Dream. The American Dream is an idea on were a perfect freedom is given to all people no matter social group or race. Many people have a definition of their mind on what is an American Dream. American are viewed as a person who can do the unlimited things. People freedoms and discoveries
The concept of identity is central to the conception of self. National identity is something that became increasingly important as the world became more integrated, as the various cultures of the world began to interact. The culture of the individual is thereby a concept that is constructed both internally and externally through interactions with one’s country and also the world around it. Herein, the concept of the American identity will be explored related to the period of 1870 to 1930. As will be demonstrated, over the course of this period, American identity became a concept that was particularly difficult to achieve for African Americans given the lingering racial tension and racism lingering from the Civil War.
The Romantic era’s new “American identity” was realized by the 18th-century’s literary, social, and artistic push for the creation of a culture that was unique to American society and the expansionist urge to expand America’s political realm of power. This was achieved with the influence of manifest destiny and expansionism, the emergence of transcendentalism and transcendentalist literature, and the identity of the American man being characterized by the traits of the “common man”, and the exploration of nature and the frontier through art.
American identity has been created by many events throughout the course of history. This country was founded on the clashing and mixing of many different cultures and lifestyles. One of the most important periods of time for this country was during the period of conflict between Americans and Native Americans over land rights. Americans had an idea of manifest destiny and that this land was theirs for the taking. The Americans were going to walk through anyone who opposed them in this quest for land. The treatment of the Indians during this time period was harsh, cruel, and violent to say the least. It is in this treatment that Americans came to view the Indians as a ?racialized other? and where race began to matter. This early thinking is what created our American identity which is based on race.
Stedman, Edmund Clarence. "An Important American Critic Views Whitman." Critical Essays on Walt Whitman. Ed. James Woodress. Boston: G.K. Hall, 1983. 116-127.
Having such a distinctive view on the world is not one that comes without emotional turmoil. "I suffer all the time: I have no relief, no escape: it is monotony—monotony—monotony—in pain." Walt Whitman has had a troubled life since birth and looks back at his childhood as unhappy and tense. His father was extremely strict, had a bad business sense and often drank. His father’s bad investment decisions eventually forced Whitman
While the poem can be termed to be democratic, both in subject matter and its language, Whitman is viewed to be cataloging the ‘new’ America that he is seeing around him. The poem includes subject matter such as relationships, patriotism, heroes, family and ancestors, and a view on social commentaries too.
In “On the Beach at Night Alone,” Walt Whitman develops the idea that everyone has a connection with everything else, including nature. Whitman uses a variety of writing techniques to get his point across. First, the repetition and parallel structure that his poems contain reinforce the connection between everything in nature. The usage of “All” 11 times emphasizes the inclusion of everything in the universe. The sentence structure remains the same throughout the poem, without any drastic change; however, the length of the lines in the poem vary. In addition, Whitman’s’ extravagance with his words further illustrates his idea of the Over-Soul. For example, “A vast similitude interlocks all” (4) shows his verbose nature. Whitman does not do directly to the point, but gives every little detail. Most importantly, Whitman’s’ use of catalogues stands as the most recognizable Whitman characteristic that illustrates his beliefs. These long lists that he uses set the mood of the poem. “All spheres, grown, ungrown, small, large, suns, moons, planets,” (5) shows the idea that everything is connected in nature. Similarly, “All nations, colors, barbarisms, civilizations languages.” (10) furthermore emphasize Whitman’s belief in the Over-Soul.